tag:blogger.com,1999:blog-48878438272712881512023-11-16T11:50:55.094+01:00arquitectura zona ceroAgustín Malonda Alberohttp://www.blogger.com/profile/12228836916215119090noreply@blogger.comBlogger226125tag:blogger.com,1999:blog-4887843827271288151.post-89238590854989169742015-05-18T21:03:00.001+02:002015-05-18T21:03:46.204+02:00CASA LLORELL EN LA COSTA BRAVA DE DOSARQUITECTES<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Arial, Helvetica, sans-serif;"><b><span style="background-color: #cccccc;">dosarquitectes</span></b><o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">Francesc
Aromir Batiste-Alentorn & Cristina del Pozo Bas</span></b><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">, arquitectos/architects<b><o:p></o:p></b></span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES; mso-bidi-font-weight: bold;">Casa
Llorell en la Costa Brava, Tossa de Mar, Girona / <i>Llorell House in the Costa Brava, Tossa de Mar, Girona, Spain</i><o:p></o:p></span></div>
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<i><span style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES; mso-bidi-font-weight: bold;"><span style="font-size: x-small;">Fotógrafo / Photograph : Simón García : <a href="http://www.arqfoto.com/" target="_blank">arqfoto</a></span><o:p></o:p></span></i></div>
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<span lang="EN-US" style="font-weight: normal;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><i>(</i>De los
autores / </span><i><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">From the authors)</span></i></span></h1>
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<span style="font-family: Arial, Helvetica, sans-serif;">Una casa situada en pleno corazón de la Costa
Brava. Con increíbles vistas a la bahía. </span><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-font-kerning: 12.0pt;">La Costa Brava se significa por las fuertes
pendientes de bosque que llegan a tocar el mar. El reto fue pues encajar un
amplio programa con una volumetría que diera cierto contraste formal con la
naturaleza del lugar. Así propusimos unos cubos dispuestos de tal manera que
pareciera que estaban de forma aleatoria, como caídos del cielo en un juego de
dados, pero que en definitiva derivan de la forma de abanico del propio
terreno. Estos cubos tienen la misma dimensión de 7x7 m aproximadamente y
quedan completamente abiertos por el lado de las vistas al mar y a la buena
orientación solar, además de protegidos por un sistema de persianas hidráulicas
de grandes dimensiones que actúan como visera en verano y cuando están cerradas
son un brisesoleil. Los cubos se maclan originando unos espacios
intersticiales angulosos. De la disposición de estos </span><span style="font-family: Arial, Helvetica, sans-serif;">cubos en la planta superior, se desarrollan las
directrices del resto de la edificación.</span></div>
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<span style="color: #990000; font-family: Arial, Helvetica, sans-serif;"><span lang="EN-US" style="color: #943634; font-family: "Arial","sans-serif"; mso-font-kerning: 12.0pt;">A house situated in the heart of the
Costa Brava with incredible views towards the coastal bay. </span>Costa Brava is different of other coasts
because of the big forest slopes next to the sea. The challenge was to fit a
big program in a volume with some formal contrast with the nature of the place.
So we propose some cubes placed as if they were randomly thrown, like if they
were fallen from the sky, but finally they really derive from the fan-shape of
the plot. Those cubes have the same size: 7 by 7 meters. They are absolutely
open by one side, in order to have the sea views and the best solar
orientation, even that they are protected by those very special big blinds
(operated by hydraulic system). The situation and position of those cubes
project the directives of the rest of the levels of the house.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES; mso-font-kerning: 12.0pt;">Las plantas inferiores se encastran en el terreno
para mejorar su integración en el terreno y se distribuyen de manera diáfana en
amplios espacios. La planta baja principal sitúa las piezas de uso más
importantes en conexión abierta con las terrazas, piscina y jardín exteriores.
Tres patios ayudan a mejorar las condiciones lumínicas y de ventilación de esta
planta. También sirven para distribuir los usos de los diferentes espacios: el apartamento
de invitados, la entrada principal y el estudio, o la zona de la cocina y salón
principal.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif; mso-font-kerning: 12.0pt;"><span style="color: #990000;">Under
levels have been integrated in the field with a big spaces opening to the sea.
Ground floor that is the main level is situating the most important used pieces
in open and direct connection with the outside terraces, swimming-pool and
gardens. Three patios help to increase natural lighting and ventilation of this
level. Also the serve to distribute the uses of the different spaces: guest
apartment, main entrance and study, or the kitchen area and main living room.</span><o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-font-kerning: 0pt;">Cada patio además tiene un
carácter diferenciado:<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-font-kerning: 0pt;">- El patio árabe: una lámina de agua en el centro de la casa, con el
ruido sereno de una fuente, en este caso una cascada de agua y que además
constituye, con el fondo translúcido (con un metacrilato), una claraboya de la
planta subterránea destinada al gimnasio.<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-font-kerning: 0pt;">- El patio oriental: el patio que ayuda a ventilar
la zona de servicio. Se diseña de manera muy sencilla con un suelo de piedras
de río y un fondo de bambú verde.<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-font-kerning: 0pt;">- El patio tropical: frente al comedor y en medio
del porche principal, aparece un patio de palmeras exóticas que atraviesan la
vivienda verticalmente<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-font-kerning: 0pt;">La planta inferior en
contacto con el jardín de césped con micro-dunas consta de la zona dedicada al
Spa y Hammam, y una zona de descanso y, también, se encuentra separado un
apartamento para el servicio habitual en este tipo de viviendas.</span><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-font-kerning: 12.0pt;"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="color: #990000; font-family: Arial, Helvetica, sans-serif; mso-font-kerning: 12.0pt;">Each patio has a different character:<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #990000; font-family: Arial, Helvetica, sans-serif; mso-font-kerning: 12.0pt;">- Arab patio: water in the centre of the house, fountain sound of the
water cascade, and glass bottom of the water tank acting as a roof natural
light window for the gym area.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #990000; font-family: Arial, Helvetica, sans-serif; mso-font-kerning: 12.0pt;">- Oriental patio: it’s the patio that helps to ventilate main part of
the house, through service areas. It’s very simple decorated with pavement of
river stones and bamboo trees as background<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #990000; font-family: Arial, Helvetica, sans-serif; mso-font-kerning: 12.0pt;">- Tropical patio: in front of the main dining area and in the middle of
the principal porch, there appears an exotic palm patio that crosses vertically
all the house. <o:p></o:p></span></div>
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<span lang="EN-US" style="color: #990000; font-family: Arial, Helvetica, sans-serif; mso-font-kerning: 12.0pt;">Lower level is in contact with the grass
garden designed in micro-dunes. Here we can find the Spa and Hammam and a rest
area. Separated there is also an apartment for the service of the house (housekeeper,
babysitter).<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLQhQmiwfDmvLKkbAFmK1sjpN1S6EsxX_SiKKbXQJasCwuI4UqM5n7nw8Tj8RQhikpNvk77DQRTrMFE794rKAxy6AowYTWm0UCVgCfZ9TKK855gl3GdOZV6IINu4uThXC3MQ1WdyvGT2U/s1600/casa-llorell-costa-brava-doc-04.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLQhQmiwfDmvLKkbAFmK1sjpN1S6EsxX_SiKKbXQJasCwuI4UqM5n7nw8Tj8RQhikpNvk77DQRTrMFE794rKAxy6AowYTWm0UCVgCfZ9TKK855gl3GdOZV6IINu4uThXC3MQ1WdyvGT2U/s320/casa-llorell-costa-brava-doc-04.jpg" width="320" /></span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES; mso-font-kerning: 12.0pt;">Dos materiales básicos conforman los acabados de
fachada exteriores:<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES; mso-font-kerning: 12.0pt;">- la piedra de travertino de la fachada ventilada de los volúmenes
superiores, que le dan un carácter más noble a esta parte <o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES; mso-font-kerning: 12.0pt;">- los gaviones rellenos con piedra de cantera de la zona, conforman el
acabado de un zócalo de estos cuerpos más volumétricos, así como dan forma a
los muros y barandillas de los jardines<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #990000; font-family: Arial, Helvetica, sans-serif; mso-font-kerning: 12.0pt;">Two main materials have been proposed
for the façades:<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #990000; font-family: Arial, Helvetica, sans-serif; mso-font-kerning: 12.0pt;">- Travertine stone of the ventilated façade for the upper volumes, that
is giving a noble character to this part of the house <o:p></o:p></span></div>
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<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif; mso-font-kerning: 12.0pt;"><span style="color: #990000;">- And the gabions filled with stones of the area, used for the basement
of the house and for the walls and protections of the garden</span><o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUBcTzM_ENq2g26oaq42g23xCILOJT4I4DQGwhm569Ky-WYRK6WLMOmdcgrjctGvBNiC17obdk1lnkiy475RgQ2cIOWq5JMQLA4OI_KAbVDJ2Xf-0nmU0mFY3mthhJq6yyNJvnFHPHluo/s1600/casa-llorell-costa-brava-doc-06.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUBcTzM_ENq2g26oaq42g23xCILOJT4I4DQGwhm569Ky-WYRK6WLMOmdcgrjctGvBNiC17obdk1lnkiy475RgQ2cIOWq5JMQLA4OI_KAbVDJ2Xf-0nmU0mFY3mthhJq6yyNJvnFHPHluo/s320/casa-llorell-costa-brava-doc-06.jpg" width="320" /></span></a><span style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-font-kerning: 0pt;">Otro aspecto importante de
la vivienda es el cumplimiento de los principios de la arquitectura sostenible,
tomando medidas de ahorro energético en el diseño de la vivienda y en la
selección de los materiales:<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-font-kerning: 0pt;">- Se ha diseñado el edificio de manera que sea posible la ventilación
cruzada.<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-font-kerning: 0pt;">- Todas las oberturas están protegidas contra la radiación solar en
verano, pero en cambio por su diseño sí que permite su acceso en invierno.<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-font-kerning: 0pt;">- La fachada de la vivienda se ha ejecutado por el sistema de fachada
ventilada, con un aislamiento térmico que duplica el mínimo obligado por la
normativa del código técnico. Se han evitado todos los posibles puentes
térmicos, haciendo la vivienda estanca térmicamente.<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-font-kerning: 0pt;">- Se han utilizado materiales ecológicos como el corcho de aislamiento
térmico.<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-font-kerning: 0pt;">- Se han instalado 20 m<span style="font-size: xx-small;">2</span> de captadores solares térmicos de tubos de
vacío. De esta manera se suple toda el ACS de la vivienda y parte del
subministro de calefacción para el suelo radiante, lo que supone un gran ahorro
energético.<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-font-kerning: 0pt;">- La mayor parte de la iluminación se ha propuesto con tecnología led,
lo que supone también un gran ahorro energético.<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-font-kerning: 0pt;">- La tecnología domótica de la vivienda permite utilizar su sistema para
que de manera automática se tomen medidas de ahorro, tales como subir o bajar
persianas cuando sea necesario.<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-font-kerning: 0pt;">- Las paredes de separación interiores están aisladas termo-acústicamente
con paneles de lana de roca de 4 cm, formando un conjunto de pared de 18 cm de
espesor. De esta manera, todas las estancias de la vivienda son acústicamente
estancas.</span><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-font-kerning: 12.0pt;"><o:p></o:p></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMmMzYUIu2LixTj7n-AaveoyVhQ-deIQHGNVgqUvyuCGsw7iiUJduPf7tFZM-YplKSsJu0riggaq50ODzJQsNAh8v_Qhwnn346xHRVrHAJ9GcWGjPd8CJtKgCbPZEumd90vx6scgNXV6c/s1600/casa-llorell-costa-brava-doc-05.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMmMzYUIu2LixTj7n-AaveoyVhQ-deIQHGNVgqUvyuCGsw7iiUJduPf7tFZM-YplKSsJu0riggaq50ODzJQsNAh8v_Qhwnn346xHRVrHAJ9GcWGjPd8CJtKgCbPZEumd90vx6scgNXV6c/s320/casa-llorell-costa-brava-doc-05.jpg" width="320" /></span></a></div>
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<span lang="EN-US" style="color: #990000; font-family: Arial, Helvetica, sans-serif; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-font-kerning: 0pt;">Another important aspect of the project is the compliance to accomplish
the principles of sustainable architecture, taking energy-saving measures into
the design of the house and in the selection of the materials:<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #990000; font-family: Arial, Helvetica, sans-serif; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-font-kerning: 0pt;">- The building has been designed in order to promote
natural crossing ventilation.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #990000; font-family: Arial, Helvetica, sans-serif; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-font-kerning: 0pt;">- All glass openings have been protected against solar
radiation in summer. Also the position of the openings also allows the entrance
the sun into the house in winter time acting as a natural heating system.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #990000; font-family: Arial, Helvetica, sans-serif; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-font-kerning: 0pt;">- There isn’t in the building construction any thermal
bridge, thanks especially to the system of the ventilated façade and taking
care of the details for every corner and connection. The isolation of the house
has duplicated the minimum required by the law.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #990000; font-family: Arial, Helvetica, sans-serif; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-font-kerning: 0pt;">- Using ecological materials like cork thermal
isolation for the roof terraces.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #990000; font-family: Arial, Helvetica, sans-serif; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-font-kerning: 0pt;">- 20 m<span style="font-size: xx-small;">2 </span>of high efficiency tube solar panels
installation for the heating system (floor heating) and the hot water of the
house. That system saves a lot of energy for the heating system.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #990000; font-family: Arial, Helvetica, sans-serif; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-font-kerning: 0pt;">- Most part of the lighting of the house has been
proposed with led technology that also supposes a high energy-saving. Also for
the corridors we proposed automatic movement detectors to open the lightings.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #990000; font-family: Arial, Helvetica, sans-serif; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-font-kerning: 0pt;">- Domotic system is being used automatically for
different energy-saving systems like closing lightings not used, open and closing
the blinds when necessary or depending on a time Schedule, etc.<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span lang="EN-US" style="color: #990000; font-family: "Arial","sans-serif"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-font-kerning: 0pt;">- The inside separating walls between rooms have been
isolated with thermal and acoustic panels made out of rock wool with a total
wall width of 18 cm.</span><span lang="EN-US" style="color: #943634; font-family: "Arial","sans-serif"; mso-font-kerning: 12.0pt;"><o:p></o:p></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaMRJwpjonROB-xTAhqvTOOU0Eg-GBBf_kyARYYYWItJSbOWVRr6Hclb2b236UHO1y066yGw0icxqrWPcTdolDzViAXg5eSJZKPdjyac6gE0wG6tckErzfJK0A1Vsz3ImyokN5PmvlHjM/s1600/SG1475b_3203.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaMRJwpjonROB-xTAhqvTOOU0Eg-GBBf_kyARYYYWItJSbOWVRr6Hclb2b236UHO1y066yGw0icxqrWPcTdolDzViAXg5eSJZKPdjyac6gE0wG6tckErzfJK0A1Vsz3ImyokN5PmvlHjM/s640/SG1475b_3203.jpg" width="640" /></span></a></div>
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<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-font-kerning: 0pt;"><br /></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVofRi1vriUKQdUA7XLnIaXVg17iOIvSQPA8t4QtdAYcIpvUTxw6u1Q_z9IogObuimLeFzu02FpNDug0FDRGPnwHMKuSOQlBBJmSJywuY9-1D-kGSoFpALOD2W8j_kWvuNV5Ru5DnfSFg/s1600/casa-llorell-costa-brava-doc-07.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVofRi1vriUKQdUA7XLnIaXVg17iOIvSQPA8t4QtdAYcIpvUTxw6u1Q_z9IogObuimLeFzu02FpNDug0FDRGPnwHMKuSOQlBBJmSJywuY9-1D-kGSoFpALOD2W8j_kWvuNV5Ru5DnfSFg/s320/casa-llorell-costa-brava-doc-07.jpg" width="320" /></span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-font-kerning: 0pt;">En cuanto al diseño
interior, la propuesta general parte de un pavimento con mucho carácter, un suelo
de madera tricapa de roble proviene de Alemania por el fabricante BIMBO. La
madera proviene de árboles especialmente seleccionados, con nudos y rajaduras
emplastecidas, cepillado y aceitado con un tinte en miel. Buscamos un ancho
variable y unos largos que van de los 5 a los 7 metros, de tal manera que casi
no existen juntas en testas. Las paredes decidimos darle un tono más neutro y
claro con un acabado o bien con un estuco a la cal en un color blanco roto, o
bien con un revestimiento de madera lacado con las puertas integradas. <o:p></o:p></span></div>
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<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif;">For the interior design general proposal starts choosing a very
high character Wood floor, coming from Germany. We decided for big lengths of
5-7 m and variable width up to 45cms. We decided for the walls more neutral
tone and clear with stucco finishing in light grey and the rest of the walls
have been proposed with lacquered wood panels and doors. <o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_ueK6SoxQejUUQXmsm060AFZs10QqqYrRVbmNp-GhTWW_JJEj792fC7H43SW_UtEYei6S8BemD8EixcbE-8TyB4qpjFGvlY4hJT60_YYxLTfNRdH_w_ZUAA-Yz9hub_GWngngHbofLLg/s1600/SG1475b_3408.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_ueK6SoxQejUUQXmsm060AFZs10QqqYrRVbmNp-GhTWW_JJEj792fC7H43SW_UtEYei6S8BemD8EixcbE-8TyB4qpjFGvlY4hJT60_YYxLTfNRdH_w_ZUAA-Yz9hub_GWngngHbofLLg/s400/SG1475b_3408.jpg" width="192" /></span></a><span style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-font-kerning: 0pt;">La iluminación cobra
especial importancia en esta vivienda, utilizando básicamente las lámparas decorativas
y técnicas de la casa italiana <i>Flos</i>. Algunas
de las luminarias están integradas en las propias paredes. Se propuso que todas
las grandes oberturas en fachada fueran bañadas por una luz indirecta lineal
con tiras de leds. La mayor parte de las luminarias son de tecnología led. La
cocina es de Arclinea. Se ha diseñado totalmente integrada en el espacio de uso
diario principal. Todo un empanelado con grecas verticales de un color gris
verdoso, de la misma casa <i>Arclinea</i>,
reviste los electrodomésticos y armarios. Se contrasta con una isla totalmente
de acero inoxidable rallado, así como la impresionante campana-mueble colgante,
que incorpora todos los detalles de una cocina para una casa de este nivel. Una
cocina de apoyo, donde está la zona de aguas y lavado, se sitúa en la parte
trasera más escondida y en conexión con uno de los patios.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif;">Lighting is very important in this Project. We have proposed
decorative and technical lighting from Italian world-known brand FLOS. Some of
the lighting has been built into the walls. Also we proposed all the glass
openings in façade with lineal bath led light. Our design for the kitchen was
executed by Italian brand Arclinea. It was designed to be part of the furniture
of the big space of the saloon and dining area. The back wall has been covered
by panels with vertical strips in green grey colour and touch system for the
doors of the cabinets, the fridge and the appliances. It is contrasted with the
stainless steel island and pendant shelf. <o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-font-kerning: 0pt;">Para el mobiliario se optó
por elementos colgantes en paredes liberando el máximo posible el suelo. Un tipo
de mobiliario fresco, más natural para una vivienda de costa moderna, en claro
contraste con el parquet natural. La piscina exterior es desbordante tipo <i>Infinity Pool</i>, y con cubierta retráctil.
Su acceso fue diseñado con amplios peldaños tipo playa para sentarse o
estirarse.</span><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-font-kerning: 12.0pt;"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif;">The furniture decided for the house was specially chosen with
hanging elements. We proposed fresh furniture, more natural for a coast modern
house, enhancing the contrast with the natural wood of the floor. Swimming-pool
is overflow as an infinity pool and protected by an automatic cover.<span style="font-size: x-small;"><o:p></o:p></span></span></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Fuentes / Sources:<o:p></o:p></span></span></i></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">+ <a href="http://www.dosarquitectes.com/prov/index.html" target="_blank">dosarquitectes</a><o:p></o:p></span></span></i></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">+ Simón García / <a href="http://www.arqfoto.com/" target="_blank">arqfoto</a></span><o:p></o:p></span></i></div>
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Agustín Malonda Alberohttp://www.blogger.com/profile/12228836916215119090noreply@blogger.comtag:blogger.com,1999:blog-4887843827271288151.post-46816596775487806962015-04-26T15:57:00.000+02:002015-04-26T15:57:26.801+02:00CENTRO DE OCIO Y DEPORTES JUNTO A EL LAGO VIOREAU (FRANCIA) DE LA AGENCIA GUINÉE*POTIN<div class="separator" style="clear: both; text-align: left;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeRqg5qML3-rUVJw1LZWE_xyBkVj5b7poRpyQKNzfF5h7baC3DCmwQuE3Hz2PmLQFygOPXGOR9FaoZZ_1mMiubG9rluCLKOtCi470AzFk4_ft3gOzq68tuGJHulWbsmvS4D9KF5uyZQk0/s1600/Fa%C3%A7ade-nord-photo-S.Chalmeau+non+libre+de+droits.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeRqg5qML3-rUVJw1LZWE_xyBkVj5b7poRpyQKNzfF5h7baC3DCmwQuE3Hz2PmLQFygOPXGOR9FaoZZ_1mMiubG9rluCLKOtCi470AzFk4_ft3gOzq68tuGJHulWbsmvS4D9KF5uyZQk0/s1600/Fa%C3%A7ade-nord-photo-S.Chalmeau+non+libre+de+droits.jpg" height="476" width="640" /></a></div>
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<b><span lang="EN-US" style="font-family: Arial, Helvetica, sans-serif;">Agence
Guinée*Potin Architects</span></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-font-kerning: 0pt;">Anne-Flore Guinée</span></b><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-font-kerning: 0pt;"> y <b>Hervé Potin</b>,
arquitectos </span><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-US;"><o:p></o:p></span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-bidi-font-weight: bold;">Centro de ocio en el lago de Vioreau,
Francia <i>/ Leisure facility on the lake of Vioreau, France<span style="font-size: x-small;"><o:p></o:p></span></i></span></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Fotógrafos / Photographs:<o:p></o:p></span></span></i></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><a href="http://www.stephanechalmeau.com/" target="_blank"> Stephane Chalmeau</a>, Nicolas Pineau<o:p></o:p></span></span></i></div>
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<i><span style="font-weight: normal;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><br /></span></span></i></h1>
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<span style="font-family: Arial, Helvetica, sans-serif;"><i><span style="font-weight: normal;"><span style="font-size: x-small;"> </span></span></i><i style="font-size: small;"><span lang="EN-US" style="font-weight: normal;">(</span></i><span lang="EN-US" style="font-size: x-small; font-weight: normal;">De los
autores / <i>From the authors)</i></span></span></h1>
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<b><span style="font-family: Arial, Helvetica, sans-serif;">Contexto /
<i>Context<o:p></o:p></i></span></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-bidi-font-weight: bold;">En la ciudad de Joué-sur-Erdre, junto al lago de Vioreau, se ubica el Centro
para el ocio en el lugar llamado 'la Boustière'. La localización del proyecto
se genera "naturalmente" desde sus tres límites: por el lado norte,
el edificio asentado en una colina; un camino existente que cruza la parcela de
norte a sur; un camping situado en la parte oeste del lugar. La parcela se abre
hacia el sur, hacia las orillas del lago. Descubriendo el sitio, se puede medir
la importancia de un proyecto que se estableció a modo de enlace entre los
diferentes elementos que componen este ambiente natural: la instalación de los
deportes acuáticos, el estacionamiento cuestas arriba, el lugar de
entrenamiento de tiro con arco, el camping y el camino del lago.<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span lang="EN-US" style="color: #943634; font-family: "Arial","sans-serif"; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;">In the city of
Joué</span><span style="color: #943634; font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;">-</span><span lang="EN-US" style="color: #943634; font-family: "Arial","sans-serif"; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;">sur</span><span style="color: #943634; font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;">-</span><span lang="EN-US" style="color: #943634; font-family: "Arial","sans-serif"; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;">Erdre, aside
the lake of Vioreau, is set the Leisure Facility on the site called ‘la</span><span style="color: #943634; font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;"> Boustière</span><span lang="EN-US" style="color: #943634; font-family: "Arial","sans-serif"; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;">’.</span><span lang="EN-US" style="color: #943634; font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;"> </span><span lang="EN-US" style="color: #943634; font-family: "Arial","sans-serif"; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;">The
localisation of the project is generated ‘naturally’ on three borders: on the
North side the building is sitting on a hill ; there is an existing pathway
bypassing the site from North to South; a camping field is set on the West part
of the site. <o:p></o:p></span></span></div>
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<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;">The site is
turned to the South, facing the shores and the banks of the lake. Discovering
the site, one can measure the importance of a project that would have to be set
as a link between the different elements composing the environment: the water
sports facility, the parking lot uphill, the archery training spot, the camping
site, and the pathway going to the lake.<b><o:p></o:p></b></span></div>
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<b><span style="font-family: Arial, Helvetica, sans-serif;">Proyecto
arquitectónico<i> / Architectural project<o:p></o:p></i></span></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-bidi-font-weight: bold;">El centro de ocio tenía que insertarse en el medio ambiente y jugar con
él, sin molestar, simplemente modificando sus principios, buscando la cohesión entre
la arquitectura y el paisaje. El proyecto incide en el lugar, compuesto por
elementos independientes, transformándolo en una única pieza, completamente
articulada y atada. Para alcanzar eso, se decidió no modificar nada; el
camping, los diferentes accesos, las trazas del paisaje, los caminos que atraviesan
el lugar.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;">The leisure
facility has to be inscribed in the environment and play with it, without
disturbing it, just modifying its principles, in cohesion with the
architectural and landscapes dates given here. The project turns the site,
composed of independent elements, into a single piece, well articulated and
wired. To confort that, it was decided not to modify anything; the camping
site, the different access, the landscape layouts, the pathways going through
the site.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_N1BIVVJw3N3tlaPfzgtTuWpF1RXAVwXSAbs90YVsepN-dAjsblOx8_FdCsesouER0czwCtv1eo899mCXD2d1JGFtO5KQiTOQcUAaX1PDXl6rME3y8Tj6Bszjj0YnC5qvBsI-0o4E_Ws/s1600/VIOREAU+-+GP+-+coupe+transversale+concours.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_N1BIVVJw3N3tlaPfzgtTuWpF1RXAVwXSAbs90YVsepN-dAjsblOx8_FdCsesouER0czwCtv1eo899mCXD2d1JGFtO5KQiTOQcUAaX1PDXl6rME3y8Tj6Bszjj0YnC5qvBsI-0o4E_Ws/s1600/VIOREAU+-+GP+-+coupe+transversale+concours.jpg" height="131" width="640" /></span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-bidi-font-weight: bold;">La topografía del lugar se utiliza para organizar el proyecto a través de
dos ejes:<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-bidi-font-weight: bold;">- El eje norte-sur, con el fin de encajar el proyecto en la colina;<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-bidi-font-weight: bold;">- El eje este-oeste, con el fin de "estirar" el proyecto a lo
largo de la colina, en paralelo a la orilla del lago.<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-bidi-font-weight: bold;">El suelo de la planta superior se encuentra sobre el terreno natural,
creando una suave pendiente desde el estacionamiento. La suave pendiente del lugar
no afecta demasiado al nuevo edificio; los trasteros, los vestuarios, las salas
técnicas se ubican pegadas al terreno,
en la planta baja, al mismo nivel que la ribera del lago, permitiendo de este
modo que las maniobras y accesos al lago sean más fáciles.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;">The topography
of the site is totally used to set the project on two axes:<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;">- North/South
axe, in order to fit the project in the hill ;<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;">- West/East
axe, in order to stretch the project along the hill, parallel to the bank of
the lake.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;">The floor of
the upper level is set on the natural terrain, creating a soft slope from the
parking lot. The downslope of the site makes that the new building does not
impact much the site, slipping the storage rooms, the changing rooms, the
technical rooms in the terrain, at the lower floor, on the same level as the
bank, making the manœuvre and the access to the lake easier.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvLEss1unTGtPIXbvN2jgyE6NW2ukZINlNBoOMqAqJ-1WokfYb0OOEfrP_y68wBYb54H4so-G55YN7DbyOysS1Pia6TWjgZk6yTVdx2bo9wgmrRsenmAc_kWqQ7a4Wjkz5JnlIZawJXU8/s1600/GP+-+VIOREAU+-+Coupes+concours.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvLEss1unTGtPIXbvN2jgyE6NW2ukZINlNBoOMqAqJ-1WokfYb0OOEfrP_y68wBYb54H4so-G55YN7DbyOysS1Pia6TWjgZk6yTVdx2bo9wgmrRsenmAc_kWqQ7a4Wjkz5JnlIZawJXU8/s1600/GP+-+VIOREAU+-+Coupes+concours.jpg" height="640" width="563" /></span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-bidi-font-weight: bold;">Por lo tanto, cada planta se encuentra a ras del suelo, conectado
directamente a la topografía del lugar. El nivel inferior presenta un generoso
espacio (4m bajo las vigas) para almacenar todo el equipo para deportes
acuáticos. El proyecto se basa en un enfoque sostenible, en consonancia con los
principios de la arquitectura bioclimática:<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-bidi-font-weight: bold;">• Orientación Norte / Sur,
teniendo en cuenta el clima, el viento y el sol del lugar<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-bidi-font-weight: bold;">• Bajo impacto en el
paisaje gracias a su materialidad (cubierta de madera para el nivel superior, hormigón moldeado para el
nivel más bajo)<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-bidi-font-weight: bold;">• Compacidad del edificio
(forma sencilla y compacta), con una fuerte inercia que permite el confort térmico durante todo el año<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-bidi-font-weight: bold;">• La explotación pasiva de
la energía solar, añadiendo la protección para el verano<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-bidi-font-weight: bold;">• Una fachada sur
generosamente abierta al paisaje; las circulaciones en la parte norte<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-bidi-font-weight: bold;">Esta disposición y los métodos pasivos relativos a la forma, la
implantación, la orientación y la naturaleza de las fachadas y de la cubierta se
refuerzan con soluciones técnicas sencillas y conocidas, como el refuerzo del
aislamiento, la ventilación mecánica, la transformación de la energía de la
calor, etc. Estas técnicas permiten una buena estanqueidad y el uso de una
producción pasiva de la electricidad, permitiendo alcanzar unas altas
prestaciones térmicas.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4JZOvbchvKYfaOGuLPFqJ-GiGafHsRnIRSL8fFtKJQTqM-yj6pZEx0AFmRPiq7W3t4POxrmUE4n4njRGF7ncmE3f5a5cLCeP2yNwkhh_BPxQ3Y3KAqt6C-3r3enk6jh9emcpnDP6rrDo/s1600/GP+-+VIOREAU+-+plans.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4JZOvbchvKYfaOGuLPFqJ-GiGafHsRnIRSL8fFtKJQTqM-yj6pZEx0AFmRPiq7W3t4POxrmUE4n4njRGF7ncmE3f5a5cLCeP2yNwkhh_BPxQ3Y3KAqt6C-3r3enk6jh9emcpnDP6rrDo/s1600/GP+-+VIOREAU+-+plans.jpg" height="400" width="300" /></span></a></div>
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<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;">Thus each
floor stands on the ground level, connected directly to the topography of the
site. The lower level has a generous space (4m under the beams) to store all
the water sports equipment. The project is based on a sustainable approach,
adopting the principles of a bioclimatic architecture:<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;">• North/South orientation, taking into
account the climate, the wind and the sunshine of the site <o:p></o:p></span></div>
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<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;">• Low impact on the landscape thanks to
its materiality (wooden covering for the upper level,
moulded concrete for the lower level)<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;">• Compacity of the building (simple and
compact form), with strong inertia that bring thermal
confort all year long <o:p></o:p></span></div>
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<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;">• Passiv exploitation of solar energy,
summer protection added <o:p></o:p></span></div>
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<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;">• South façade generously opened on the
landscape, circulations in the North part<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;">This disposals
and passive methods concerning the form, the implantation, the orientation and
the nature of the facades and the roof are to be completed by simple and
well-known technical solutions, such as reinforced isolation, mechanical
ventilation, transformation of the energy of the heat, etc. This technics work
on a perfect airtightness and the use of a passive production of electricity,
and lead us to great thermal performances.<o:p></o:p></span></div>
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<b><span style="font-family: Arial, Helvetica, sans-serif;">Concepto:
un enfoque contemporáneo de estética vernácula<i> / Concept : a contemporary
approach of vernacular aesthetic.<o:p></o:p></i></span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbnWOZCFEYM8eyspEPAoH_-Yjr4BSpgEQZe4JkP7qsxq4zEuvtUGVl6IfmTY5p-bvvB-JznH1U80BSN_jNcs49poC-EMx_ZRntrv6SVemXKnEtGCSh4yUaO9mFBWZnApeQHyQyOBvz9tE/s1600/Fa%C3%A7ade-ouest-photo-S.Chalmeau+non+libre+de+droits.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbnWOZCFEYM8eyspEPAoH_-Yjr4BSpgEQZe4JkP7qsxq4zEuvtUGVl6IfmTY5p-bvvB-JznH1U80BSN_jNcs49poC-EMx_ZRntrv6SVemXKnEtGCSh4yUaO9mFBWZnApeQHyQyOBvz9tE/s1600/Fa%C3%A7ade-ouest-photo-S.Chalmeau+non+libre+de+droits.jpg" height="298" width="400" /></span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">En este
contexto, marcado por una poética del paisaje, el proyecto establece una fuerte
identidad, interpretando en clave contemporánea los aspectos vernaculares del
lugar. El proyecto superpone dos capas que revelan el contexto, así como el
programa:<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">- En el nivel
inferior, una capa mineral de hormigón moldeado con un aspecto rocoso, con una geometría inspirada en los terrenos de la zona
de Chateaubriand / Nozay / Joué-sur-Erdre y la arquitectura vernácula realizada
con piedras de las numerosas canteras de esquistos. Esta piel hormigón moldeado
se cubre con pinturas irregulares, a modo de interpretación de los colores de las rocas del lugar.<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">- En el nivel
superior, una larga y ligera fachada acristalada recayente hacia el sur, se
convierte en una cubierta de madera hacia el norte, oeste y fachadas al este,
al igual que la arquitectura en madera del Pays de la Mée.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: Arial, Helvetica, sans-serif; letter-spacing: -0.5pt; position: relative; top: 2pt;"><o:p><br /></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuGvSjlmg5cEa7LQrg_5QofJUqMDZ4AXfYslSDDCs37yPk1N1dgkqpGnnw7lVY0sEgP3iuQIT0qYLQ780LZqq-qNh94Z9iMWRYGLQq1RFwvfiFT1B9L9jZ509er3dgfHFgSrpWuFsju3w/s1600/Fa%C3%A7ade-sud-%C3%A9l%C3%A9vation-photo+S.Chalmeau-non+libre+de+droits.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuGvSjlmg5cEa7LQrg_5QofJUqMDZ4AXfYslSDDCs37yPk1N1dgkqpGnnw7lVY0sEgP3iuQIT0qYLQ780LZqq-qNh94Z9iMWRYGLQq1RFwvfiFT1B9L9jZ509er3dgfHFgSrpWuFsju3w/s1600/Fa%C3%A7ade-sud-%C3%A9l%C3%A9vation-photo+S.Chalmeau-non+libre+de+droits.jpg" height="476" width="640" /></span></a></div>
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<span lang="EN-US" style="font-family: Arial, Helvetica, sans-serif; letter-spacing: -0.5pt; position: relative; top: 2pt;"><o:p><br /></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqv31v982MzQ63BRpsLvdoVW3nq45-VzVP_PrQXp41Tj8q1uufCy2ihJah3PCNMwPkpWarHdc8jLiDf1nUtxQS8OChza69fcpEQY1ACwaAqufnoew8f6-NQ6UdozKUGKAiDjkThdRAqhg/s1600/Fa%C3%A7ade-nord-trois-quart-photo-S.Chalmeau+non+libre+de+droits.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqv31v982MzQ63BRpsLvdoVW3nq45-VzVP_PrQXp41Tj8q1uufCy2ihJah3PCNMwPkpWarHdc8jLiDf1nUtxQS8OChza69fcpEQY1ACwaAqufnoew8f6-NQ6UdozKUGKAiDjkThdRAqhg/s1600/Fa%C3%A7ade-nord-trois-quart-photo-S.Chalmeau+non+libre+de+droits.jpg" height="298" width="400" /></span></a></div>
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<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif; letter-spacing: -.5pt; mso-ansi-language: EN-US; mso-text-raise: -2.0pt; position: relative; top: 2.0pt;">In
this context, marked by a poetic of the landscape, the project sets a strong
identity, interpretating in a contemporean way the vernacular aspect of the
site. The project superposes two layers that reveal the context as well as the
program:<o:p></o:p></span></div>
<div class="Paragraphestandard" style="text-align: justify;">
<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif; letter-spacing: -.5pt; mso-ansi-language: EN-US; mso-text-raise: -2.0pt; position: relative; top: 2.0pt;">-
On the lower level, a mineral layer made of moulded concrete giving a rocky
aspect lays on a site-inspired geometry, that you can find in the area of
Chateaubriand/Nozay/Joué-sur-Erdre, from the vernacular architecture made of
stones to the numerous schist quarries. This moulded concrete skin is covered
with irregular paintings, interpretating the colours of the rocks on the site.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif; letter-spacing: -.5pt; mso-ansi-language: EN-US; mso-text-raise: -2.0pt; position: relative; top: 2.0pt;">-
On the upper level, a large an light glazed South façade turns into a wooden
covering on the North, West and East façades, just like the wooden architecture
of the Pays de la Mée.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjipcG8ct9IQIVGud9dIgic4tizgYjMW1LEkAT_tiwo4f2Q79tAEKoSt2AuT8jvKk2Dz3MzDUaHRJ2RdREAK7HXYLj1g3VbeJqvAmTSiBV3xN_9qAm1FuaokMrYt5cP6E5Qxt02R_xWGJA/s1600/Fa%C3%A7ade-sud-trois-quart-photo-S.Chalmeau+non+libre+de+droits.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjipcG8ct9IQIVGud9dIgic4tizgYjMW1LEkAT_tiwo4f2Q79tAEKoSt2AuT8jvKk2Dz3MzDUaHRJ2RdREAK7HXYLj1g3VbeJqvAmTSiBV3xN_9qAm1FuaokMrYt5cP6E5Qxt02R_xWGJA/s1600/Fa%C3%A7ade-sud-trois-quart-photo-S.Chalmeau+non+libre+de+droits.jpg" height="476" width="640" /></span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
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<b><span style="font-family: Arial, Helvetica, sans-serif;">Materiales
/ <i>Materials<o:p></o:p></i></span></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-bidi-font-weight: bold;">El proyecto se basa sólo en soluciones constructivas a base de técnica
simples y materiales conocidos. Teniendo en cuenta las estrategias energéticas,
el equipamiento y la autonomía de los dos niveles, decidimos adoptar los
siguientes principios constructivos:<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-bidi-font-weight: bold;">- Para el nivel superior una construcción a base de madera. Completamente
prefabricada, de esta manera nos aseguramos el control de los detalles, de los ensambles,
y se garantiza una ejecución silenciosa y también flexible para el futuro<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-bidi-font-weight: bold;">- Para el nivel inferior a pilares y vigas de estructura de hormigón<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
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<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;">The project
relies only on simple technical construction solutions and well-known
materials. Taking into account the energy performances, the equipment and the
autonomy of the two levels, we decided to adopt the following constructive
principles :<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;">- for the
upper level a timber framework. Everything is prefabricated, this way we ensure
the control of the detail, of the assemblies, and it guarantees a noiseless
construction site and a flexibility of the building in the future<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;">- for the
lower level a pilars and beams concrete structure<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgU_ZwONqHTIUSscjOVKEtn3XfTBjCgFR6fGW1pKGg9fyhMPNgZPKCOhABh3m7oKdEg5-KpAPcLVdyWZMQK4t811aEEdyu_a8-Ok5bEDzLlV_xsdQR4gC9YSTESA2yoSHZECnAWiH_OoAo/s1600/Compo+Exter+1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgU_ZwONqHTIUSscjOVKEtn3XfTBjCgFR6fGW1pKGg9fyhMPNgZPKCOhABh3m7oKdEg5-KpAPcLVdyWZMQK4t811aEEdyu_a8-Ok5bEDzLlV_xsdQR4gC9YSTESA2yoSHZECnAWiH_OoAo/s1600/Compo+Exter+1.jpg" height="211" width="640" /></span></a></div>
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<b><span style="font-family: Arial, Helvetica, sans-serif; letter-spacing: -.6pt; mso-ansi-language: ES; mso-bidi-font-style: italic; mso-text-raise: -2.0pt; position: relative; top: 2.0pt;"><br /></span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEied9D8Csr9uSCJdEDHyvS5N10Xgpn18r9tU-l2wzNap7KRojgARyyHQCnB1faRPTLZoSVFRKZpfiWDKKf_kiUPoY0SQVI90rngC7H32b339upWxWKs3oviZ0iJ3ZttdhTRFMDSM3RJWvA/s1600/Compo+Exter+3.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEied9D8Csr9uSCJdEDHyvS5N10Xgpn18r9tU-l2wzNap7KRojgARyyHQCnB1faRPTLZoSVFRKZpfiWDKKf_kiUPoY0SQVI90rngC7H32b339upWxWKs3oviZ0iJ3ZttdhTRFMDSM3RJWvA/s1600/Compo+Exter+3.jpg" height="193" width="640" /></span></a></div>
<div class="Paragraphestandard" style="text-align: justify;">
<b><span style="font-family: Arial, Helvetica, sans-serif; letter-spacing: -.6pt; mso-ansi-language: ES; mso-bidi-font-style: italic; mso-text-raise: -2.0pt; position: relative; top: 2.0pt;">Funcionalidad<i> /
Functionnality <o:p></o:p></i></span></b></div>
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<b><u><span style="font-family: Arial, Helvetica, sans-serif; letter-spacing: -.6pt; mso-ansi-language: ES; mso-bidi-font-style: italic; mso-text-raise: -2.0pt; position: relative; top: 2.0pt;">El nivel superior: "el
refugio de madera"<i> / The upper level : ‘a wood refugy’<o:p></o:p></i></span></u></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Desde el aparcamiento
hasta el acceso principal de la fachada norte; el visitante es guiado a través
de un puente peatonal que cruza un pequeño riachuelo.<o:p></o:p></span></div>
<div class="Paragraphestandard" style="text-align: justify;">
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
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<span lang="FR" style="color: #943634; font-family: Arial, Helvetica, sans-serif; letter-spacing: -.6pt; mso-bidi-font-style: italic; mso-text-raise: -2.0pt; position: relative; top: 2.0pt;">From
the parking lot to the principal access on the North façade; the visitor is
guided by a footbridge crossing a landscape dike.<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
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<b><span style="color: windowtext; font-family: Arial, Helvetica, sans-serif; letter-spacing: -.5pt; mso-ansi-language: ES; mso-text-raise: -2.0pt; position: relative; top: 2.0pt;">El hall de recepción / <i>Reception hall<o:p></o:p></i></span></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">La sala de
recepción esta orientada hacia el sur y norte, desde esta se controla el acceso
y la distribución de los servicios de la instalación: las aulas, la sala
multimedia, los vestuarios y el almacenamiento. Ofrece, además, un acceso
privado y discreto al alojamiento. Es un espacio grande y confortable (4,5 m de
alto bajo la cumbrera), iluminado por la luz suave del norte a través de la
chimenea, y con sol directo desde la fachada sur en gran parte acristalada. Se
vuelca al lago <span style="font-family: "Arial","sans-serif"; mso-bidi-language: AR-SA;">Vioreau</span>, a través
de los grandes acristalamientos de suelo a techo y de la terraza, a modo de
transición entre el interior y el exterior. La sala contiene el área de
recepción, las oficinas de secretaria y de gestión y los aseos.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpcItr37cjF1tDO2A0Ts1HsGeJLz3Fk1N5U-d6zWfwgGdDimgWmc6Mt61fkWA1tBhyX2B7NgLW2UJ_LlyUuhqnBpPoEyERlIWvL2q-PORp7Ji02p4mTK1jLUhtXlWOegBwvuxdQl4F_0I/s1600/Compo+Inter+1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpcItr37cjF1tDO2A0Ts1HsGeJLz3Fk1N5U-d6zWfwgGdDimgWmc6Mt61fkWA1tBhyX2B7NgLW2UJ_LlyUuhqnBpPoEyERlIWvL2q-PORp7Ji02p4mTK1jLUhtXlWOegBwvuxdQl4F_0I/s1600/Compo+Inter+1.jpg" height="305" width="640" /></span></a></div>
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<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif; letter-spacing: -.5pt; mso-ansi-language: EN-US; mso-text-raise: -2.0pt; position: relative; top: 2.0pt;">The
reception hall is North and South oriented, controls the access and the
distribution to the services of the facility : class rooms, multimedia room,
changing rooms and storage. It offers also a private and discrete access to the
housing. It is a large and confortable space (4.5m high under the ridgepole),
lightened by the smooth North light goign through the chimney, and direct sun
from the largely glazed South façade. It is opened on Vioreau’s lake thanks to
large all-high windows and a terrace, transition between the inside and the
outside. The hall contains the reception desk, the secretary and management
offices, and man/woman toilets.<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>Aulas,
aula de la Naturaleza y sala multimedia <i>/ Class rooms, ‘nature’ room and multimedia
room</i></b><i><span style="font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;"><o:p></o:p></span></i></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-bidi-font-weight: bold;">Situadas en la parte oriental de la planta superior, las aulas están
controlados por la sala de recepción. Se orientan según el eje norte-sur y cuentan
con vistas sobre el lago; la permeabilidad de fachada abierta al sur, gracias a
los grandes ventanales, la convierte en un balcón sobre el paisaje. Están conectadas
entre sí, y el aula de "la naturaleza" puede abrirse directamente
hacia el hall. La sala multimedia se encuentra en la parte occidental, y esta
controlado por las oficinas de gestión.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuOD525gNXYCFRLwtj8MsUgYk68kliV30l1Upt5bAqVZw58YP-uXkI8fHz4M_2iLlY9-0qHoxXLeajlSscNTzESWJyzoJaLHkNyKiJM7feJEsdcUj1SnThOpUc0frPVvlPoJ2AFuHPRG8/s1600/salle-de-cours-2-+photo+nicolas_pineau.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuOD525gNXYCFRLwtj8MsUgYk68kliV30l1Upt5bAqVZw58YP-uXkI8fHz4M_2iLlY9-0qHoxXLeajlSscNTzESWJyzoJaLHkNyKiJM7feJEsdcUj1SnThOpUc0frPVvlPoJ2AFuHPRG8/s1600/salle-de-cours-2-+photo+nicolas_pineau.jpg" height="425" width="640" /></a></div>
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<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;">Situated on
the East part of the upper level, the class rooms are controled by the
reception hall. They are oriented on the North/South axis and are granted with
a view on the lake, largely opened to the South thanks to ‘over-measured’
all-height windows, a balcony on the landscape. They are linked to each other, and the
‘nature’ class room can open directly on the reception hall. The multimedia
room is on the West part, and is controled by the management offices. <o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_pGzJLqa4hT_UAi26FxW7jxYKOCa11AP-gkcNKv_suKL1-LcBQoQ5383dy3k3sqiXkCBzDIXfBDlNdcJNrrwHEkxU47WtFsayM4ncfZxCg1Fa_abyz6Pw6TxxbDrzpOZ2IFpLMQYj370/s1600/Fa%C3%A7ade-sud-trois-quart-soir-photo+nicolas_pineau.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_pGzJLqa4hT_UAi26FxW7jxYKOCa11AP-gkcNKv_suKL1-LcBQoQ5383dy3k3sqiXkCBzDIXfBDlNdcJNrrwHEkxU47WtFsayM4ncfZxCg1Fa_abyz6Pw6TxxbDrzpOZ2IFpLMQYj370/s1600/Fa%C3%A7ade-sud-trois-quart-soir-photo+nicolas_pineau.jpg" height="425" width="640" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
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<b><span style="font-family: Arial, Helvetica, sans-serif;">El alojamiento
/ <i>Housing<o:p></o:p></i></span></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-bidi-font-weight: bold;">La vivienda para el vigilante y el alojamiento para los trabajadores de
temporada se localizan en la parte oeste de la planta superior. Cuentan con un
acceso privado desde la vía peatonal. Muchos elementos refuerzan la idea de lo
doméstico: una pasarela, una pequeña barrera de acceso, una sala de transición
privada, una terraza orientada al sur para la vivienda del vigilante. Estos
alojamientos disponen, también, de un acceso directo a la sala de recepción, y
los usuarios no tienen que atravesar la zona de juegos exterior para llegar a
su vivienda.<o:p></o:p></span></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMfSTQylwjgkT7A5uBnW-JfOvN4IrqD1ud_3X_AyyT80ZjZU3l-qCege_u0c_a9goBX9LGPAzgn-q3Edy_kCd01EjC12q8scj92CbRgAwCoVV1wnanj3MDDojPnmsA2kurQaCtc9jJPLE/s1600/terrase.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMfSTQylwjgkT7A5uBnW-JfOvN4IrqD1ud_3X_AyyT80ZjZU3l-qCege_u0c_a9goBX9LGPAzgn-q3Edy_kCd01EjC12q8scj92CbRgAwCoVV1wnanj3MDDojPnmsA2kurQaCtc9jJPLE/s1600/terrase.jpg" height="236" width="640" /></span></a></div>
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<i><span style="font-family: Arial, Helvetica, sans-serif; mso-bidi-font-weight: bold;"><br /></span></i></div>
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<i><span style="font-family: Arial, Helvetica, sans-serif; mso-bidi-font-weight: bold;"><br /></span></i></div>
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<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;">The housing
for the watchman and the accomodations for the seasonal workers are on the West
part of the upper level. They have a private access from the pedestrian
pathway.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;">Many apparatus
reinforce the notion of appropriation and proper house: a footbridge, a small
barrier access, a private transition room, a South oriented terrace for the
watchman’s housing. These accomodations also have a direct access to the
reception hall and users do not need to cross the outside playground to get to
their housing.<i><o:p></o:p></i></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
<div class="Paragraphestandard" style="text-align: justify;">
<span style="font-family: Arial, Helvetica, sans-serif;"><b><u><span style="font-family: "Swis721 BT","sans-serif"; letter-spacing: -.6pt; mso-ansi-language: ES; mso-bidi-font-family: "Swis721 BT"; mso-bidi-font-style: italic; mso-text-raise: -2.0pt; position: relative; top: 2.0pt;">El
nivel inferior: " la roca habitada" / <i>The lower level : ‘a rock
inhabited’</i></span></u></b><a href="https://www.blogger.com/null" name="_GoBack"></a><b><i><u><span style="letter-spacing: -0.5pt; position: relative; top: 2pt;"><o:p></o:p></span></u></i></b></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Las
habitaciones están situadas a lo largo de la fachada de manera que se
benefician de la iluminación y
ventilación natural, especialmente para las habitaciones "húmedas".<o:p></o:p></span></div>
<div class="Paragraphestandard" style="text-align: justify;">
<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif; letter-spacing: -.5pt; mso-ansi-language: EN-US; mso-text-raise: -2.0pt; position: relative; top: 2.0pt;">The
rooms are positioned along the façade as much as possible so that they can take
advantage of a natural lightning and ventilation, specially for the ‘wet’
rooms.<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>Almacenamiento
/ <i>Storage
</i></b><o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">En la parte
este de la planta baja se sitúan las salas de almacenamiento para los deportes
acuáticos y las bicicletas de montaña, y el taller técnico. Disponen de grandes
espacios abiertos en el exterior gracias a las puertas plegables. La sala de
secado se abre directamente al exterior o hacia el almacenamiento.<o:p></o:p></span></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFaYB6EMeNlKzLolC95JM1rhvDvqmP15PmuTw_HgEja-sqDCihZnt0y3pwEbTcKogNeB33JhcY956VXWyPbsiGDX32axtGjuYAe9GwaHLJCoAR5jlmn57-aA-LFapG7K-oN4UlFcF39ks/s1600/canoas.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFaYB6EMeNlKzLolC95JM1rhvDvqmP15PmuTw_HgEja-sqDCihZnt0y3pwEbTcKogNeB33JhcY956VXWyPbsiGDX32axtGjuYAe9GwaHLJCoAR5jlmn57-aA-LFapG7K-oN4UlFcF39ks/s1600/canoas.jpg" height="236" width="640" /></span></a></div>
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<span style="color: #943634; font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
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<span style="color: #943634; font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
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<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif; mso-ansi-language: EN-US;">On the East part of the lower level are
placed the storage rooms for the water sports and the mountain bikes, and the
technical workshop. They have huge spaces opened on the outside thanks to
all-height folding doors. The dryer room opens directly to the outside or on
the storage.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: EN-US;"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMI1MPVb8jla5FPcuIF-on8XCrYQugLf-151sQ_WbZd0gjI2kkKTGn4fx0YjlQaPGvr_ZXsSKn4pLkuJcjG3nM_aIdJDhX5rzsp-ATbR703n4NunMZSH5hgB0DOS7xHGXT07LK1EsmhpI/s1600/Fa%C3%A7ade+sud+%C3%A9l%C3%A9vation+1+-photo+S.Chalmeau+non+libre+de+droits.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMI1MPVb8jla5FPcuIF-on8XCrYQugLf-151sQ_WbZd0gjI2kkKTGn4fx0YjlQaPGvr_ZXsSKn4pLkuJcjG3nM_aIdJDhX5rzsp-ATbR703n4NunMZSH5hgB0DOS7xHGXT07LK1EsmhpI/s1600/Fa%C3%A7ade+sud+%C3%A9l%C3%A9vation+1+-photo+S.Chalmeau+non+libre+de+droits.jpg" height="476" width="640" /></span></a></div>
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<span lang="EN-US" style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: EN-US;"><br /></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>Vestuarios
/ <i>Changing rooms</i></b><i><o:p></o:p></i></span></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif;">Se localizan al
oeste de la planta baja y se articulan en torno a un generoso pasillo, que
separa los dos vestuarios principales. Dos circuitos diferentes, un
"húmedo" uno y "seco" uno, se ofrecen, generados por la
disposición de los elementos. Cuando los usuarios están secos, pueden ir a la
sala de recepción y utilizan el circuito "seco" sin cruzar el
circuito "húmedo". Los vestuarios están dispuestos a lo largo de las
fachadas: tienen la luz solar directa y ventilación.<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgH-XnOvbPlSGyQi4I_0bS4F2WdvPAOczFc8nsArc2G3RK-AQ6WzOadh1nIQ0PFvKXyqtcLdwWwWdQAcGJQLgg4ygRaJomuHGh5F0E46OuT1TIiwHEJfmfDe7b99yiYEuS7h50Zj7SMBfw/s1600/Compo+Inter+2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgH-XnOvbPlSGyQi4I_0bS4F2WdvPAOczFc8nsArc2G3RK-AQ6WzOadh1nIQ0PFvKXyqtcLdwWwWdQAcGJQLgg4ygRaJomuHGh5F0E46OuT1TIiwHEJfmfDe7b99yiYEuS7h50Zj7SMBfw/s1600/Compo+Inter+2.jpg" height="305" width="640" /></span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
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<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif; mso-ansi-language: EN-US;">They are in the West of the lower level
and are articulated around a generous corridor, separating the two main
changing rooms. Two different circuits, a ‘wet’ one and a ‘dry’ one, are
offered, generated by the disposition of the elements. When the users are dry,
they can go to the reception hall and use the ‘dry’ circuit without crossing
the ‘wet’ circuit.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif; mso-ansi-language: EN-US;">The changing rooms are placed along the
façades : they have direct sunshine and ventilation.<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
<div class="Paragraphestandard" style="text-align: justify;">
<span style="font-family: Arial, Helvetica, sans-serif;"><b><span style="font-family: "Arial","sans-serif"; letter-spacing: -.5pt; mso-ansi-language: ES; mso-text-raise: -2.0pt; position: relative; top: 2.0pt;">Cuartos técnicos / <i>Technical rooms</i></span></b><i><span style="font-family: "Arial","sans-serif"; letter-spacing: -.5pt; mso-ansi-language: ES; mso-text-raise: -2.0pt; position: relative; top: 2.0pt;"><o:p></o:p></span></i></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Ocupan una
zona compacta en la parte oeste del edificio, y son accesibles desde el
exterior.<o:p></o:p></span></div>
<div class="Paragraphestandard" style="text-align: justify;">
<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif; letter-spacing: -.5pt; mso-ansi-language: EN-US; mso-text-raise: -2.0pt; position: relative; top: 2.0pt;">They
are compacted in the West part of the building, and are directly accessible
from the outside. <o:p></o:p></span></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtTGD9ZNkqI9giDQ7FabmgkUUpo4Q5pa7-XVSlG2HunSkvDnW-ANU1wPVih04Wzp0SPWNZcfMxQeV9Wg0dsp2PrV6ewR4jF1syjnw8LPs6kQwS0nKUWdnjm9O6MdpnoSp9mywMqBmbyZA/s1600/Fa%C3%A7ade+sud+zoom+-photo+S.Chalmeau+non+libre+de+droits.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"></span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>El muro de
escalada / <i>Climbing wall</i></b><i><o:p></o:p></i></span></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif;">Se encuentra
en el lado Este de la pared exterior de la planta baja, presenta 14 metros de
largo (que corresponde a 9 maneras de escalada), y de 6 a 8 metros de alto,
gracias a la diferencia entre los niveles inferior y superior.<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
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<span lang="EN-US" style="color: #943634; font-family: Arial, Helvetica, sans-serif; mso-ansi-language: EN-US;">It is found on the East outside wall of
the lower level, 14m long (corresponding to 9 climbing ways), 6 to 8m high
thanks to the difference between the lower and the upper levels.<o:p></o:p></span></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtTGD9ZNkqI9giDQ7FabmgkUUpo4Q5pa7-XVSlG2HunSkvDnW-ANU1wPVih04Wzp0SPWNZcfMxQeV9Wg0dsp2PrV6ewR4jF1syjnw8LPs6kQwS0nKUWdnjm9O6MdpnoSp9mywMqBmbyZA/s1600/Fa%C3%A7ade+sud+zoom+-photo+S.Chalmeau+non+libre+de+droits.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtTGD9ZNkqI9giDQ7FabmgkUUpo4Q5pa7-XVSlG2HunSkvDnW-ANU1wPVih04Wzp0SPWNZcfMxQeV9Wg0dsp2PrV6ewR4jF1syjnw8LPs6kQwS0nKUWdnjm9O6MdpnoSp9mywMqBmbyZA/s1600/Fa%C3%A7ade+sud+zoom+-photo+S.Chalmeau+non+libre+de+droits.jpg" height="476" width="640" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-US;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Fuentes /
Sources:<o:p></o:p></span></span></i></div>
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<i><span lang="EN-US" style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: EN-US;"><span style="font-size: x-small;">+ <a href="http://www.guineepotin.fr/" target="_blank">Agence Guinée*Potin Architects</a></span><o:p></o:p></span></i></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-US;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><br /></span></span></i></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-US;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">------------------------------------------------------- COCINÁNDOSE / COOKING</span></span></i></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-US;"><span style="font-size: x-small;"><br /></span></span></i></div>
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Agustín Malonda Alberohttp://www.blogger.com/profile/12228836916215119090noreply@blogger.comtag:blogger.com,1999:blog-4887843827271288151.post-19242004858724448672015-03-02T16:36:00.000+01:002015-05-18T21:04:10.474+02:00CENTRO DE SALUD EN OLEIROS, A CORUÑA, DE ABALO ALONSO ARQUITECTOS<div class="MsoNormal">
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<span style="font-family: Arial, Helvetica, sans-serif;"><b><span style="background-color: #cccccc;">abalo alonso arquitectos </span></b><o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-family: "Times New Roman";">Elizabeth Abalo, Gonzalo Alonso</span></b><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-family: "Times New Roman";">, arquitectos / a</span><span lang="ES-TRAD" style="font-family: "Arial","sans-serif"; mso-ansi-language: ES-TRAD; mso-bidi-font-family: "Times New Roman";">rchitects</span><i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-family: "Times New Roman";"><o:p></o:p></span></i></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><a href="https://www.blogger.com/null" name="_GoBack"></a><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-style: italic; mso-bidi-font-weight: bold;">Centro
de Salud en Oleiros, A Coruña, 2006-09 / <i>Health Center in Oleiros, A Coruña
(Spain), 2006-09</i></span><i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-family: "Times New Roman";"><o:p></o:p></span></i></span></div>
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<i><span style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES;"><span style="font-size: x-small;">Fotógrafo/Photograph:
Santos Díez/<a href="http://www.bisimages.es/bis" target="_blank">BISIMAGES</a></span></span></i><br />
<a name='more'></a><i><span style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES;"><o:p></o:p></span></i></div>
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<i><span style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES;"><span style="font-size: x-small;">(De
los autores / From the authors)</span><o:p></o:p></span></i></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSnaDDW8A6FeB7m8vi0EWvhRK3QtEEje9BwY5B0VxzuqjIKpVjXoCnCDx9F6WFXiHWVeBRvdhHAfssNs-KjnTCc9ePuG_YY2jfpW71pBZRt8TuQkdDCFY_-oL2yObnSsY5QQ1WvCu39zk/s1600/1+c+s+oleiros+Plano+de+situacion.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSnaDDW8A6FeB7m8vi0EWvhRK3QtEEje9BwY5B0VxzuqjIKpVjXoCnCDx9F6WFXiHWVeBRvdhHAfssNs-KjnTCc9ePuG_YY2jfpW71pBZRt8TuQkdDCFY_-oL2yObnSsY5QQ1WvCu39zk/s1600/1+c+s+oleiros+Plano+de+situacion.jpg" width="318" /></a></div>
<span style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES;">Terreno bien orientado. Ligera pendiente hacia el suroeste y masa arbórea
de castaños, robles y eucaliptos al oeste. Nos ubicamos sin molestar;
respetamos el arbolado y nos pegamos, cerrándonos, al futuro vial al noreste.<o:p></o:p></span></div>
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<span style="color: #943634; font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES;"><span style="color: #741b47;">Well-oriented plot. Slight slope to the Southwest and
tree mass of chestnut, oak and eucalyptus to the West. We located ourselves
without disturbing; respecting the trees, clinging and locking us to the Northeast
future road.</span><o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg38Q8guggbY8-DHYZIiU7RVgIf-UMT8l7fqSpu32t6mg6LMOslXyoe6Lgazp1CFmJiJbsYCxy1KOS-k9LQY4NfhzfeSr-HEXTJCzsjv4JbxPriGXYM03GQA7PYRUyqDt8fdeZnjzPODGY/s1600/c+s+oleiros+1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg38Q8guggbY8-DHYZIiU7RVgIf-UMT8l7fqSpu32t6mg6LMOslXyoe6Lgazp1CFmJiJbsYCxy1KOS-k9LQY4NfhzfeSr-HEXTJCzsjv4JbxPriGXYM03GQA7PYRUyqDt8fdeZnjzPODGY/s1600/c+s+oleiros+1.jpg" width="640" /></a></div>
<span style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES;">Una pieza ligeramente compacta, de una planta para evitar problemas de
accesibilidad y que se va empotrando en el terreno, con un esquema muy sencillo
en forma de hache.<o:p></o:p></span></div>
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<span style="color: #943634; font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES;"><span style="color: #741b47;">A slightly compact piece of only one plant to avoid
problems of accessibility and which is embedded in the soil with a very simple
scheme in the form of aitch.</span><o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES;">Acceso desde el este, a través de un zaguán privado hasta alcanzar el
centro de la edificación, desde el cual se reparte juego. Cada parte del
programa en un ala: rehabilitación,
personal, consultas generales, pediatría e instalaciones. Organizadas en torno
a patios, zaguanes o fisuras que matizan el encuentro con el entorno generando
riqueza espacial; estancias abiertas o cerradas, permeables o contenidas en
función de su uso.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZmk_NCMYHkUOLdciu29Vvkb45XgrBjBplZQ-dt8iWktN-Ug6WHJvkiDRvzC80OT3GtzZNxzgQVkjG71_PPW3LbccWLx_u6tg_JJPVHfM83FLQRwtx6nZze8RA_mi03fYPerbu8lk33Io/s1600/c+s+oleiros+12.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZmk_NCMYHkUOLdciu29Vvkb45XgrBjBplZQ-dt8iWktN-Ug6WHJvkiDRvzC80OT3GtzZNxzgQVkjG71_PPW3LbccWLx_u6tg_JJPVHfM83FLQRwtx6nZze8RA_mi03fYPerbu8lk33Io/s1600/c+s+oleiros+12.jpg" width="240" /></a></div>
<span style="color: #943634; font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES;"><span style="color: #741b47;">Access from the East, through a private hallway to reach
the center of the building, from which the game is distributed. Each part of
the program in a wing: rehabilitation, personal, general inquiries, pediatrics
and facilities. Organized around courtyards, porches and fissures that qualify
the encounter with the environment, generating spatial richness; open or closed
stays, permeable or contained depending of the use.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhywTXv5GYINVCrCTCMOp23r-GqqU4962KG2mLSjTPBOY6wSQP-7Sjik6YhlzSEjdXIYNhpHQTMviFJ_VNYUXPHSgYG413KFgA_xb1DMGr18i1HB_lyGmYvkd6khMO-h8Cbh4GcWt-WT48/s1600/c+s+oleiros+4.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="425" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhywTXv5GYINVCrCTCMOp23r-GqqU4962KG2mLSjTPBOY6wSQP-7Sjik6YhlzSEjdXIYNhpHQTMviFJ_VNYUXPHSgYG413KFgA_xb1DMGr18i1HB_lyGmYvkd6khMO-h8Cbh4GcWt-WT48/s1600/c+s+oleiros+4.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEis8o1dWEvJ1BPjaU1Zo7kLo3_BlDEtfN7UfheyshUC2kOCnRe9YEow3sDLd7CYDgw6toSERfcZJ6mbRge3UYopjeaWIrQBkT0k8cbYSDiWpt_16cAhv0I-WupUSeNNHdT5Hd_KpIJAnRI/s1600/c+s+oleiros+5.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEis8o1dWEvJ1BPjaU1Zo7kLo3_BlDEtfN7UfheyshUC2kOCnRe9YEow3sDLd7CYDgw6toSERfcZJ6mbRge3UYopjeaWIrQBkT0k8cbYSDiWpt_16cAhv0I-WupUSeNNHdT5Hd_KpIJAnRI/s1600/c+s+oleiros+5.jpg" width="274" /></a><span style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES;">Iluminación directa, a través de celosías o mediante lucernarios que
cualifican los espacios. Muros de carga, losas de hormigón, cierres de acero.
Cubierta inclinada oculta, con gárgolas, solados de linóleo. Particiones
interiores de cartón yeso o madera; celosías. Arbolado. <o:p></o:p></span></div>
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<span style="color: #943634; font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES;"><span style="color: #741b47;">Direct lighting through lattices or skylights which
qualify the spaces. Load-bearing walls, concrete slabs, steel enclosures.
Inclined-hidden roof, with gargoyles, linoleum flooring. Interior partitions of
plasterboard or wood; lattices. Woodland.</span><span style="font-size: x-small;"><o:p></o:p></span></span></div>
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<i><span lang="EN-GB"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Fuentes / Sources:</span></span></i></div>
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<i><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">+ <a href="http://www.abaloalonso.es/" target="_blank">abalo alonsoarquitectos</a></span><o:p></o:p></span></i></div>
Agustín Malonda Alberohttp://www.blogger.com/profile/12228836916215119090noreply@blogger.comtag:blogger.com,1999:blog-4887843827271288151.post-78385721535082840722015-02-09T09:54:00.000+01:002015-04-26T16:07:36.237+02:00ESCUELA "MARTA MATA" DE COMAS-PONT ARQUITECTES & MARC RIFÀ ROVIRA EN BARBERÀ DEL VALLÈS, BARCELONA<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQNl8FNa03USpcBs2HpE8NlpDv2ANapruQGlCWrM8jn6ApWMNVuCPQQe3zNH7_6OqX8nelXxPsXJqucK2iNfFUD9Rz7P9THtuYJdg4teRN2B4x-jD7ncFxPYZzgF4Plut-5wj1MxICuho/s1600/esquina+acceso+3.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQNl8FNa03USpcBs2HpE8NlpDv2ANapruQGlCWrM8jn6ApWMNVuCPQQe3zNH7_6OqX8nelXxPsXJqucK2iNfFUD9Rz7P9THtuYJdg4teRN2B4x-jD7ncFxPYZzgF4Plut-5wj1MxICuho/s1600/esquina+acceso+3.jpg" height="425" width="640" /></a></div>
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<b><span style="font-family: "Arial","sans-serif";"><span style="background-color: #cccccc;">Comas-Pont
arquitectes slp & Marc Rifà Rovira</span><o:p></o:p></span></b></div>
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<b><span style="font-family: "Arial","sans-serif";">Jordi
Comas</span></b><span style="font-family: "Arial","sans-serif";">, <b>Anna Pont</b> y <b>Marc Rifà</b>, arquitectos / architectes<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Escuela de Infantil y
Primaria “Marta Mata” en <span style="font-family: "Arial","sans-serif"; mso-fareast-font-family: Calibri;">Barberà del Vallès</span>,<span style="font-family: "Arial","sans-serif"; mso-fareast-font-family: Calibri;"> Barcelona</span>, 2014 / “<i>Marta
Mata” Child and Primary School in </i><i><span style="font-family: "Arial","sans-serif"; mso-fareast-font-family: Calibri;">Barberà del Vallès</span></i><i>, Barcelona, Spain, 2014</i></span><i><span style="font-family: "Arial","sans-serif"; mso-fareast-font-family: Calibri;"><o:p></o:p></span></i></div>
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<i><span style="font-family: "Arial","sans-serif";"><span style="font-size: x-small;">Fotógrafo / Photograph: Jordi Comas</span></span></i><br />
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<span style="font-family: "Arial","sans-serif";"><span style="color: #666666; font-size: x-small;"><i>(De
los autores / From the authors.....)</i></span><o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0CzmW29KkG3V8nv9TLisPVyXjAOo0d6ZUlJ8uiIz9os9NuvawHw6ZBp2PA6HxvKoY7AKGp1d0RfPcnlLET43hL47i7E4RL6l0dMDb36YwLeFfhDmV0ADpfjDuQG0KM2SwpGE_vfN80_0/s1600/maqueta+2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0CzmW29KkG3V8nv9TLisPVyXjAOo0d6ZUlJ8uiIz9os9NuvawHw6ZBp2PA6HxvKoY7AKGp1d0RfPcnlLET43hL47i7E4RL6l0dMDb36YwLeFfhDmV0ADpfjDuQG0KM2SwpGE_vfN80_0/s1600/maqueta+2.jpg" height="139" width="320" /></a></div>
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<span style="font-family: "Arial","sans-serif";">En
contraposición a un entorno muy heterogéneo, se concibe un edificio
estéticamente neutro. Una piel homogénea y blanca, como un caparazón, recubre
todo el exterior del edificio; sólo allí donde se dobla hacia dentro, aparecen
unos intersticios de color amarillo reflejo de luminosidad y calidez interior.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQN2Dwp4G5BGWZWtc8I4DPnxbWlH8hcR9CGkUSjlg-IwNr4d8qDGqb-Ec8oXWG9PqAZ177hXIHx2SRoGO4NVYIdKFI_nLRcFHC-9CEncfXXgAx9Tv0G_0Vx-VkfjpzqNYKlzeAZDh0hyphenhyphenk/s1600/maqueta+1.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQN2Dwp4G5BGWZWtc8I4DPnxbWlH8hcR9CGkUSjlg-IwNr4d8qDGqb-Ec8oXWG9PqAZ177hXIHx2SRoGO4NVYIdKFI_nLRcFHC-9CEncfXXgAx9Tv0G_0Vx-VkfjpzqNYKlzeAZDh0hyphenhyphenk/s1600/maqueta+1.jpg" height="141" width="320" /></a></div>
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<span style="font-family: Arial, sans-serif;"><span style="color: #741b47;">In contrast to a
heterogeneous environment, an aesthetically neutral building is conceived. A
homogeneous, white skin, like a shell, covering the entire exterior of the
building; only where it bends inward, yellow-coloured interstices appear as a
result of inner luminosity and warmth.</span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<span style="font-family: "Arial","sans-serif";">El
edificio permite articular dos tramas urbanas diferenciadas: la de la ciudad
jardín con viviendas unifamiliares y una nueva zona residencial de grandes
bloques. Éste se desarrolla en forma de L, con un ala en planta baja paralela a
la única calle urbanizada, calle Torre Esteper, que incluye todo el programa de
servicios: gimnasio, cocina, comedor, biblioteca y administración; y otra ala
en planta baja +1, paralela a una calle prevista en el nuevo planeamiento, que
contiene el programa docente: clases de infantil en planta baja y clases de
primaria y complementarias en planta primera.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsfNhfmtGxkFLHHphyphenhyphenstepotB8wwdMIPJ4nc6AmgEfwIwGKgJwulkK_yYBgaPGnyVSBf_tqYFoY6Ex4PsMmZIaPcN-bAIl3GvvXx4c7R0fvVOClWE2Jn7vvhnJcmmnPfeN8KWd1o3Y5UU/s1600/acceso+infantil.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsfNhfmtGxkFLHHphyphenhyphenstepotB8wwdMIPJ4nc6AmgEfwIwGKgJwulkK_yYBgaPGnyVSBf_tqYFoY6Ex4PsMmZIaPcN-bAIl3GvvXx4c7R0fvVOClWE2Jn7vvhnJcmmnPfeN8KWd1o3Y5UU/s1600/acceso+infantil.jpg" height="266" width="400" /></a></div>
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<span style="font-family: Arial, sans-serif;"><span style="color: #741b47;">The building allows to
articulate two distinct urban plots: the garden city with detached houses and a
new residential area of large blocks. This develops itself into an L shape,
with a wing on the ground floor parallel to the single urbanized street -Torre
Esteper Street- which includes all the
service program: gym, kitchen, dining room, library and administration; and
another wing, on the ground floor plus 1, parallel to an planned street under
the new plan, which contains the educational program: child classes on ground
floor and primary and supplementary classes on first floor.</span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<span style="font-family: "Arial","sans-serif";">Como elemento rótula de todos los
espacios, un gran vestíbulo con doble altura concentra tanto el acceso a la
zona de infantil como el de primaria y sirve de zona de relación con la
administración, los servicios y el propio patio exterior. </span></div>
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<span style="color: #741b47; font-family: Arial, sans-serif;">As an ball-joint
element of all spaces, a large hall with double height focuses both access to
the play area and the primary zone, and serves as a connection zone with the
administration, services and the outdoor patio itself.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLrUXwz-ICA_MzUqtIXA9bu3io8CdlHLctuSERUY8uc6kwmiJDlAnXRTIibfA41QpqZSfTvxoQ55rlFwuBsePlSn0jWfIuJi2SZU-Xq7K3ykzs4ssiBSCQp9h6Ri3kGqT1EPRNQmmTBWg/s1600/Inner+1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLrUXwz-ICA_MzUqtIXA9bu3io8CdlHLctuSERUY8uc6kwmiJDlAnXRTIibfA41QpqZSfTvxoQ55rlFwuBsePlSn0jWfIuJi2SZU-Xq7K3ykzs4ssiBSCQp9h6Ri3kGqT1EPRNQmmTBWg/s1600/Inner+1.jpg" height="291" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibWEzvmf4oHsK2rjXoS_AhethOVaef7OjYv-cMQttE2jBfHX1DqTFjEQvZP9jlRvc2bSa_EDF4oWfR9C74uxlyhBHfSKA7l4qSfksTY3yXarhEr1wc3uDtYUAxS6f3td07qgcsnPLOX2Q/s1600/gimnasio.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibWEzvmf4oHsK2rjXoS_AhethOVaef7OjYv-cMQttE2jBfHX1DqTFjEQvZP9jlRvc2bSa_EDF4oWfR9C74uxlyhBHfSKA7l4qSfksTY3yXarhEr1wc3uDtYUAxS6f3td07qgcsnPLOX2Q/s1600/gimnasio.jpg" height="425" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw5pQuvYNd54iMUbgZlnrCni3uNzZw2atPL_rZ9gONZTwf_TQrkwV-fMv-gecAWLAis-SUEeo9VAf7FZLHFO_F6MeZmfBnDU3tChLkLcEEqmT94ic3QKNvQs86yd2WBSnX_Lqeq7dcYaI/s1600/patio+infantil.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw5pQuvYNd54iMUbgZlnrCni3uNzZw2atPL_rZ9gONZTwf_TQrkwV-fMv-gecAWLAis-SUEeo9VAf7FZLHFO_F6MeZmfBnDU3tChLkLcEEqmT94ic3QKNvQs86yd2WBSnX_Lqeq7dcYaI/s1600/patio+infantil.jpg" height="320" width="243" /></a><span style="color: #943634; font-family: "Arial","sans-serif"; mso-themecolor: accent2; mso-themeshade: 191;"><o:p></o:p></span><span style="font-family: "Arial","sans-serif";"></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Para
poder cumplir con los ajustados plazos de construcción (10 meses), se trabaja
con sistemas estructurales y constructivos pre industrializados y montados en
seco. Se combina una estructura prefabricada de hormigón, en las dos grandes
naves, con una estructura metálica en la zona del vestíbulo, porches y
vestuarios. </span><br />
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<span style="color: #741b47; font-family: Arial, sans-serif;">In order to meet the
tight construction deadlines (10 months), we worked with structural,
constructive pre-industrialized systems and dry mounted systems. A precast
concrete, in the two large sheds, is combined with a metallic structure in the
lobby area, porches and changing rooms.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwsnpk6OoJHEqy19-1eDVrOXV6o5uqWYF-OG-OzF3aW0iQNT2HuOZ9h8nTp301iadL87XJyAhtpoNqO50D81-kodM5EotEl9SoTkhkUH7o2qm_KAdHwU4WOVAd5C9tkfHp29PcWLdMPVw/s1600/acceso+infantil+3.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwsnpk6OoJHEqy19-1eDVrOXV6o5uqWYF-OG-OzF3aW0iQNT2HuOZ9h8nTp301iadL87XJyAhtpoNqO50D81-kodM5EotEl9SoTkhkUH7o2qm_KAdHwU4WOVAd5C9tkfHp29PcWLdMPVw/s1600/acceso+infantil+3.jpg" height="400" width="266" /></a></div>
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<span style="font-family: Arial, sans-serif;">Se
unifica la piel exterior con un solo material (chapa minionda ondulada) que se
adapta a las diferentes necesidades convirtiéndose en fachada, cubierta, falso
techo o </span><i style="font-family: Arial, sans-serif;">brise-soleil</i><span style="font-family: Arial, sans-serif;"> y pasando de opaca
a micro perforada cuando es necesario que penetre la luz pero no la radiación
solar directa que tiene que ser tamizada.</span></div>
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<span style="font-family: Arial, sans-serif;"><span style="color: #741b47;">The outer skin is
unified with a single material (minionda corrugated sheet) that adapts to the
different needs, becoming facade, roof, ceiling or bri-soleil and going from
micro perforated to opaque when it is necessary to penetrate the light but not
the sunlight that has to be sieved.</span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsxK-BCpw779ypm47sEQIZDGBdQIdr7K-tIoF-QqfkOYvSRJeJ02o4mM1OB-p_4OFQZqqiTR0OZxMhIclnfh0OmRdW1JEaDEoS6QpKrBs3vC848u4y3s0Mcu1VqiTuBpXCh0WHqHBFwvY/s1600/vestuarios.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsxK-BCpw779ypm47sEQIZDGBdQIdr7K-tIoF-QqfkOYvSRJeJ02o4mM1OB-p_4OFQZqqiTR0OZxMhIclnfh0OmRdW1JEaDEoS6QpKrBs3vC848u4y3s0Mcu1VqiTuBpXCh0WHqHBFwvY/s1600/vestuarios.jpg" height="425" width="640" /></a></div>
<span id="goog_809654481"></span><span id="goog_809654482"></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQ-dv3SWLdNdBBp7AfMiluWmqhcmll-MAuQznZtnpJGuTvI6hEmE0jN7kE0PIVYWCbz23xbQtTZoP6-15bBj_qExZpHlv7uRbo5tIuk5l5xzAwBXDahXtU3rbiZyGVgmJRnAcoG4FQFio/s1600/pasillos.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQ-dv3SWLdNdBBp7AfMiluWmqhcmll-MAuQznZtnpJGuTvI6hEmE0jN7kE0PIVYWCbz23xbQtTZoP6-15bBj_qExZpHlv7uRbo5tIuk5l5xzAwBXDahXtU3rbiZyGVgmJRnAcoG4FQFio/s1600/pasillos.jpg" height="320" width="237" /></a><span style="font-family: "Arial","sans-serif";">Interiormente
se busca la calidez y el confort utilizando materiales naturales y reciclados.
Los cerramientos ligeros se revisten mayoritariamente con tableros de virutas
de madera OSB y las carpinterías son de madera de pino natural. En el techo, la
chapa ondulada micro perforada exterior penetra y se extiende a través del
vestíbulo, pasillos y zonas comunes, ocultando conductos y cableado y, a la vez,
mejorando el confort acústico.<o:p></o:p></span></div>
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<span style="font-family: Arial, sans-serif;"><span style="color: #741b47;">Inside warmth and
comfort is sought by using natural and recycled materials. The light enclosures
are mostly cladded with OSB wood chipboard and the carpenters are made of
natural pine. On the roof, the outside micro-perforated corrugated steel
penetrates and extends itself through the lobby, corridors and common areas,
hiding conducts and wires, improving, at same time, the acoustic comfort.</span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<span style="font-family: "Arial","sans-serif";">En
todo el edificio se potencian las visuales hacia el exterior, principalmente a
lo largo de toda la fachada en contacto con el patio, protegida por un porche
lineal en voladizo que evita la radiación del sur y permite un espacio
semi-exterior muy extenso a cobijo. <o:p></o:p></span></div>
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<span style="font-family: Arial, sans-serif;"><span style="color: #741b47;">Throughout the
building, the visual outwards are enhanced, mainly along the entire facade in
contact with the courtyard, protected by a linear cantilevered porch, preventing south radiation and allowing a
very large semi-outdoor and sheltered
space.</span><span style="color: #943634; font-size: x-small;"><o:p></o:p></span></span></div>
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<i><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">+ <a href="http://comas-pont.com/" target="_blank">Comas-Pont arquitectes slp<o:p></o:p></a></span></i></div>
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<i><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">+ Fotografías / Photographs: Jordi
Comas Mora <o:p></o:p></span></i></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: x-small;"><i>+Fotografías del proceso constructivo
/ Photographs of the construction process: V</i><i><span lang="CA" style="font-family: "Arial","sans-serif"; mso-ansi-language: CA; mso-fareast-font-family: Calibri;">IASGON </span></i></span><i style="font-size: small;"><o:p></o:p></i></span></div>
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<i><span style="font-family: "Arial","sans-serif";"><span style="font-size: x-small;"><b>-------------------------------------------------------------------------------------Cocinándose
/ Cooking </b></span><o:p></o:p></span></i></div>
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Agustín Malonda Alberohttp://www.blogger.com/profile/12228836916215119090noreply@blogger.comtag:blogger.com,1999:blog-4887843827271288151.post-31827348955088952362015-01-27T10:23:00.000+01:002015-03-02T16:37:10.486+01:00OCHO CASAS INSCRITAS Y TRES PATIOS EN VECINDARIO, GRAN CANARIA, DE ROMERA Y RUIZ ARQUITECTOS<div class="separator" style="clear: both; text-align: center;">
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<b><span style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES; mso-fareast-language: ZH-CN;"><span style="background-color: #cccccc;">Romera y
Ruiz Arquitectos</span><o:p></o:p></span></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-fareast-language: ZH-CN;">Pedro Romera
García y Ángela Ruiz Martínez</span></b><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold; mso-fareast-language: ZH-CN;">, arquitectos/architects</span><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-fareast-language: ZH-CN;"><o:p></o:p></span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR; mso-fareast-language: ZH-CN;">Ocho casas inscritas y tres patios en Vecindario, Gran Canaria, 2004-07 </span><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;">/ <i>Eight</i></span><i><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold; mso-fareast-language: ZH-CN;"> inscribed houses and
three courtyards in Vecindario, Gran Canaria </span></i><i><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR; mso-fareast-language: ZH-CN;">(Spain), 2004-07</span></i><i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;"><o:p></o:p></span></i></span></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Fotografías / Photographies: <o:p></o:p></span></span></i></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><a href="http://www.arqfoto.com/" target="_blank">Simón García·arqfoto</a> y estudio
Romera Ruiz</span></span></i><br />
<a name='more'></a><i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;"><o:p></o:p></span></i></div>
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<span style="font-weight: normal;"><i><span style="font-size: small;"> </span><span style="font-family: Arial, sans-serif; font-size: x-small;">(De
los autores / From the authors…….)</span></i></span></h1>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><span style="font-family: Arial, Helvetica, sans-serif;">Las casas inscritas, con sus límites pequeños, se piensan y se construyen
como un microcosmos. El término inscrito, tomado de la geometría, nos indujo a
encontrarnos con nuevas cualidades. La concreción a la que nos someten los
límites irregulares y quebrados de las medianeras, lejos de percibirlos como
cualidad negativa, nos realza las formas y los cuerpos. Confiriéndoles la
cualidad de ilimitados y, como consecuencia, los hace infinitamente
manipulables en el interior.</span> <o:p></o:p></span></div>
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<span lang="EN-US" style="color: #943634; font-family: "Arial","sans-serif";">The inscribed houses, with their small boundaries, are thought
and built as a microcosm. The term inscribed, borrowed from geometry, induced
us to find new qualities. The confinements of the irregular and broken limits
of party walls, far from being perceived as a negative quality, heightened
forms and bodies to us. Conferring them the quality of limitless consequently
made them infinitely manipulable in the interior.<o:p></o:p></span></div>
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<span style="font-family: Arial, sans-serif;">Espacios discretos, donde contenedor y contenido establecen relaciones
dialécticas que tienen como resultado la creación de infinitos espacios
fronterizos secuenciales. Estos reproducen la continuidad del recorrido
permitiéndonos disfrutar de tres patios, que filtran la luz natural tiñéndola
con otros matices: tonos azulados, ocres y verdes. Ambientes casi
monocromáticos. Las relaciones diagonales entre los espacios comunes nos
ofrecen recortes del cielo y fragmentos enfilados por el viento, iluminación y
ventilación natural.</span><br />
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<span lang="EN-US" style="color: #943634; font-family: "Arial","sans-serif";">Controlled spaces where container and contained elements
establish dialogues which create a sequence of border spaces. These articulate
a route that gently discovers three courtyards that filter natural light,
dyeing it with shades of blue, ocher and green. Almost monochrome atmospheres.
The diagonal relations between the common spaces frame cuts and fragments of
the sky and are naturally ventilated and brushed with natural light.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqFYY1Nag8Rb-qMUKZP8Rc_HjBSuzlhw8Eq8IAKYd8DX_uzv_MtdG9DY28cfQgOosvAzTMduBjDZ8pdTluXQ2Unr4h9KZ_GuovYpkStPu4loMtiLV-6RA_fZU1Dq4k5XiNrVuZyZLB85I/s1600/SG1432_6284.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqFYY1Nag8Rb-qMUKZP8Rc_HjBSuzlhw8Eq8IAKYd8DX_uzv_MtdG9DY28cfQgOosvAzTMduBjDZ8pdTluXQ2Unr4h9KZ_GuovYpkStPu4loMtiLV-6RA_fZU1Dq4k5XiNrVuZyZLB85I/s1600/SG1432_6284.jpg" height="400" width="266" /></a></div>
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<span style="font-family: Arial, sans-serif;"> </span><span style="font-family: Arial, sans-serif;">Cada elemento representa un papel determinado y significativo. Desde la
calle hasta la estancia más profunda, podemos pasar por zaguanes, patios,
pasillos, pasarelas y rendijas. Casas telescópicas, inscritas unas en otras.
Hallamos un dialogo para formalizar las tensiones encontradas: entre líneas y
espesor (las que nos brinda el desfase entre alineación y medianeras); entre
miradas interiores y tangencias exteriores. Lo que nos permite dibujar una
secuencia vertical de quiebros, planos donde resbala la luz, sombras más
expresivas a lo largo del día. Convertimos la única fachada reconocible en un
juego cambiante. Simple papiroflexia, plegados y desplegados, que hablan de
espesor. Los usuarios, según sus necesidades o costumbres, irán conformando la
imagen a la calle, dentro de las posibilidades del juego propuesto.</span></div>
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<span lang="EN-US" style="color: #943634; font-family: "Arial","sans-serif";">Every element plays a significant role. From the street to the
deepest stay, one circulates along vestibules, courtyards, corridors,
footbridges and slots of light. Telescopic houses, inscribed one on each other.
We formulate a dialogue to formalize the found tensions: between lines and
thickness (those offered by the mismatch of alignments and party walls);
between inner glances and outer tangencies. Thus, a vertical sequence of broken
planes is drawn up, where light slides and shadows become more expressive throughout
the day. We turn the only façade into a changing game. Simple origami, fold,
unfold, that speaks thickness. Users, according to their needs or customs, will
configure the image to the street within the possibilities of the proposed
game.<span style="font-size: x-small;"><o:p></o:p></span></span></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Fuentes / Sources:<o:p></o:p></span></span></i></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">+ <a href="http://www.romerayruiz.com/" target="_blank">Romeray Ruiz Arquitectos</a><o:p></o:p></span></span></i></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">+
<a href="http://www.arqfoto.com/" target="_blank">Simón García, fotógrafo/photograph</a> </span></span></i><a href="http://2.bp.blogspot.com/-mebETJM3pQs/VMI7wSe_dFI/AAAAAAAAPws/MJiJ73cDPN8/s1600/PastedGraphic-1.jpg" imageanchor="1" style="clear: left; display: inline !important; margin-bottom: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"></span></a></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Premios
/ Awards:<o:p></o:p></span></span></i></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">+ 2008 World Architecture Festival (WAF 2008). Finalist Housing
category.<o:p></o:p></span></span></i></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;"><span style="font-size: x-small;"><span style="font-family: Arial, Helvetica, sans-serif;">+ 2008 Manuel Oraá Regional Architecture Award of Canary
Islands. Winner in the New Construccion Housing.</span><o:p></o:p></span></span></i></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><b>……………………………........................................………COCINÁNDOSE / COOKING</b></span><o:p></o:p></span></i></div>
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<!-- Blogger automated replacement: "https://images-blogger-opensocial.googleusercontent.com/gadgets/proxy?url=http%3A%2F%2F2.bp.blogspot.com%2F-mebETJM3pQs%2FVMI7wSe_dFI%2FAAAAAAAAPws%2FMJiJ73cDPN8%2Fs1600%2FPastedGraphic-1.jpg&container=blogger&gadget=a&rewriteMime=image%2F*" with "https://2.bp.blogspot.com/-mebETJM3pQs/VMI7wSe_dFI/AAAAAAAAPws/MJiJ73cDPN8/s1600/PastedGraphic-1.jpg" -->Agustín Malonda Alberohttp://www.blogger.com/profile/12228836916215119090noreply@blogger.comtag:blogger.com,1999:blog-4887843827271288151.post-69429878793954848002015-01-21T10:58:00.000+01:002015-02-09T09:54:51.351+01:00ESPLENDOR EN LA HIERBA / CASA EN UITDAM (HOLANDA) DE KORTEKNIE STUHLMACHER ARCHITECTEN <div class="separator" style="clear: both; text-align: center;">
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<b><span lang="EN-US" style="background-color: #cccccc; font-family: Arial, sans-serif;">Korteknie
Stuhlmacher Architecten</span></b><b><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR; mso-fareast-language: ZH-CN;"> <o:p></o:p></span></b></div>
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<b><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR; mso-fareast-language: ZH-CN;">Mechthild
Stuhlmacher </span></b><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR; mso-fareast-language: ZH-CN;">y</span><span lang="FR" style="color: #0d9eaf; font-family: 'Courier New';"> </span><b><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR; mso-fareast-language: ZH-CN;">Rien Korteknie</span></b><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR; mso-fareast-language: ZH-CN;">, architects<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;">Casa en
Uitdam,</span><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR; mso-bidi-font-weight: bold;"> Holanda, </span><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;">2012-13</span><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR; mso-bidi-font-weight: bold;"> </span><i><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR; mso-bidi-font-weight: bold;">/ House in Uitdam, </span></i><i><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;">The Netherlands, 2012-13</span></i><i><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR; mso-bidi-font-weight: bold;"><o:p></o:p></span></i></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;"><span style="font-size: x-small;">Fotografías: Moritz Bernoully</span></span></i><br />
<a name='more'></a><i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;"><span style="font-size: x-small;"> <o:p></o:p></span></span></i></div>
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<span style="font-size: x-small;"><span style="font-family: Arial, Helvetica, sans-serif;"><i><span lang="EN-US" style="font-weight: normal;">(</span></i><span lang="EN-US" style="font-weight: normal;">De los autores / <i>From
the authors)……………………………………………….................................................</i></span></span><span lang="EN-US" style="font-weight: normal;"><o:p></o:p></span></span></h1>
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<span lang="EN-GB" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-GB;">Uitdam es un pequeño y pintoresco pueblo a orillas del
IJsselmeer. Los clientes encontraron una pequeña casa a demoler, junto a la
iglesia y el dique, lo suficientemente grande para una nueva vivienda para una
pareja. Forma, materiales, dimensiones y la inclinación de la cubierta quedan
fijados casi desde el principio. Las normas urbanisticas de la zona son muy
estrictas, así como la visión de los habitantes de la región, el municipio y
los turistas que desean preservar un frágil paisaje que se ha ido consolidado
con el tiempo, caracterizado por la coherencia y la belleza de la pequeña
escala.<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">Uitdam is a small, picturesque village
at the banks of the IJsselmeer. The clients found a small house to be demolished,
next to the church and the dyke, just big enough for a new dwelling for two.
Shape, materials, dimensions and the slope of the roof were almost fixed from
the beginning. The spatial rules in the area are very strict, as the
inhabitants of the region, the municipality and the tourists wish to protect
the fragile, historically grown cultural landscape with its present consistency
and small-scale beauty. </span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<span lang="EN-GB" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-GB;">La nueva casa se adapta, casi de manera imperceptible,
al barrio existente; el color oscuro de la fachada, las tejas tradicionales y
el blanco brillante, tanto en los hastiales como en los marcos de las ventanas,
enfatizan su empatía con la arquitectura tradicional de la zona. Mediante el
uso de paneles de madera maciza como material básico para las paredes y los
pisos, la casa presenta una ambiente especial y contemporáneo. Los clientes
eligieron unas texturas lisas y refinadas de los paneles; posteriormente, éstos
se pintaron usando un barniz blanco transparente, dando como resultado una superficie
de madera ligeramente satinada, abstracta y con carácter, donde el protagonista
es el veteado natural de la madera.<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">The new house fits almost unnoticeably
into the existing neighbourhood; the dark colour of the façade, the traditional
roof tiles and the sparkling white of both the edges of the roof and the window
frames underline the familiarity with the traditional architecture of the area. </span></span><span style="color: #741b47; font-family: Arial, sans-serif;">By using solid timber panels as basic
material for walls and floors, the house gets a special and contemporary
atmosphere. The clients chose the most refined smooth surface the manufacturer
of the panels can deliver. Subsequently the panels were painted using a
transparent white varnish, resulting in a slightly shiny timber surface, both
rather abstract and still full of character due to the natural pattern of the
timber that is kept visible.</span></div>
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<span lang="EN-GB" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-GB;">El monumental árbol existente en el patio trasero de
la casa, juega un papel importante en el diseño de la misma. La habitación
localizada en la parte trasera de la planta baja, no sigue la estructura
ortogonal del resto de la distribución, permitiendo el crecimiento de las las
raíces del inmenso árbol. Al mismo tiempo, esa distorsión angular garantiza que
la terraza ubicada entre el dique y la casa sea espaciosa, a la vez que protegida.
Desde la primera planta se consiguen vistas volcadas hacia el precioso paisaje y
sobre el agua del Ijsselmeer.<o:p></o:p></span></div>
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<span lang="EN-GB" style="color: #943634; font-family: "Arial","sans-serif"; mso-ansi-language: EN-GB;">The monumental tree in the backyard of
the house played an important role in the design. The bedroom at the rear of
the ground floor doesn’t follow the orthogonal structure of the rest of the
plan to give space to the roots of the tree. At the same time the wide angle of
the space makes sure that the terrace between dyke and house feels spacious and
informal yet protected. From the first floor one overlooks both the pretty
landscape and the water of the Ijsselmeer.
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif";"><span style="font-size: x-small;">+ <a href="http://www.kortekniestuhlmacher.nl/" target="_blank">Korteknie Stuhlmacher Architecten</a></span></span></i></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif";"><span style="font-size: x-small;"><b>-------------------------------------------------------------------------------------------COCINÁNDOSE / COOKING</b></span></span></i></div>
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Agustín Malonda Alberohttp://www.blogger.com/profile/12228836916215119090noreply@blogger.comtag:blogger.com,1999:blog-4887843827271288151.post-30052352097119795592015-01-02T10:25:00.000+01:002015-01-27T10:25:22.470+01:00UN BREVE VIAJE EN BUSCA DE LA MEJOR ARQUITECTURA, JUNTO CON ALGUNAS REVISTAS Y TEXTOS, RESUMIDO EN 17 NEWSLETTERS (7/2013-6/2014) <br />
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<span style="color: #741b47; font-family: Arial, Helvetica, sans-serif; text-align: justify;"><b>A BRIEF TRIP IN SEARCH OF THE BEST ARCHITECTURE ALONG WITH SOME MAGAZINES AND TEXTS CONDENSED IN 17 NEWSLETTERS (7/2013-6/2014)</b></span></div>
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><a href="http://arquitecturazonacero.blogspot.com.es/2013/07/trabajando-con-la-tierra-y-la-historia_9.html" target="_blank">Estudio Toni Gironès</a> (Spain) </span><br />
<span style="font-size: xx-small;"><em style="font-family: Arial, Helvetica, sans-serif;"><span style="color: #666666;">Trabajando con la tierra, la naturaleza y la historia. Intervenciones en Can Tacó / </span></em><i style="color: #666666; font-family: Arial, Helvetica, sans-serif;">Working with the earth, nature and history. Interventions in Can Tacó </i></span></div>
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><a href="http://arquitecturazonacero.blogspot.com.es/2013/07/los-colores-y-olores-de-la-tierra-doble.html" target="_blank">menos é mais</a> (Portugal) </span></div>
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<span style="font-size: xx-small;"><span style="color: #666666;"><em style="font-family: Arial, Helvetica, sans-serif;">Los colores y los </em></span></span><span style="color: #666666; font-size: xx-small;"><em style="font-family: Arial, Helvetica, sans-serif;">olores de la tierra: bodega y hotel en Quinta do Vallado / </em></span><i style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">The colors and smells of the earth winery and hotel in Quinta do Vallado</i></div>
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<span style="color: grey;"><span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><a href="http://arquitecturazonacero.blogspot.com.es/2013/07/ensenanzas-de-hormigon-escuela.html" target="_blank">CVDB arquitectos</a> (Portugal) </span></span><br />
<em style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><span style="color: #666666;">Enseñanzas de hormigón: escuela secundaria Braamcamp Freire / C</span></em><span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><i>oncrete </i></span><i style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Teachings</i><i style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">: High school Braamcamp Freire</i></div>
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<span style="color: grey;"><br /></span><span style="color: grey;"><span style="color: silver; font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><a href="http://www.arquitecturazonacero.blogspot.com.es/2013/08/concursos-en-preterito-imperfecto-cei.html">Macla Arquitectos</a></span></span></div>
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<span style="color: grey;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><span style="color: #666666;"><em>Concursos en pretérito imperfecto, CEIP en La Aparecida / </em></span><span style="color: #666666;"><i>Contests in imperfect preterit, CEIP La Aparecida</i></span></span></span></div>
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<span style="color: grey;"><span style="color: grey;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><span style="color: #666666;"><em>Esencia escolar, CEIP Hort de Palau en Oliva (Valencia) / </em></span></span><span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><i>School essence, CEIP Hort Palau in Oliva (Valencia)</i></span></span></span></div>
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<span style="color: grey;"><span style="color: grey;"><span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: #666666; font-size: xx-small;"><em>Del verde al amarillo, Proyecto Ginkgo en Holanda / </em></span></span><span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><i>From green to yellow, Ginkgo Project in Netherlands</i></span></span></span></div>
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<span style="color: silver;"><span style="color: grey;"><span style="color: black; font-size: x-small;"><a href="http://arquitecturazonacero.blogspot.com.es/2013/10/patio-excavado-guarderia-saint-jean-en.html">Pierre-Alain Dupraz Architectes</a></span></span></span></div>
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<span style="font-size: xx-small;"><span style="color: grey;"><span style="color: #666666;"><em>Patio excavado, Guardería Saint-Jean en Ginebra (Suiza) / </em></span></span><span style="color: #666666; font-family: Arial, Helvetica, sans-serif;"><i>Excavated courtyard, Nursery Saint-Jean in Geneva (Switzerland)</i></span></span></div>
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<span style="color: silver;"><br /></span><span style="color: silver;"><br /></span><span style="color: silver;"><br /></span><span style="color: silver;"><br /></span><span style="color: silver;"><span style="color: grey;"><span style="color: black; font-size: x-small;"><a href="http://arquitecturazonacero.blogspot.com.es/2013/10/eladio-dieste-escritos-y-obras-1943-1996.html">Eladio Dieste</a></span></span></span></div>
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<span style="font-size: xx-small;"><span style="color: grey;"><span style="color: #666666;"><em>Escritos y obras, 1943-1996 / </em></span></span><span style="color: #666666; font-family: Arial, Helvetica, sans-serif;"><i>Writings and Works, 1943-1996</i></span></span><br />
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<span style="font-size: x-small;"><a href="http://arquitecturazonacero.blogspot.com.es/2013/11/cuadros-petrificados-intervencion-en.html">Vora arquitectura</a></span></div>
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<span style="color: grey;"><span style="color: silver;"><a href="http://arquitecturazonacero.blogspot.com.es/2013/11/tc-cuadernos-111-menos-e-mais.html"><span style="font-size: x-small;">TC Cuadernos 111 / Menos é Mais Guedes+Campos</span></a><span style="color: black; font-size: x-small;"> </span></span></span></div>
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<span style="color: grey;"><br /></span><span style="color: grey;"><br /></span><span style="color: grey;"><br /></span><span style="color: grey;"><a href="http://arquitecturazonacero.blogspot.com.es/2013/12/dinamico-perfil-centro-escolar-en.html"><span style="font-size: x-small;">Atelier CNLL</span></a></span></div>
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<span style="color: grey;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><span style="color: #666666;"><em>Dinámico perfil, Centro escolar en Mouriz (Portugal) / </em></span></span><span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><i>Dynamic profile, School Center in Mouriz (Portugal)</i></span></span></div>
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<span style="color: grey;"><span style="font-size: x-small;"><a href="http://arquitecturazonacero.blogspot.com.es/2013/12/en-el-aire-casa-no-geres-en-vieira-do.html">Correia/Ragazzi arquitectos</a></span></span></div>
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<span style="color: grey;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><span style="color: #666666;"><em>En el aire, Casa no Geres (Portugal) / </em></span></span><span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><i>In the air, House no Geres (Portugal)</i></span></span></div>
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<span style="color: grey;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKPxUVQC9O69R4mX5uVFYN2kPkkq77oi5vqCcuI3gemxiuzm5GZxW0Bhhu1Ad0WSaPAuG1tdTL_A_uOaZzX3DRTw5YChn8G5Bfbq-RD2bTaqQijRQ03d3n0VHZ_-ofedxgH8HFKPHtOt0/s1600/AlTa.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKPxUVQC9O69R4mX5uVFYN2kPkkq77oi5vqCcuI3gemxiuzm5GZxW0Bhhu1Ad0WSaPAuG1tdTL_A_uOaZzX3DRTw5YChn8G5Bfbq-RD2bTaqQijRQ03d3n0VHZ_-ofedxgH8HFKPHtOt0/s1600/AlTa.jpg" height="182" width="400" /></a></span></div>
<span style="color: grey;"><br /></span><span style="color: grey;"><br /></span><span style="color: grey;"><br /></span><span style="color: grey;"><span style="font-size: x-small;"><a href="http://arquitecturazonacero.blogspot.com.es/2013/12/la-casa-el-patio-y-el-huerto-casa-mp-en.html">alcolea+tárrago arquitectos</a></span></span></div>
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<span style="color: grey;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><span style="color: #666666;"><em>La casa, el patio y el huerto: Casa MP en Sesma (Navarra) / </em></span></span><span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><i>The house, the yard and the garden: House MP in Sesma (Navarra)</i></span></span></div>
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<span style="color: grey;"><span style="font-size: x-small;"><a href="http://arquitecturazonacero.blogspot.com.es/2013/12/vivir-en-un-claro-20-viviendas-en-saint.html">Guinée*Potin Architectes</a></span></span></div>
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<span style="color: grey;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><span style="color: grey;"><span style="color: #666666;"><em>Vivir en un claro: Bloque de viviendas en Saint Marc sur Seine (Francia) / </em></span></span><span style="color: #666666;"><i>Living in a glade: Block of flats in Saint Marc sur Seine (France)</i></span></span></span></div>
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<span style="color: grey;"><span style="color: grey;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvCpVSIe2058WIKy-ESroK8nUD_Lhgkg7_kJI71TevVzh9J2vcEL8MKOCe1irYkWgOzmPADGwWiv6tSTScTSKiiwb1U7qXK1DdawraITklQGX1xCv8-PIkWz0jEfF0PkzyGdd8CS9Soek/s1600/CaHe+10.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvCpVSIe2058WIKy-ESroK8nUD_Lhgkg7_kJI71TevVzh9J2vcEL8MKOCe1irYkWgOzmPADGwWiv6tSTScTSKiiwb1U7qXK1DdawraITklQGX1xCv8-PIkWz0jEfF0PkzyGdd8CS9Soek/s1600/CaHe+10.jpg" height="228" width="400" /></a></span></span></div>
<span style="color: grey;"><span style="color: grey;"><br /></span><span style="color: grey;"><br /></span><span style="color: grey;"><br /></span><span style="color: grey;"><br /></span><span style="color: grey;"><span style="color: black; font-size: x-small;"><a href="http://arquitecturazonacero.blogspot.com.es/2013/12/la-piel-que-se-habita-proyecto.html">Casanova+Hernandez Architects</a></span></span></span></div>
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<span style="color: grey;"><span style="color: grey;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><span style="color: #666666;"><em>La piel que se habita: Proyecto Blaricumermeent (Holanda) / </em></span></span><span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><i>Skin that is inhabited: Project Blaricumermeent (Netherlands)</i></span></span></span></div>
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<span style="color: grey;"><span style="color: grey;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLIA-KyiyvoZVfTYCctaK_IxkT4WmhFNHr37216tkS9AR6NoZa1rnqFIxTEKp1YCU3feyYHJ6sc7s5XrQUfX1sWzbPu8z1H2NLwZtuJXofeMkWdvbo6DhYzS27MihJArtNXEBj3BC6BKQ/s1600/Ascoz.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLIA-KyiyvoZVfTYCctaK_IxkT4WmhFNHr37216tkS9AR6NoZa1rnqFIxTEKp1YCU3feyYHJ6sc7s5XrQUfX1sWzbPu8z1H2NLwZtuJXofeMkWdvbo6DhYzS27MihJArtNXEBj3BC6BKQ/s1600/Ascoz.jpg" height="162" width="400" /></a></span></span></div>
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<span style="color: grey;"><span style="color: grey;"><span style="font-size: x-small;"><a href="http://arquitecturazonacero.blogspot.com.es/2014/01/mirando-al-mar-vivienda-unifamiliar-en.html">Ascoz Arquitectura</a></span></span></span></div>
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<span style="color: grey;"><span style="color: grey;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><span style="color: #666666;"><em>Mirando al mar, Casa en Cullera (España) / </em></span></span><span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><i>Overlooking the sea, House in Cullera (Spain)</i></span></span></span></div>
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<span style="color: grey;"><span style="color: grey;"><span style="font-size: x-small;"><a href="http://arquitecturazonacero.blogspot.com.es/2014/01/la-cometa-centro-escolar-en-fontaniva.html">C+S Architects</a> </span></span></span></div>
<span style="color: grey;"><span style="color: grey;"><span style="color: #666666; font-size: x-small;">L</span><span style="font-size: xx-small;"><span style="color: #666666;"><em>a cometa: Centro escolar en Fontaniva (Italia) / </em></span></span><span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><i>The kite: School Center in Fontaniva (Italy)</i></span></span></span></div>
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<span style="color: silver;"><a href="http://arquitecturazonacero.blogspot.com.es/2014/01/piel-vegetal-centro-de-investigacion-y.html" style="font-size: small;">Guinée*Potin Architectes</a></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><span style="color: grey;"><span style="color: #666666;"><em>Piel vegetal. Museo de la Biodiversidad en Beautour (Francia) / </em></span></span><span style="color: #666666;"><i>Vegetable skin. Museum of Biodiversity in Beautour (France) </i></span></span></div>
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<span style="color: grey;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><span style="color: grey;"><span style="color: #666666;"><em>Múltiples formas de habitar. 23 viviendas sociales en Béthune (Francia) / </em></span></span></span><span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><i>Multiple ways of living. 23 Social Housing in Béthune (France)</i></span></span></div>
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<span style="color: grey;"><span style="color: grey;"><span style="font-size: x-small;"><a href="http://arquitecturazonacero.blogspot.com.es/2014/03/centro-cultural-de-kamers-en-amersfoort.html">korteknie stuhlmacher architecten</a></span></span></span></div>
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<span style="color: grey;"><span style="color: grey;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><span style="color: #666666;"><em>Centro Cultural "De Kamers" en Amersfoort (Holanda) / </em></span></span><span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><i>"De Kamers" Cultural Centre in Amersfoort (Netherlands)</i></span></span></span></div>
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<span style="color: grey;"><span style="color: grey;"><a href="http://arquitecturazonacero.blogspot.com.es/2014/03/celosias-centenarias-hotel-alpino-en.html" style="font-size: small;">Arhitektura Krusec</a></span></span></div>
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<span style="color: grey;"><span style="color: grey;"><span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><span style="color: grey;"><em>Celosías centenarias. Hotel Alpino en Celje, Eslovenia / </em></span></span><span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><i>Centenary lattices. Alpino </i></span><i style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Hotel</i><i style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: x-small;"> in Celje, Slovenia</i></span></span></div>
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<span style="color: grey;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgR2NuCBQDscOjJiFg-J52_AZYHPMJkKvlzscBTMe1Yk0Fr5rsJ1BJewgCUo3yzN9BzplL53z98F6WdQWZT67PupXy225nOQrEI-QzzRol42XYGOBP9txi0ZIybk-Fz3uvWM8xy-rgeOdM/s1600/Montbou.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgR2NuCBQDscOjJiFg-J52_AZYHPMJkKvlzscBTMe1Yk0Fr5rsJ1BJewgCUo3yzN9BzplL53z98F6WdQWZT67PupXy225nOQrEI-QzzRol42XYGOBP9txi0ZIybk-Fz3uvWM8xy-rgeOdM/s1600/Montbou.jpg" height="223" width="400" /></a></span></div>
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<span style="color: grey;"><span style="color: black;"><span style="color: grey;"><span style="color: silver;"><span style="color: grey;"><span style="font-size: x-small;"><a href="http://arquitecturazonacero.blogspot.com.es/2014/03/onda-metalica-escuela-montbou-en-santa.html">David Closes i Núñez, arquitecte</a></span><span style="color: black; font-size: xx-small;"></span></span></span></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><span style="color: grey;"><span style="color: #666666;"><em>Onda metálica. Escuela Montbou, Cataluña / </em></span></span></span><span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><i>Metallic wave. Montbou School, Catalonia (Spain)</i></span></span></div>
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<span style="color: grey;"><span style="color: grey;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><span style="color: #666666;"><em>Olas escolares. Instituto Marcel Sembat,<span style="font-style: normal;"> </span>Francia / </em></span></span><span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><i>School </i></span><i style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Waves</i><i style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">. Institute Marcel Sembat, France</i></span></span></div>
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<span style="font-size: x-small;"><a href="http://arquitecturazonacero.blogspot.com.es/2014/04/texturas-ceramicas-dos-casas-de.html">Zhang Lei / AZL architects</a></span></div>
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<span style="color: #666666;"><em style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><span style="color: grey;">Texturas cerámicas. Dos casas de ladrillo, China / </span></em><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><i>Ceramic </i></span><i style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Textures.</i><i style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"> Two brick houses, China</i></span></div>
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<span style="font-size: x-small;"><a href="http://arquitecturazonacero.blogspot.com.es/2014/04/intramuros-casa-en-alpicat-lleida-de.html">Carles Enrich y Alberto Brito</a></span></div>
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><span style="color: grey;"><em> </em></span></span><em style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Intramuros. Casa en Alpicat, Lleida / Within the walls</em><span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><i>. House in Alpicat, Lleida (Spain)</i></span></div>
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<span style="color: grey;"><span style="color: black; font-size: x-small;"><a href="http://arquitecturazonacero.blogspot.com.es/2014/04/vistas-panoramicas-dos-bloques-de.html">Arhitektura Krusec</a></span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><span style="color: grey;"><span style="color: #666666;"><em>Vistas panorámicas. Bloques "Rock Villas" en Celje, Eslovenia / </em></span></span><span style="color: #666666;"><i>Panoramic views. "Rock Villas" </i></span><i style="color: #666666;"> Blocks </i><i style="color: #666666;">in Celje, Slovenia</i></span></div>
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<span style="font-size: x-small;"><a href="http://arquitecturazonacero.blogspot.com.es/search?updated-max=2014-04-24T09:52:00%2B02:00&max-results=5">Korteknie Stuhlmacher Architecten</a></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><span style="color: grey;"><span style="color: #666666;"><em>Escuela de Educación Especial en Rotterdam, Holanda / </em></span></span><span style="color: #666666;"><i>Special Education School in Rotterdam, Netherlands</i></span></span></div>
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<span style="color: grey;"><br /></span><span style="color: grey;"><br /></span><span style="color: grey;"><span style="color: black; font-size: x-small;"><a href="http://arquitecturazonacero.blogspot.com.es/2014/04/tras-el-cristal-vivienda-unifamiliar-en.html">Pereda Pérez Arquitectos</a></span></span></div>
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><span style="color: grey;"><em><span style="color: grey;">Tras el cristal. Vivienda unifamiliar en Villarcayo, Burgos / </span></em></span><i>Behind the glass. Dwelling house in Villarcayo, Burgos (Spain)</i></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcY4YaQweNyquswsOpXrbRYnYQbOj65OYsFfeCGDmeqbqMvdfWioW3mag6Vh4-35s2OBBVOAWZ6cNR8fyLxsJPPlEaxwUGrim5mY5ZC8HfCYxJubzVbTbFOcQb37HHpH8HaIsbIimmtRU/s1600/compo+2+patio.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcY4YaQweNyquswsOpXrbRYnYQbOj65OYsFfeCGDmeqbqMvdfWioW3mag6Vh4-35s2OBBVOAWZ6cNR8fyLxsJPPlEaxwUGrim5mY5ZC8HfCYxJubzVbTbFOcQb37HHpH8HaIsbIimmtRU/s1600/compo+2+patio.jpg" height="181" width="400" /></a><span style="color: grey;"><br /></span></div>
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<a href="http://arquitecturazonacero.blogspot.com.es/2014/04/nueva-vida-reforma-de-una-casa-con.html" style="font-size: small;">Carles Enrich</a></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><span style="color: grey;"><span style="color: #666666;"><em>Nueva vida. Reforma de una casa con patio en Gracia, Barcelona / </em></span><span style="color: grey;"><i><span style="color: #666666;"></span></i></span></span><span style="color: #666666;"><i>New life. Reform of a courtyard house in Gracia, Barcelona (Spain)</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh70j2YtAPyH7rIFT4rbZdoS11wm3udmBFGwAzmtQGsx_dJ_Ic2lHOjeu7jZzjAnuP2gXDFPRh3-WI8flKnKLNk99a6tb2HtZXatC7OAwWvwFnlBNi3sLi1A-PgGFHzdHRpkh5hupOFhqk/s1600/Frank.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh70j2YtAPyH7rIFT4rbZdoS11wm3udmBFGwAzmtQGsx_dJ_Ic2lHOjeu7jZzjAnuP2gXDFPRh3-WI8flKnKLNk99a6tb2HtZXatC7OAwWvwFnlBNi3sLi1A-PgGFHzdHRpkh5hupOFhqk/s1600/Frank.jpg" height="180" width="400" /></a></div>
<span style="color: grey;"><br /></span><span style="color: grey;"><br /></span><span style="color: grey;"><br /></span><span style="color: grey;"><span style="color: black; font-size: x-small;"><a href="http://arquitecturazonacero.blogspot.com.es/2014/05/corazon-de-madera-piel-de-acero-centro.html">Birk Heilmeyer und Frenzel Architekten</a></span></span></div>
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><span style="color: grey;"><span style="color: grey;"><em>Corazón de madera, piel de acero. Centro de día para niños en Frankfurt / </em></span></span><i>Heart of wood, steel skin. Day center for children in Frankfurt </i></span><br />
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<span style="color: grey;"><span style="color: black; font-size: x-small;"><a href="http://arquitecturazonacero.blogspot.com.es/2014/05/casa-de-campo-en-goedereede-holanda-de.html">Korteknie Stuhlmacher Architecten</a></span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><span style="color: grey;"><span style="color: #666666;"><em>Casa de campo en Goedereede, Holanda / </em></span></span><span style="color: #666666;"><i>Country house in Goedereede, Netherlands</i></span></span></div>
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<span style="color: grey;"><br /></span><span style="color: grey;"><br /></span><span style="color: grey;"><br /></span><span style="color: grey;"><br /></span><span style="color: grey;"><span style="color: black; font-size: x-small;"><a href="http://arquitecturazonacero.blogspot.com.es/">Arhitektura Krusec</a></span></span></div>
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><span style="color: grey;"><em><span style="color: grey;">Pieles tersas. Dos proyectos residenciales en Eslovenia / </span></em></span><i>Terse skins. Two residential projects in Slovenia</i></span></div>
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<span style="font-size: x-small;"><a href="http://arquitecturazonacero.blogspot.com.es/2014/05/entre-luces-y-sombras-ceip-raiguero-de.html">Macla Arquitectos</a></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><span style="color: #666666;"><em>Entre luces y sombras. CEIP en Orihuela (Alicante, España) / </em></span><i><span style="color: #666666;">Between light and shadow. CEIP in Orihuela (Alicante, Spain</span>)</i></span></div>
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<a href="http://arquitecturazonacero.blogspot.com.es/2014/05/edificio-de-viviendas-para-realojos-en.html"><span style="font-size: x-small;">Pereda Pérez Arquitectos</span></a></div>
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><span style="color: grey;"><em>Edificio de viviendas para realojos en el casco histórico de Pamplona (Navarra, España) / </em></span><i>Residential building for rehousing in the historic center of Pamplona (Navarra, Spain)</i></span></div>
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<span style="font-size: x-small;"><a href="http://arquitecturazonacero.blogspot.com.es/">estudoquarto</a></span></div>
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<em style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><span style="color: #666666;">A ras de suelo. Casa lineal en Bione (Italia) / </span></em><span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><i>At ground level. Linear House in Bione (Italy)</i></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><a href="http://arquitecturazonacero.blogspot.com.es/">Rogers Partners Architects</a></span></div>
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<i><span style="color: #666666; font-family: Arial, Helvetica, sans-serif;">Nueva escuela pública en Baltimore (USA) / </span><span style="color: #666666; font-family: Arial, Helvetica, sans-serif;">New Baltimore Public School (USA)</span></i></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><a href="http://arquitecturazonacero.blogspot.com.es/2014/06/de-hormigon-piedra-y-acero-intervencion.html">MUKA Arquitectura</a></span></div>
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif;"><i><span style="color: grey; font-family: Arial, Helvetica, sans-serif;"><span lang="ES-TRAD">Adecuación de acceso y columbario en el cementerio de Robregordo</span>, Madrid / </span><span style="color: grey; font-family: Arial, Helvetica, sans-serif;">Adequacy of access and columbarium in the cemetery of Robregordo, Madrid (Spain)</span></i></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><a href="http://arquitecturazonacero.blogspot.com.es/2014/06/el-territorio-el-pueblo-la-gente-obra-y.html">John Lin (RUF)</a></span></div>
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<span style="color: #666666;"><i><span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: grey;">Una casa para todas las estaciones en Shijia / A House For All Seasons in Shijia / </span></span><span style="font-family: Arial, Helvetica, sans-serif;">Puente en Lingzide / </span><span style="font-family: Arial, Helvetica, sans-serif;">Lingzide Bridge</span></i></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><a href="http://arquitecturazonacero.blogspot.com.es/2014/06/a-media-ladera-colegio-en-chermingnon.html">FRAR Architectes</a></span></div>
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<i><span style="color: #666666; font-size: xx-small;"><span style="font-family: Arial, Helvetica, sans-serif;"><span style="background-color: white; line-height: 18px;">Guardería, colegio y sala multiusos en Chermignon, Cantón de Valais, Suiza / </span></span><span style="background-color: white; font-family: Arial, Helvetica, sans-serif; line-height: 18px;">Kindergarden, primary school and multi-porpuse hall in Chermignon, Canton Valais, Switzerland</span></span></i></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><a href="http://arquitecturazonacero.blogspot.com.es/">MUKA Arquitectura</a></span></div>
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<span style="color: #666666;"><i><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Iluminación artística y de emergencia en el Castillo de Buitrago de Lozoya, Madrid / </span><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Artistic Lighting project and emergency at Buitrago de Lozoya Castle, Madrid (Spain)</span></i></span></div>
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Agustín Malonda Alberohttp://www.blogger.com/profile/12228836916215119090noreply@blogger.comtag:blogger.com,1999:blog-4887843827271288151.post-86431000106812215192014-12-22T09:56:00.002+01:002014-12-22T09:56:55.352+01:00-<div class="separator" style="clear: both; text-align: center;">
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<br />Agustín Malonda Alberohttp://www.blogger.com/profile/12228836916215119090noreply@blogger.comtag:blogger.com,1999:blog-4887843827271288151.post-62343088192155187522014-12-19T13:10:00.001+01:002015-01-02T10:34:07.170+01:00ESCUELA DE PRIMARIA “HET LANDJE” EN ROTTERDAM DE KORTEKNIE STUHLMACHER ARCHITECTEN <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDtElSa2RBhTA5xjD213mURuiyi2TyN14DMRdgepzVdltLLKCtQTXGxZBu-df1q-Wfm-bnQq-QsvM-2O3flulA1hU9nnXaT-MOwY1geH3Ir-xCsxUOoNVf7kZfkMEKjLnOz4j8bXPPGuw/s1600/Landje_canopy_Luuk+Kramer.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDtElSa2RBhTA5xjD213mURuiyi2TyN14DMRdgepzVdltLLKCtQTXGxZBu-df1q-Wfm-bnQq-QsvM-2O3flulA1hU9nnXaT-MOwY1geH3Ir-xCsxUOoNVf7kZfkMEKjLnOz4j8bXPPGuw/s1600/Landje_canopy_Luuk+Kramer.jpg" height="425" width="640" /></a></div>
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<b><span lang="EN-US" style="background-color: #cccccc; font-family: Arial, sans-serif;">Korteknie
Stuhlmacher Architecten</span></b><b><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR; mso-fareast-language: ZH-CN;"> <o:p></o:p></span></b></div>
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<b><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR; mso-fareast-language: ZH-CN;">Mechthild
Stuhlmacher, </span></b><b><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR; mso-fareast-language: ZH-CN;">Rien Korteknie</span></b><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR; mso-fareast-language: ZH-CN;">, arquitectos/architects<o:p></o:p></span></div>
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<a href="https://www.blogger.com/null" name="_GoBack"><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;">Escuela
de Primaria </span></a><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;">“Het Landje” </span><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR; mso-bidi-font-weight: bold;">en Rotterdam,
Holanda, </span><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;">2010/14</span><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR; mso-bidi-font-weight: bold;"> </span><i><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR; mso-bidi-font-weight: bold;">/ Primary School </span></i><i><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;">“Het Landje”</span></i><i><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR; mso-bidi-font-weight: bold;"> </span></i><i><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR; mso-bidi-font-weight: bold;">in Rotterdam, </span></i><i><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;">The Netherlands, 2010/14</span></i><i><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR; mso-bidi-font-weight: bold;"><o:p></o:p></span></i></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;"><span style="font-size: x-small;">Fotografías: <a href="http://www.luukkramer.nl/" target="_blank">Luuk Kramer</a></span></span></i><br />
<a name='more'></a><i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;"><o:p></o:p></span></i></div>
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<h1 style="text-align: justify;">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><i><span lang="EN-US" style="font-weight: normal;">(</span></i><span lang="EN-US" style="font-weight: normal;">De los autores / <i>From
the authors)………………………………………………..</i></span></span><span lang="EN-US" style="font-size: small; font-weight: normal;"><o:p></o:p></span></h1>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhobs1Ij9gkhlm2DbiCHiqA-18a-9aJp0jUNvwlS5HXm6vTYafHsd5XEEUy58wLG5W9zN9nh3RscVtAPO0lc7VlsjTVZgulLDwb3g6huWYrio9PbRQa4vYPVVc6sdyJOZRQVZlxJzcl9Vo/s1600/Landje_Site.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhobs1Ij9gkhlm2DbiCHiqA-18a-9aJp0jUNvwlS5HXm6vTYafHsd5XEEUy58wLG5W9zN9nh3RscVtAPO0lc7VlsjTVZgulLDwb3g6huWYrio9PbRQa4vYPVVc6sdyJOZRQVZlxJzcl9Vo/s1600/Landje_Site.jpg" height="316" width="320" /></a></div>
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<span lang="EN-GB" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-GB;">La escuela de primaria <i>Het Landje,</i> en el centro de Rotterdam, demandaba urgentemente su
ampliación. Tras un periodo de búsqueda de un lugar apropiado para su ampliación,
se decidió que el antiguo edificio de la Hildernisseschool, situado justo
enfrente del edificio principal de la escuela, debía ser reformado. El edificio
existente, con sus generosas dimensiones, ofrece más espacio y posibilidades
que cualquier edificio nuevo hubiera sido capaz de ofrecer.<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">Primary school <i>Het Landje</i> in the centre of Rotterdam was urgently in need of
additional space. Following an extensive search for an appropriate location for
an extension, it was decided that the former building of the Hildernisseschool
at the Schiedamse Vest just opposite the main building of the school should be
refurbished. The existing building with its comparatively generous dimensions
offered more space and possibilities than any new building would have been able
to.</span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<b><span lang="EN-GB" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-GB;">Transformación
radical<o:p></o:p></span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhA17l4XMdkSjWCbhQxTgXt3ItnP7TeJAsVZW8bu9tYm1ScBVZycxDEWZutJ1rIIH9UEVf37UTovTyhN4ZdzTQ8rstFfyau5Qaysz8QWw-E0QwNI6PXM0ZLs9-ta4atYWjHXkv-PMUVHgI/s1600/Landje_ext_Luuk+Kramer.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhA17l4XMdkSjWCbhQxTgXt3ItnP7TeJAsVZW8bu9tYm1ScBVZycxDEWZutJ1rIIH9UEVf37UTovTyhN4ZdzTQ8rstFfyau5Qaysz8QWw-E0QwNI6PXM0ZLs9-ta4atYWjHXkv-PMUVHgI/s1600/Landje_ext_Luuk+Kramer.jpg" height="266" width="400" /></a><span lang="EN-GB" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-GB;">La <i>Hildernisseschool</i>
fue construida en 1968 como una extensión de la antigua escuela y diseñada por ingenieros municipales. El
lenguaje arquitectónico del edificio evitó toda referencia a su función: la de
un edificio destinado a los niños; sin embargo, su racional estructura de
hormigón, a base de pies derechos, vigas y losas, lo hacían muy adecuado para albergar
la ampliación. Después de la remodelación, el aspecto exterior e interior del edificio
ha cambiado radicalmente. La piel del edificio se aisló térmicamente y se
revocó, integrando un volumen adicional en su coronación. Todas la carpintería fue
sustituida, y la cubierta se aisló y se cubrió de vegetación.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmAoTBVPwSbekFUvecbanak4LObIqaIPKZprkokgbBhqbRzNLY2XtuazSODPguyoBDe6GRReEpH1sprbU-e_wFB4w0dhB-fB1IrgvnhbfxRhUVUL50UfZjPDGn7TxGAT761eX_tFg07mM/s1600/Landje_GF+and+1st+floor.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmAoTBVPwSbekFUvecbanak4LObIqaIPKZprkokgbBhqbRzNLY2XtuazSODPguyoBDe6GRReEpH1sprbU-e_wFB4w0dhB-fB1IrgvnhbfxRhUVUL50UfZjPDGn7TxGAT761eX_tFg07mM/s1600/Landje_GF+and+1st+floor.jpg" height="400" width="317" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgj7K0CrcFP8LbknVmfRAcP7RsMFyN1nAQryeDVhzCcKg3A8m0QGGdLaQfFnfqfh7yLz8Tt_3kG-A3SkOsyalpFbW-nBvDMq3IwkqFGgDDXk1hY_JPfQS3Yl_KANV6nQJDJbSBOYwZ70z8/s1600/Landje_2nd+and+3d+floor.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgj7K0CrcFP8LbknVmfRAcP7RsMFyN1nAQryeDVhzCcKg3A8m0QGGdLaQfFnfqfh7yLz8Tt_3kG-A3SkOsyalpFbW-nBvDMq3IwkqFGgDDXk1hY_JPfQS3Yl_KANV6nQJDJbSBOYwZ70z8/s1600/Landje_2nd+and+3d+floor.jpg" height="400" width="317" /></a></div>
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<b><span lang="EN-GB" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">Radical
transformation<o:p></o:p></span></span></b></div>
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<span lang="EN-GB" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">The <i>Hildernisseschool</i>
has been built in 1968 as an extension to the older, adjacent school building,
designed by municipal engineers. The architectural language of the existing
building avoided all references to its function as a building for children;
however, its rational, concrete structure consisting of concrete columns, beams
and floors makes it well suitable for transformation. After the refurbishment
the outer and inner appearance of the building has changed radically. The skin
of the building was insulated and plastered, integrating an additional volume
on the roof. All windows have been replaced and the roof was insulated and
covered with vegetation. </span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<b><span lang="EN-US" style="font-family: "Arial","sans-serif";">Fachada escultórica<o:p></o:p></span></b></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">El
seco y racional patrón de la fachada existente se cubrió con una composición
informal de diferentes colores y texturas. Esta composición suaviza el rígido
ritmo de las aberturas y mejora el carácter escultural del volumen como un
todo. Los colores escogidos tienen que ver con el entorno que rodea a la
escuela. La idea de entender los colores como variaciones del color blanco
deriva de una acuarela de <b>August Macke</b>,
“</span><span lang="EN-GB" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-GB;">das weiße Haus” (La casa blanca)</span><span lang="EN-US" style="font-family: "Arial","sans-serif";">. El artista pinta una casa blanca bajo
el sol mediante el uso de colores intensos. Los colores muestran la percepción
del artista del blanco. La nueva piel da al edificio un aspecto fresco y
contemporáneo, en consonancia con el propósito de la escuela de ser artística y
llena de color.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOE0sf8CfOVXHG-5ujiEaWH8wjSxbc5kOoH_0i-gMiLLHKzifPXK_Oo9j2vFHwykMYmBD2islJMYw8uOaNohtJU33pKz75K0K5VRcD-SeytH4q_5jlebZVn9B0irBacHc-i8AopaPIL78/s1600/14177-05.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOE0sf8CfOVXHG-5ujiEaWH8wjSxbc5kOoH_0i-gMiLLHKzifPXK_Oo9j2vFHwykMYmBD2islJMYw8uOaNohtJU33pKz75K0K5VRcD-SeytH4q_5jlebZVn9B0irBacHc-i8AopaPIL78/s1600/14177-05.jpg" height="425" width="640" /></a></div>
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<b><span lang="EN-GB" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">Sculptural
facade<o:p></o:p></span></span></b></div>
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<span lang="EN-GB" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">The unrelenting rational pattern of the
existing facade has been covered by an informal composition of different
colours and textures. This composition softens the rigid rhythm of the openings
and enhances the sculptural character of the volume as a whole. The applied
colours refer to the immediate surroundings of the school. The approach to regard
colours as variations of the colour white is derived from a watercolour by <b>August Macke</b>, ‘das weiße Haus’ (The
white house). The artist paints a white house in the sun by using intensive
colours. The colours illustrate the artist’s perception of the white. The new
skin gives the building a contemporary, fresh appearance, in keeping with the
ambition of the school to be ‘art-minded and colourful’. </span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWyQi6dxZWLYUuwiPf9hr0euR4Tv9xHw77bVTKH9-20RGoSrwjvBNpQcXWwHTlUuPfd5GhZCPs7d96J976syDCfBYC9vP2zYN_ahnCd1IqrqORWLqaPLq5DEYdnmY3EUclsYx_CZMXpdg/s1600/Compo+outer.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWyQi6dxZWLYUuwiPf9hr0euR4Tv9xHw77bVTKH9-20RGoSrwjvBNpQcXWwHTlUuPfd5GhZCPs7d96J976syDCfBYC9vP2zYN_ahnCd1IqrqORWLqaPLq5DEYdnmY3EUclsYx_CZMXpdg/s1600/Compo+outer.jpg" height="480" width="640" /></a></div>
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<span lang="EN-GB" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-GB;">Respecto a la organización interior existente, se han
conservado únicamente los pilares, las escaleras y el gimnasio. En las plantas
superiores se eliminaron todas las compartimentaciones y los falsos techos,
determinándose que la estructura de hormigón era viable para albergar la nueva
escuela. Paneles decorativos de madera se han añadido, puntualmente, para
mejorar las propiedades acústicas de los distintos espacios.<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-GB;">El espacio interior remodelado ofrece una mayor
flexibilidad y un ambiente de refrescantes colores. Además de las aulas
convencionales, la escuela dispone de espacios más informales para el
desarrollo de las tareas individuales, así como para el trabajo en grupos. La
planta baja sirve como sala multifuncional, con el suelo ligeramente rebajado que
conecta directamente con el espacio al aire libre que también ha sido objeto de
la intervención. Generosas divisorias de cristal y una amplia marquesina, potencian
la conexión entre el interior de la escuela con el parque y la ciudad que lo rodea.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZQMpQWfnSeB2-RxPuw8rNLwO4ZGE5SiOn-CImd96CI5mkGoYSLTwzIdujYyp5m-Ev4HV1d3fnwFvfLlCHCaUEV-insnV79tNUFa15gbDClVkhwHl9cqY-Id76CCuae4Ya1i-W0ADIMsY/s1600/Compo+inner+2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZQMpQWfnSeB2-RxPuw8rNLwO4ZGE5SiOn-CImd96CI5mkGoYSLTwzIdujYyp5m-Ev4HV1d3fnwFvfLlCHCaUEV-insnV79tNUFa15gbDClVkhwHl9cqY-Id76CCuae4Ya1i-W0ADIMsY/s1600/Compo+inner+2.jpg" height="211" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_6Fu3CglTC7N5nmtuddF4xt8ohP-LEKX7X8mmmhXvkGquTuBeyshrt2uwoCs0oCukIP7FdMe6yk-M29hbiG0FF9hkZJm03whqLRkEVaCUMWdeiMHU0K0uPyPR9xnsLOmTwvEUvuwidHk/s1600/Gym.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_6Fu3CglTC7N5nmtuddF4xt8ohP-LEKX7X8mmmhXvkGquTuBeyshrt2uwoCs0oCukIP7FdMe6yk-M29hbiG0FF9hkZJm03whqLRkEVaCUMWdeiMHU0K0uPyPR9xnsLOmTwvEUvuwidHk/s1600/Gym.jpg" height="211" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrOnYNpoeuJLbB56U884XPcitHsBlOT5ibOjPeJhYCH9i4o7CLfFh0dP7g9LJPgzwSYZFUJB8hAuVdtpURpkeXyWlJuuMTtZq4Xc3xyP4K9A8udBAxh_l8kVnjzAFuh4T52mOqa7WKx8Q/s1600/Landje_classroom_Luuk+Kramer.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrOnYNpoeuJLbB56U884XPcitHsBlOT5ibOjPeJhYCH9i4o7CLfFh0dP7g9LJPgzwSYZFUJB8hAuVdtpURpkeXyWlJuuMTtZq4Xc3xyP4K9A8udBAxh_l8kVnjzAFuh4T52mOqa7WKx8Q/s1600/Landje_classroom_Luuk+Kramer.jpg" height="425" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg97guI8e-bZuSW-59HkRUz7ufX-wKjSVAFh8gBAgLaW4siKzYfUYhI39RHlYA-r0hnnjjxKywle-ZLicDZpcB_hAANsar_pH-vo7Z3lwCyJNc1G13BZNbqzL3CKHbeIHYlbxtAM_MuqyI/s1600/14177-21.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg97guI8e-bZuSW-59HkRUz7ufX-wKjSVAFh8gBAgLaW4siKzYfUYhI39RHlYA-r0hnnjjxKywle-ZLicDZpcB_hAANsar_pH-vo7Z3lwCyJNc1G13BZNbqzL3CKHbeIHYlbxtAM_MuqyI/s1600/14177-21.jpg" height="640" width="425" /></a></div>
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<b><span lang="EN-GB" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">Interior<o:p></o:p></span></span></b></div>
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<span lang="EN-GB" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">Of the existing interior only columns,
staircases and the gym have been kept. On the upper floors all existing
separating walls and all false ceilings have been removed. The concrete
structure was revealed where possible.
Decorative timber panels have been added locally to improve the acoustic
properties of the space.<o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">The new interior provides the building with more flexibility and
fresh colours. In addition to the conventional classrooms the school now
contains more informal spaces for individual tasks and for work in smaller
groups. The ground floor serves as a multifunctional hall with a lowered floor
connecting directly to the newly furnished outdoor space. Generous glass walls
and a wide canopy enhance the connection between the interior of the school,
its playground and the surrounding city.</span><span style="color: #943634; font-size: x-small;"><o:p></o:p></span></span></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif";"><span style="font-size: x-small;">Fuentes / Sources:<o:p></o:p></span></span></i></div>
<br />
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif";"><span style="font-size: x-small;">+ <a href="http://www.kortekniestuhlmacher.nl/" target="_blank">Korteknie Stuhlmacher Architecten</a></span></span></i><i><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR;"> <o:p></o:p></span></i></div>
Agustín Malonda Alberohttp://www.blogger.com/profile/12228836916215119090noreply@blogger.comtag:blogger.com,1999:blog-4887843827271288151.post-83514911033046268322014-12-11T10:25:00.001+01:002015-01-02T10:26:55.900+01:00CEPAS CENTENARIAS / CABAÑAS Y SPA EN UN VIÑEDO EN EGER (HUNGRÍA) DE GEREBEN MARIÁN ARCHITECTS<div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEtJ8I-kJfjVM0fLQg0ikja0MdTWI_y80C99LcVkLHRQ8BLXo_34ucHKpNCmFOmysalOXpSserjoY1LN9j6P4WU-eVypx8Eq39btKYYF_wFUCGKJKzdnKPIMXoBB3LQbW52Hjzht4Z6ZQ/s1600/AES_06.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEtJ8I-kJfjVM0fLQg0ikja0MdTWI_y80C99LcVkLHRQ8BLXo_34ucHKpNCmFOmysalOXpSserjoY1LN9j6P4WU-eVypx8Eq39btKYYF_wFUCGKJKzdnKPIMXoBB3LQbW52Hjzht4Z6ZQ/s1600/AES_06.jpg" height="425" width="640" /></a></div>
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<b><span lang="EN-US" style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: EN-US;"><span style="background-color: #cccccc;">Gereben Marián Architects</span><o:p></o:p></span></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-US;">Péter Gereben</span></b><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-US;">
and <b>Balázs Marián</b>,
arquitectos/architects</span><i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-family: "Times New Roman";"><o:p></o:p></span></i></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><a href="https://www.blogger.com/null" name="_GoBack"></a><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-style: italic; mso-bidi-font-weight: bold;">Alojamiento
y Spa en un viñedo en </span><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-US;">Almagyar, Eger (Hungría),</span><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-style: italic; mso-bidi-font-weight: bold;"> </span><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-style: italic; mso-bidi-font-weight: bold;">2012-14 <i>/ </i></span><i><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;">Wine Terrace and Spa in </span></i><i><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-US;">Almagyar,
Eger (Hungary)</span></i><i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;">, 2012-14<o:p></o:p></span></i></span></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Fotógrafos / Photographs:
<o:p></o:p></span></span></i></div>
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<i><span lang="EN-GB"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><a href="http://foto.frikkerzsolt.hu/" target="_blank">Zsolt Frikker</a>,
<a href="https://www.flickr.com/photos/450dave/5126278022/" target="_blank">Dávid Lukács</a>, Balázs Marián</span></span></i><br />
<a name='more'></a><i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><o:p></o:p></span></i></div>
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<i><span style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES;"><span style="font-size: x-small;">(De
los autores / From the authors)</span><o:p></o:p></span></i></div>
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<span lang="EN-US" style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: EN-US;"><b>El Viñedo </b><span style="color: #943634;"><o:p></o:p></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIaZUR5QvnUWgLGGRrUVIr_XV3rYbHJLwS3weJZ-hOg-e0xIFeK77OrV-1Mlb3NEDSot_AkfYg3X585yCj4btG2NgUyuJPYx1Kt2_RFZNe5arBz2sX563XbNQ7QEJBOs9f_nfIyLFLTxQ/s1600/gereben_marian_drawing_01.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIaZUR5QvnUWgLGGRrUVIr_XV3rYbHJLwS3weJZ-hOg-e0xIFeK77OrV-1Mlb3NEDSot_AkfYg3X585yCj4btG2NgUyuJPYx1Kt2_RFZNe5arBz2sX563XbNQ7QEJBOs9f_nfIyLFLTxQ/s1600/gereben_marian_drawing_01.jpg" height="282" width="400" /></span></a><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-US;"><span style="font-family: Arial, Helvetica, sans-serif;">En la incomparable región vitivinícola de Eger (en el
centro de Hungría) se encuentran unos viñedos olvidados durante mucho tiempo, donde
crece una variedad de uva excepcional: <i>la
arzobispal</i>, una uva de vinificación. El fruto de siglos de cultivo de esta
variedad, ha servido de inspiración para un fabricante local de vino, y sus
socios, para su preservación y su presentación al público. Las cepas replantadas
producen un vino incomparable, y el viñedo da la bienvenida a los visitantes
que anhelan encontrarse con un paisaje excepcional, uvas antiguas y relajación.</span><o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: Arial, sans-serif;"><span style="color: #741b47;"><b>The Vineyard</b><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">Deep in the majestic Eger wine region
lies a long neglected vineyard, which is home to an exceptional grape variety,
the “archiepiscopal” wine grape. The fruit of centuries of cultivation has
inspired the local wine maker and his partners to preserve and present it to
the public. The replanted grapes produce an unrivalled wine and the vineyard
welcomes visitors who long for exceptional scenery, ancient grapes and
relaxation.</span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES;"><b>Los alojamientos </b><o:p></o:p></span></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><span style="font-family: Arial, Helvetica, sans-serif;">Pequeñas construcciones se distribuyen entre las enfiladas de las viñas: la
zona de terraza -un espacio cubierto y abierto- se complementa con cabañas para
pasar la noche, un mirador para contemplar y una piscina para refrescarse. La escala
y la materialidad se basa en las tradiciones locales de la cabaña medieval: un
pequeño edificio con un techo de chapa a dos aguas con gruesos, y monolíticos,
muros de tierra. Ocultos entre las filas del viñedo, únicamente asoma su techo,
proporcionando protección y un lugar para descansar. Evocando la imagen de una
hilera de chozas tradicionales, la zona central cubierta, se presenta como un
amplio espacio abierto, volcado hacia el viñedo, que ofrece refugio del sol en
verano.</span><o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: Arial, sans-serif;"><span style="color: #741b47;"><b>Bungalows</b><o:p></o:p></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw4X3KtR2fGmoroPptaLkvrSfeS7w_pq1yzEI29V2W6lyeDvjpvlxCySxid2zgGslMe0FkzXmUO5C_k8PmbauatiXgfOjNEmQ5XrauUFtwbmXSDK_Qggnk7fs5x8CYAC0_m14Xy6f78hc/s1600/AES_09.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw4X3KtR2fGmoroPptaLkvrSfeS7w_pq1yzEI29V2W6lyeDvjpvlxCySxid2zgGslMe0FkzXmUO5C_k8PmbauatiXgfOjNEmQ5XrauUFtwbmXSDK_Qggnk7fs5x8CYAC0_m14Xy6f78hc/s1600/AES_09.jpg" height="225" width="400" /></a></div>
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<span lang="EN-US" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">Small buildings are nestled in between
the rows of the vineyard: the wine terrace is a covered and open space,
complemented by basic bungalows for sleeping, a lookout for gazing and a pool
for cooling off. Scale and material draw on the local traditions of the
medieval hut: a small building with a pitched tin roof and thick, monolithic
earth walls. Concealed by the rows of the vineyard, with only its roof peeking
out, it provides protection and a place to rest. Evoking the image of a row of
traditional huts, the covered, yet open and airy space of the wine terrace
offers shelter from the summer sun.</span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: EN-US;"><b>Hormigón pétreo</b><o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-US;"><span style="font-family: Arial, Helvetica, sans-serif;">La toba volcánica es un material característico de la
zona, que también se encuentra en forma de grava como subproducto en la construcción
de las bodegas excavadas en la roca. Las gruesas paredes de los edificios se
realizaron usando estos restos de piedra. Mediante capas, y de modo manual, se
levantaron los muros de hormigón de toba que recuerdan las características
climáticas, la tectónica y las cualidades materiales de las bodegas excavadas
en la piedra.</span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: Arial, sans-serif;"><span style="color: #741b47;"><b>Earth Concrete</b><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">Tuff stone is a material characteristic of the area, also found in the form of gravel, the byproduct of carving wine cellars out of the stone. The thick walls of the buildings were created using this stone debris. The layered and manually mixed, rammed earth concrete walls cite the climatic characteristics, wall structure and material qualities of the excavated cellars.</span></span></div>
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<span lang="EN-US" style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: EN-US;"><b>Reciclaje</b><o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-US;"><span style="font-family: Arial, Helvetica, sans-serif;">Además de la piedra toba, otros elementos tales como
las puertas macizas, las centenarias baldosas de ladrillo y cemento, así como el
acabado de los solados exteriores y otros equipamientos, han sido, todos ellos,
procedentes de materiales reciclados que han hecho posible la obra con un presupuesto
mínimo. La pileta “en artesa"
instalada en la terraza, los grifos de cobre, las lámparas y los sistemas de información, son elementos no
estándar, y no se encuentran comercialmente disponibles, sino que han sido diseñas
específicamente para este proyecto y realizadas por artesanos e industriales
locales.</span><o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: Arial, sans-serif;"><span style="color: #741b47;"><b>Recycling</b><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">In addition to the discarded tuff stone,
other structures such as door slabs, century old brick and cement tiles,
external floor surfaces and other equipment are all recycled materials that fit
into the minimal budget. The hand washing “trough” belonging to the wine
terrace, the copper faucets, lamps and information system are all non-standard
elements: they are not commercially available products, but local and unique
solutions stemming from the design and construction process.</span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVHzvyu8iMAn7obta0Dpy0MAxuZOij5rb2_IHp5NQV-m0gYtXWr8sjVECcJNPGRcqs-m53CRcAI0AYNv2iaPp7ViqUwRY4gnPcFPjQ6R1znS54tuBm7KZcqqiexAgPwSJkrwwzOMln0V8/s1600/AES_10.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVHzvyu8iMAn7obta0Dpy0MAxuZOij5rb2_IHp5NQV-m0gYtXWr8sjVECcJNPGRcqs-m53CRcAI0AYNv2iaPp7ViqUwRY4gnPcFPjQ6R1znS54tuBm7KZcqqiexAgPwSJkrwwzOMln0V8/s1600/AES_10.jpg" height="640" width="425" /></a></div>
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<span style="font-family: Arial, sans-serif;">De este modo, el viñedo aún pertenece a la naturaleza: los seres humanos
son simples invitados. </span></div>
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<span lang="EN-US" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">Thus the vineyard still belongs to
Nature: we humans are mere guests.</span><span style="color: #943634; font-size: x-small;"><o:p></o:p></span></span></div>
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<i><span lang="EN-GB" style="font-family: "Arial","sans-serif"; font-size: x-small;">Fuentes / Sources:</span></i></div>
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<span style="font-size: x-small;"><i style="text-align: justify;"><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR;">+</span></i><a href="http://www.g-m.hu/" target="_blank"> <span style="font-family: Arial, Helvetica, sans-serif;">Gereben Marián Architects</span></a></span></div>
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<i><span lang="EN-GB" style="font-family: "Arial","sans-serif"; font-size: x-small;">Premios / Awards:</span></i></div>
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<i><span lang="EN-GB" style="font-family: "Arial","sans-serif"; font-size: x-small;">+ <a href="http://www.pida.si/piranesi-award" target="_blank">Piranesi Awards 2014 </a></span></i></div>
Agustín Malonda Alberohttp://www.blogger.com/profile/12228836916215119090noreply@blogger.comtag:blogger.com,1999:blog-4887843827271288151.post-31994508215147473302014-12-02T09:38:00.001+01:002014-12-19T13:11:09.407+01:00LUZ Y TEXTURA / ESCUELA UNIVERSITARIA DE MAGISTERIO EN GRANADA DE RAMÓN FERNÁNDEZ-ALONSO<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkjpIvo7dsVmZYla5tv7qdd_xvedgvJjWAzEA_lziLrJJP-YuP9u0L-xzgZoiwmk1uS5VDhuS_KvD4Z0oH71_GTWn5aMaoYEP_9HKG8B91EezBDeLkZVrjoaWIpQArigSlPJj6FiYxRKE/s1600/Jesus+Granada-5.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkjpIvo7dsVmZYla5tv7qdd_xvedgvJjWAzEA_lziLrJJP-YuP9u0L-xzgZoiwmk1uS5VDhuS_KvD4Z0oH71_GTWn5aMaoYEP_9HKG8B91EezBDeLkZVrjoaWIpQArigSlPJj6FiYxRKE/s1600/Jesus+Granada-5.jpg" height="385" width="640" /></a></div>
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<b><span style="background-color: #cccccc; font-family: Arial, sans-serif;">Ramón
Fernández-Alonso </span></b><span style="font-family: Arial, sans-serif;"><span style="background-color: #cccccc;"><b>architect</b></span><b><o:p></o:p></b></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b><span lang="EN-GB">José Moya
Enriquez, </span></b><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-family: "Times New Roman";">arquitecto colaborador/collaborator a</span><span lang="ES-TRAD" style="font-family: "Arial","sans-serif"; mso-ansi-language: ES-TRAD; mso-bidi-font-family: "Times New Roman";">rchitect</span><i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-family: "Times New Roman";"><o:p></o:p></span></i></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><a href="https://www.blogger.com/null" name="_GoBack"></a><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-style: italic; mso-bidi-font-weight: bold;">Escuela
Universitaria de Magisterio en Granada, 2012 / <i>Teacher Training Center in Granada
(Spain), 2012</i></span><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><o:p></o:p></span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic; mso-bidi-font-weight: bold;"><i><br /></i></span></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Fotógrafo/Photograph:
<a href="http://www.jesusgranada.com/" target="_blank">Jesús Granada</a></span></span></i><br />
<a name='more'></a><i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><o:p></o:p></span></i></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtP0xtu0rJYlPXNsggNW9-4_7lyJliG1JB7iDyZZizjPsdQhhEYm1CH0kPmARKAXAKm5gPzQy-nw4Zfkoqu9Tv_oiSM3B4QYAGwpfm_ZKJ6w4wRAVddfFphCfVQPirdAf5wXPt150seHo/s1600/Teacher(03)Jes%C3%BAsGranada.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtP0xtu0rJYlPXNsggNW9-4_7lyJliG1JB7iDyZZizjPsdQhhEYm1CH0kPmARKAXAKm5gPzQy-nw4Zfkoqu9Tv_oiSM3B4QYAGwpfm_ZKJ6w4wRAVddfFphCfVQPirdAf5wXPt150seHo/s1600/Teacher(03)Jes%C3%BAsGranada.jpg" height="200" width="640" /></a></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">(Del
autor / From the author)</span><o:p></o:p></span></i></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><span style="font-size: x-small;"><br /></span></span></i></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEii_lTaBv2g5p6ogrjcEc6CW2DXczQtcB1YLlnhAeugO9TGaKcSIRNHItWjdjpgSl3KmTUehcngCLiQtmHouJUckvM0s0ro5YHehFAStMTT_OZr-Wz8WS4oYFfA26wzUt_1W1bMi-cIq8s/s1600/Teacher(01)Jes%C3%BAsGranada.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEii_lTaBv2g5p6ogrjcEc6CW2DXczQtcB1YLlnhAeugO9TGaKcSIRNHItWjdjpgSl3KmTUehcngCLiQtmHouJUckvM0s0ro5YHehFAStMTT_OZr-Wz8WS4oYFfA26wzUt_1W1bMi-cIq8s/s1600/Teacher(01)Jes%C3%BAsGranada.jpg" height="178" width="400" /></a></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><span style="font-family: Arial, Helvetica, sans-serif;">Se parte de la idea de proporcionar una arquitectura cercana, casi familiar
tanto en la composición de sus espacios como en el <b>tratamiento de la luz y de la textura que le proporciona su piel
cerámica</b>. La materialidad de este edificio va unida desde el principio a la
argumentación del proceso de proyecto. Se proyecta la planta baja de accesos y
de relación como un espacio umbral comprimido por el propio edificio en sus
plantas superiores. </span><o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_zeS24888JRDVtI9ehBhK0_m1nDu84K0RvRuI0t8AQfYVFOBHWMOuJjQZItuGaVOL0Ay1A3ftuSXv5HhrShoQ57oQZkIuqSdNV5g6pW08p2sr1D3DDpRiz-m1pBDmenCtJuGcUypOCwQ/s1600/Teacher(02)Jes%C3%BAsGranada.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_zeS24888JRDVtI9ehBhK0_m1nDu84K0RvRuI0t8AQfYVFOBHWMOuJjQZItuGaVOL0Ay1A3ftuSXv5HhrShoQ57oQZkIuqSdNV5g6pW08p2sr1D3DDpRiz-m1pBDmenCtJuGcUypOCwQ/s1600/Teacher(02)Jes%C3%BAsGranada.jpg" height="243" width="400" /></a></div>
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<span style="font-family: Arial, sans-serif;"><span style="color: #741b47;">The initial
idea is to provide a closer architecture, almost family, in the composition of
spaces as well as in the <b>treatment of
light and texture that provides the ceramic skin</b>. The materiality of this
building is linked from the beginning to the argument of the project process.
Ground floor is projected as a threshold space compressed by the building
itself in its upper floors.</span></span><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh59IYe-AzH20xPnIfR3W7gOH15xMlkPbeUN-KivU_v3bP-NvOrL6VofaGhKYf9AZx0pbKgyLL6TbY9_oSsiZrdy6cLzDJ2vgiJ10MhlTLjUaWyhH3i4RoMMBXnsB81bMaXpFQCxuJ7oIM/s1600/Jesus+Granada-6.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh59IYe-AzH20xPnIfR3W7gOH15xMlkPbeUN-KivU_v3bP-NvOrL6VofaGhKYf9AZx0pbKgyLL6TbY9_oSsiZrdy6cLzDJ2vgiJ10MhlTLjUaWyhH3i4RoMMBXnsB81bMaXpFQCxuJ7oIM/s1600/Jesus+Granada-6.jpg" height="387" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkbyJDRD7sAZMkjnwYkKDMrycnEtmziXoXxeDhr0agAUSz8_573wPlYNa_GDUk6peI613edk6HeGJXOTl_aUgdfAW_AD_RzeYCt2qmuGX0XTAMuBzrCncIatgewiZyz-EyNQqsKprK-bM/s1600/SECCION+G-G'.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkbyJDRD7sAZMkjnwYkKDMrycnEtmziXoXxeDhr0agAUSz8_573wPlYNa_GDUk6peI613edk6HeGJXOTl_aUgdfAW_AD_RzeYCt2qmuGX0XTAMuBzrCncIatgewiZyz-EyNQqsKprK-bM/s1600/SECCION+G-G'.jpg" height="200" width="400" /></a></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><span style="font-family: Arial, Helvetica, sans-serif;">Se puede decir que el proyecto de este edificio es la envolvente cerámica
de su aulario que <b>gravita sobre el plano
de la ciudad</b>. Este planteamiento básico se traduce en la solución
estructural adoptada para este proyecto basado en el estudio de su sección: una
viga en celosía, conteniendo las dos plantas superiores de aulario y
departamentos, apoyada en dos líneas de soportes salvando un gran vano, bajo el
que se desarrollan las áreas comunes, en continuidad con las áreas exteriores
de terrazas y ajardinadas protegidas por un potente voladizo.</span><o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYRb6GX0hDut3yX5wqSIQBdVmSuvRdLl3WqyjBTlj5KuMonOjssCY6XszivXGT6eL5_SUL79HqwhRdc0iIrQz3-yR9dQBrDrHp0u9EoU7LaND0sW4GzMuySxPyR4uHslTECnDSmWJf1sI/s1600/SECCION+L-L'.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYRb6GX0hDut3yX5wqSIQBdVmSuvRdLl3WqyjBTlj5KuMonOjssCY6XszivXGT6eL5_SUL79HqwhRdc0iIrQz3-yR9dQBrDrHp0u9EoU7LaND0sW4GzMuySxPyR4uHslTECnDSmWJf1sI/s1600/SECCION+L-L'.jpg" height="200" width="400" /></a></div>
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<span style="font-family: Arial, sans-serif;"><span style="color: #741b47;">We can say that
the building’s project is the ceramic enclosure of their classrooms that hangs
over the city map. This basic approach results from the structural solution
adopted by this project based on the study of the section: a roof truss,
containing the two upper floors of classrooms and departments, supported by two
lines of brackets, saving a long distance, under which common areas are
developed in continuity with the outside landscaped terraces and protected by a
powerful cantilever</span></span><span style="color: #943634; font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-themecolor: accent2; mso-themeshade: 191;">.<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">El edificio se concibe estructurado en cuatro niveles: dos bajo rasante,
destinados a aparcamiento y tres sobre rasante conteniendo el programa dividido
en seis áreas. <b>Áreas comunes</b>,
situadas en planta baja y compuestas principalmente de las siguientes zonas: Áreas
vestibulares, cafetería, biblioteca, salón de actos, gimnasio, supermercado-tienda,
oratorio. <b>Área docente,</b> situada en
planta primera y parte de la segunda, comprende las aulas y talleres para el
alumnado. <b>Área departamental</b>, está compuesta por los despachos y zonas de
reunión y consulta del profesorado. <b>Área
de dirección y secretaría</b>, situada en planta baja. </span><b><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">Área de
aparcamiento</span></b>, situada en el semisótano y sótano del edificio, cuenta
con 300 plazas para vehículos. <b>Iglesia</b>,
con entrada independiente desde el exterior</span><span style="font-family: Arial, sans-serif;">.</span></div>
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<span style="color: #741b47; font-family: Arial, Helvetica, sans-serif;">The building is
conceived structured in four levels: two below ground, for parking and three
above ground containing the program divided into six areas: <b>Common areas</b>, located on the ground
floor and composed mainly of following areas: vestibular areas, cafeteria,
library, auditorium, gymnasium, stationery, photocopying. <b>Teaching area</b>, located on the first floor and part of the second
floor, comprising classrooms and workshops for students. <b>Departmental area</b>, consists of the offices and meeting areas and
consultation teacher, on the second floor. <b>Management
and secretarial area</b>, located on the ground floor. <b>Parking area</b>, located in the semibasement and basement of the
building, has 300 spaces for vehicles. <b>Church</b>,
with separate entrance from the outside.</span></div>
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<i><span lang="EN-GB"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Fuentes / Sources:</span></span></i></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><i><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR;">+</span></i><b><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><i><a href="http://www.fernandezalonso.com/" target="_blank">Ramón Fernández-Alonso architect</a></i><o:p></o:p></span></b></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><i><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR;"><span style="font-size: x-small;">+AV 159-160/2013 </span></span></i><i><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR;"><span style="font-size: x-small;"> España 2013- Spain Yearbook</span></span></i></span></div>
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<i><span lang="EN-GB"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Premios / Awards: <o:p></o:p></span></span></i></div>
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<i><span lang="EN-GB"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">+Work nominated for the European Union
Prize for Contemporary architecture Mies Van der Rohe Award 2013 <o:p></o:p></span></span></i></div>
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<i><span lang="EN-GB"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">+Premio ASCER 2012<o:p></o:p></span></span></i></div>
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<i><span lang="EN-GB"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">+Coverings Installation International
Design Awards 2013<o:p></o:p></span></span></i></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">+Premio Nacional
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">+Premios FAD 2014
finalista/shortlisted </span></span></i></div>
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Paredes 2009-2012</span></span></i></div>
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<i><span style="font-family: Arial, Helvetica, sans-serif; mso-ansi-language: ES;"><b>------------------------------------------------------------------COCINÁNDOSE / COOKING</b></span></i></div>
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Agustín Malonda Alberohttp://www.blogger.com/profile/12228836916215119090noreply@blogger.comtag:blogger.com,1999:blog-4887843827271288151.post-5946303182957265372014-11-24T13:15:00.002+01:002014-12-11T10:26:31.810+01:00EN EL AIRE / ESCUELA INFANTIL EN EL CAMPUS DE ORENSE DE ABALO ALONSO ARQUITECTOS<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipXSK-XqxUFLo1bBKzAbb9dKXl0SLulkOzWoefFM5KuIe5qSDeuHthSTnY-9pJ_9Xt0wnC2VBmenFwg9JoWd5gn2dvGIUbJmiPRWinnW3VybJivp2O1k7UD64tP8OxbBIc57QUPyOMKOE/s1600/guarder%C3%ADa+orense+2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipXSK-XqxUFLo1bBKzAbb9dKXl0SLulkOzWoefFM5KuIe5qSDeuHthSTnY-9pJ_9Xt0wnC2VBmenFwg9JoWd5gn2dvGIUbJmiPRWinnW3VybJivp2O1k7UD64tP8OxbBIc57QUPyOMKOE/s1600/guarder%C3%ADa+orense+2.jpg" height="480" width="640" /></a></div>
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<b><span style="background-color: #cccccc; font-family: Arial, sans-serif;">abalo alonso arquitectos </span></b><span style="font-family: Arial, sans-serif;"><o:p></o:p></span></div>
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<b><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-family: "Times New Roman";">Elizabeth Abalo, Gonzalo Alonso</span></b><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-family: "Times New Roman";">, arquitectos / a</span><span lang="ES-TRAD" style="font-family: "Arial","sans-serif"; mso-ansi-language: ES-TRAD; mso-bidi-font-family: "Times New Roman";">rchitects</span><i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-family: "Times New Roman";"><o:p></o:p></span></i></div>
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<a href="https://www.blogger.com/null" name="_GoBack"></a><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-style: italic; mso-bidi-font-weight: bold;">Escuela
infantil en el Campus Universitario de Orense, 2009-11 / <i>Child School in
Orense´s University Campus (Spain), 2009-11</i></span><i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-family: "Times New Roman";"><o:p></o:p></span></i></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><span style="font-size: x-small;">Fotógrafo/Photograph:
Santos Díez/<a href="http://www.bisimages.es/bis/" target="_blank">BISIMAGES</a></span></span></i><br />
<a name='more'></a><i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><o:p></o:p></span></i></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><span style="font-size: x-small;">(De
los autores / From the authors)</span><o:p></o:p></span></i></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><span style="font-size: x-small;"><br /></span></span></i></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">Es posible que las cabañas entre los árboles hayan estado en el origen del
proyecto. Puede que nuestros hórreos también. Añoramos esos momentos de juegos
infantiles. La propia configuración del terreno nos acompaña; en medio del
parque, aislados, entre árboles, el terreno en pendiente…<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">It is possible that the huts among the trees have been at the
root of the project. May our <i>hórreos</i>
too. We miss those moments for child plays. The configuration of the land is
with us; in the middle of the park, isolated, among trees, the sloping terrain…</span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">El campus universitario de Ourense, al noreste de la ciudad, se encuentra
dividido en dos partes por una avenida de seis carriles con alta intensidad de
tráfico. La zona más urbana ocupa unas antiguas instalaciones militares
reutilizadas como en tantos otros campus españoles. Al otro lado la situación
es más de parque urbano. Un proyecto de <b>Francisco
Mangado</b>, parcialmente ejecutado, incide en este planteamiento; también el
soterramiento del vial para favorecer tanto la integración entre ambos campus y
de estos con la ciudad, como un aumento significativo de la vegetación y un
dibujo más orgánico de los recorridos. La pieza que nos ocupa es uno de los
edificios previstos en el nuevo plan, y por ahora el único completado. Se añade
a los ya existentes en esta zona. La Facultad de Derecho y Económicas, el mayor
de todos ellos, con seis plantas y una impronta imponente. La Biblioteca Central,
de <b>Acxt</b>. Las piscinas cubiertas, del
propio <b>Mangado</b> y un Centro Estudiantil
y Administrativo de <b>Manuel Gallego</b>,
todavía en fase de proyecto.<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">The Ourense´s campus, in northeast of the city, is divided into
two parts by a six-lane boulevard with high traffic intensity. The urban area occupies
a reused former military installations as in many other Spanish campus. At the
opposite side the situation is more like an urban park. A project of <b>Francisco Mangado</b>, partially executed, insists
on this approach; also the undergrounding of the road in order to further
integration between both campuses, and between these and the city, as well as a
significant increase in vegetation and a more organic design of the routes. The
piece in question is one of the foreseen buildings in the new plan, and so far
the only one complete. It is added to the existing ones in this area. The
Faculty of Law and Economics, the biggest of them all, with six floors and a
impressive image. The Central Library,
by <b>Acxt.</b> The Indoor Pools, by
<b>Mangado</b> and a Student and Administrative
Center by <b>Manuel Gallego</b>, still at
the draft stage.</span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgchvQs-vWesZEacp8hqsun9BBT6QJgLRFj0P199qU8rejotr2PcOLpjAbvh__oieTjj1LR0aTfVs42GPAS2KPaU547q6S4r3XBNBhYZzXzdg7lgniJXduIcEJkSxumd111AtqsXgs3vOk/s1600/guarder%C3%ADa+orense+1.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgchvQs-vWesZEacp8hqsun9BBT6QJgLRFj0P199qU8rejotr2PcOLpjAbvh__oieTjj1LR0aTfVs42GPAS2KPaU547q6S4r3XBNBhYZzXzdg7lgniJXduIcEJkSxumd111AtqsXgs3vOk/s1600/guarder%C3%ADa+orense+1.jpg" height="400" width="342" /></a></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">La guardería se plantea en una sola planta por razones de uso y
accesibilidad. El acceso en el encuentro con el punto más alto del terreno, a
modo de puente levadizo, pero fijo. Zaguán habilitado para dejar los carritos y
como cortavientos nos introducen en el edificio, que se organiza en cinco
franjas funcionales paralelas. Una sala de usos varios reparte juego; hacia el
norte, los espacios servidores, con acceso independiente; despacho, vestuario
de personal, cocina y sala de instalaciones. Un primer filtro con roperos y
aseos, aulas, y balcón-zona de juegos hacia el sur, dominando el campus
universitario. Los cerramientos flexibles entre las aulas permiten diferentes
posiciones, desde la total independencia entre ellas a la posibilidad de una
sala conjunta. Los quiebros en planta, añadidos a los reflejos de algunos
espejos y vidrios, y la utilización de materiales similares en el interior y
exterior favorecen la sensación de amplitud, a pesar del ajustado tamaño del
inmueble.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgARqwV46iLd8UN8BAMJeEp0MiALXh7wMvV1VmNUNsLgXKCvpog7a5ymlPKw8W8NBTxQpqGAbQT5cZhVCyog4L9zeChlWhzcEJDaxPfw9y5U7Mw-R0x80vGkzUit62kd19HoxbUxPpVHVA/s1600/2+escuela+infantil.+planta.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgARqwV46iLd8UN8BAMJeEp0MiALXh7wMvV1VmNUNsLgXKCvpog7a5ymlPKw8W8NBTxQpqGAbQT5cZhVCyog4L9zeChlWhzcEJDaxPfw9y5U7Mw-R0x80vGkzUit62kd19HoxbUxPpVHVA/s1600/2+escuela+infantil.+planta.jpg" height="400" width="301" /></a></div>
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<i><span style="font-family: Arial, sans-serif;"><span style="font-size: xx-small;"><br /></span></span></i></div>
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<i><span style="font-family: Arial, sans-serif;"><span style="font-size: xx-small;">1 acceso principal <span style="color: #943634;">1 main entrance</span><o:p></o:p></span></span></i></div>
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<i><span style="font-family: Arial, sans-serif;"><span style="font-size: xx-small;">2 zaguán <span style="color: #943634;">2 hall<o:p></o:p></span></span></span></i></div>
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<i><span style="font-family: Arial, sans-serif;"><span style="font-size: xx-small;">3 cortavientos <span style="color: #943634;">3
windbreak</span><o:p></o:p></span></span></i></div>
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<i><span style="font-family: Arial, sans-serif;"><span style="font-size: xx-small;">4 despacho <span style="color: #943634;">4 office<o:p></o:p></span></span></span></i></div>
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<i><span style="font-family: Arial, sans-serif;"><span style="font-size: xx-small;">5 acceso de servicio <span style="color: #943634;">5
service entrance<o:p></o:p></span></span></span></i></div>
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<i><span style="font-family: Arial, sans-serif;"><span style="font-size: xx-small;">6 oficio <span style="color: #943634;">6
kitchen<o:p></o:p></span></span></span></i></div>
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<i><span style="font-family: Arial, sans-serif;"><span style="font-size: xx-small;">7 instalaciones <span style="color: #943634;">7 building facilities</span><o:p></o:p></span></span></i></div>
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<i><span style="font-family: Arial, sans-serif;"><span style="font-size: xx-small;">8 sala de usos múltiples <span style="color: #943634;">8 multipurpose room</span><o:p></o:p></span></span></i></div>
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<i><span style="font-family: Arial, sans-serif;"><span style="font-size: xx-small;">9 área de descanso <span style="color: #943634;">9 rest area</span><o:p></o:p></span></span></i></div>
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<i><span style="font-family: Arial, sans-serif;"><span style="font-size: xx-small;">10 aseo 1<span style="color: #943634;">0 restroom</span><o:p></o:p></span></span></i></div>
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<i><span style="font-family: Arial, sans-serif;"><span style="font-size: xx-small;">11 ropero–acceso aula <span style="color: #943634;">11wardrove-classroom entrance</span><o:p></o:p></span></span></i></div>
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<i><span style="font-family: Arial, sans-serif;"><span style="font-size: xx-small;">12 aula <span style="color: #943634;">12 classroom</span><o:p></o:p></span></span></i></div>
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<i><span style="font-family: Arial, sans-serif;"><span style="font-size: xx-small;">13 balcón de juegos </span><span style="color: #943634;"><span style="font-size: xx-small;">13 play balcony</span><span style="font-size: x-small;"><o:p></o:p></span></span></span></i></div>
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<span lang="EN-GB" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">The kindergarten is outlined in a single plant for use and
accessibility reasons. The access is situated in the encounter with the highest
point of the land, as a drawbridge, but fixed. A hallway enabled for carts and
as a windbreak, gets us into the building, which is organized by means of five
functional parallel stripes. A multifunctional room distributes game; towards
the north the "server spaces" with independent access; office,
wardrobe staff, kitchen and facilities room. A first filter with lockers and
toilets, classrooms, and balcony-playground to the south, which domains the
campus. The flexible walls between classrooms allow various positions from the
full independence to the possibility of a joint room. The swerves on the plan,
added to the reflections of some mirrors and glass, and the use of similar
materials inside and outside encourage the feeling of spaciousness despite the
adjusted size of the building.</span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzsjIwyq0D0b2lrPHhhh1-doxVM0c_vr3Vx5TGAdsTQHqaczClSHA2amtji4zK65faklBSz53y05o-aswDjAdkJl96dKSbpJVnUvQwuNgcccxgsjpUvr2nnZKIiYVbfRzMjl2fp2JGocA/s1600/6+escuela+infantil.+losa+estructural.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzsjIwyq0D0b2lrPHhhh1-doxVM0c_vr3Vx5TGAdsTQHqaczClSHA2amtji4zK65faklBSz53y05o-aswDjAdkJl96dKSbpJVnUvQwuNgcccxgsjpUvr2nnZKIiYVbfRzMjl2fp2JGocA/s1600/6+escuela+infantil.+losa+estructural.jpg" height="311" width="320" /></a></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">Cuatro pantallas de hormigón abujardado soportan el edificio. Llevan
embebidas las instalaciones de abastecimiento de agua, pluviales, saneamiento,
electricidad, telecomunicaciones y geotermia, tan significativa esta última en
la ciudad de las Burgas. Dos losas horizontales, también de hormigón, resuelven
suelo y techo. Se aprovechan los necesarios refuerzos estructurales para
generar juegos volumétricos en las partes vistas, recuerdo de los soportes
(tornarratos) de los hórreos gallegos. Así, las zonas de encuentro con las
pantallas tienen mayor espesor, 60 cm; 40 cm la losa central y 20 cm en los
vuelos perimetrales. Economía estructural traducida en formalización
arquitectónica con reminiscencias autóctonas. La posición relativa del edificio
genera en sección un espacio inferior abierto, de altura suficiente,
susceptible de ser utilizado tanto en tiempo de lluvias como, sobre todo, en el
habitualmente caluroso verano local. <o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgebzFgBfm2r13t95GxYvzLqNxv-YaM9p6uRPR294wVlMy4hcGbwLjjcnf5kwb-UDvwX0kbx_AqAGROYbBVYf4iZt148AnKNpylwla4MTmqIC9U8MfpmlFaEWmOjF8qHBa2GwaW-eJCS9E/s1600/3+escuela+infantil.+secciones.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgebzFgBfm2r13t95GxYvzLqNxv-YaM9p6uRPR294wVlMy4hcGbwLjjcnf5kwb-UDvwX0kbx_AqAGROYbBVYf4iZt148AnKNpylwla4MTmqIC9U8MfpmlFaEWmOjF8qHBa2GwaW-eJCS9E/s1600/3+escuela+infantil.+secciones.jpg" height="380" width="400" /></a></div>
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<span style="color: #741b47; font-family: Arial, sans-serif;">Four screened pillars of bush-hammered concrete support
building, embedding the installations of water supply, rainwater, sanitation,
electricity, telecommunications and geothermal energy, so significant, the
latter, in the city of Burgas. Two horizontal slabs, also of concrete, resolve
the floor and ceiling. The necessary structural reinforcements are used for
generate volumetric games on exposed parts, remembering the pillars
(tornarratos) of the Galician granaries (hórreos). Thereby, the encounter areas
with the screened pillars are thicker, 60 cm; 40 cm for the central slab and 20
cm on the perimetral cantilevers. Structural economics translated into
Architectural formalization with autochthonous reminiscences. The relative
position of the building creates, in section, a lower open space, of sufficient
height, which may be used in both wet weather and, especially, during the
usually hot local summer.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgr5qSw2et0VhVRWqINUhsDl68oyKQ4ve9t97TlHYfhJ7tKPQqFOg6YZmlWyzj-mVtmMG26u1uZUJH5sFRNbApFMr9ZYHh3dJxTfExp1UrbQeiYs2uyYIdTH17zgdA1GtCCG8TI1BscKAc/s1600/guarderia+orense+7.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgr5qSw2et0VhVRWqINUhsDl68oyKQ4ve9t97TlHYfhJ7tKPQqFOg6YZmlWyzj-mVtmMG26u1uZUJH5sFRNbApFMr9ZYHh3dJxTfExp1UrbQeiYs2uyYIdTH17zgdA1GtCCG8TI1BscKAc/s1600/guarderia+orense+7.jpg" height="400" width="300" /></a><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">El cerramiento de fachada es de bloques de arcilla aligerada de 19cm de
espesor. El aislamiento se coloca por el interior, continuo, incluyendo suelo y
techos. De esta forma se evitan puentes térmicos. Se remata con trasdosado de
cartón yeso en los paramentos verticales, recrecido de mortero y linóleo en los
suelos y falso techo acústico de virutas de madera pintado en el falso techo.
La cubierta se refuerza con otra capa de aislamiento, esta vez por encima de la
losa, una solución constructiva más habitual. Y se remata con lascas de pizarra
negra entre cintas que reproducen las quebradas divisiones interiores<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">The façade enclosure is made of lightweight clay blocks of 19 cm
thickness. The insulation is placed by the interior, continuous, including
floors and ceilings. Thus thermal bridges are avoided. It is finished with
plasterboard cladding on vertical surfaces, mortar screed, linoleum floors and
acoustic ceiling of painted wood chips on the ceiling. The cover is reinforced
with another layer of insulation, this time over the slab, a more common
constructive solution. And it is topped with slabs of black slate among the
bands that reproduce the internal divisions.</span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">Se revoca el exterior con mortero hidrófugo pintado de verde oscuro. Una
celosía de madera de cedro tratada con una mano de <i>lasur</i>, también verde,
envuelve toda la pieza. Potencia la abstracción de la pieza al actuar como un
velo que unifica su imagen. Matiza tanto las partes ciegas como los diferentes
tipos de huecos existentes, ventanas a haces interiores o exteriores, terraza,
entrantes, patios…. <o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">The exterior is filled with waterproof mortar, dark green
painted. A cedar wooden latticework treated with one hand of <i>lasur</i>, also
green, wraps the entire piece. Potentiating the abstraction of the piece and
acting as a veil that unifies its image. Also, it qualifies both the blind
parts and the different types of existing voids: either windows aligned with
the facade or with the interior, terrace, setbacks, courtyards ....</span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">La elección de este tipo de madera tiene que ver con su tala controlada, su
poco peso, importante en este caso para no sobrecargar el vuelo precisamente en
punta, y su estabilidad ante los cambios de temperatura. El clima de Orense es
continental, con saltos térmicos que llegan a alcanzar los 40º de diferencia
entre verano e invierno, al contrario que la franja atlántica de Galicia, con
un contraste menos acusado. Al tiempo que le confiere la imagen final al
edificio colabora en su acondicionamiento, al actuar como parasol tanto en la
parte ciega como en los diferentes huecos. Se reduce de esta forma el aporte
solar a todo el cerramiento y se genera un filtro ventilado. Los huecos en
planta, y sobre todo el patio central, facilitan la generación de ventilaciones
cruzadas, no solo entre fachadas sino también con el suelo, que permiten la
reducción de consumo energético artificial en verano. La buena orientación de
las aulas actúa a la inversa en invierno, al favorecer el aporte solar. La
situación de la terraza resulta así mismo interesante, con la combinación del
vuelo de la cubierta, la estructura de soporte de la celosía, que permite la
instalación de toldos en verano, pero también de juegos infantiles colgados y
la propia celosía, con su contraste de luces y sombras. La parte inferior se
protege con una barandilla de vidrio para evitar los peligros del posible
contacto de los niños con un cerramiento de madera colocado en bruto, sin
cepillar. <o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">The choice of this type of wood has to do with its controlled
logging, low weight, important in this case in order to avoid overloading the
cantilever, precisely, in its end, and its stability to temperature changes.
Orense´s climate is continental, with temperature changes that can reach 40
degrees difference between summer and winter, unlike the Atlantic coast of
Galicia, with a contrast less pronounced. At the same time it gives the final
image of the building, contributes to their conditioning, acting as a parasol
both on the blind parts and on the different openings. Thus it reduces the
solar gain to all enclosure and a ventilated filter is generated. The voids in
the floor, and especially the central courtyard, facilitate the generation of
cross ventilations, not only between facades but also with soil, allowing the reduction
of the artificial energy consumption in summer. Good orientation of the
classroom works in reverse way in winter, favoring the solar gain. </span></span><span style="font-family: Arial, sans-serif;"><span style="color: #741b47;">The
situation of the terrace is, at the same time, interesting, with the
combination of the deck cantilever, the support structure of the latticework,
which allows installation of awnings in summer, but also hanging childhood
games on the lattice itself, with its contrast of lights and shadow. Its bottom
part is protected by a glass railing to avoid the dangers of possible contact
of the children with a wooden rough enclosure, without brushing.</span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjM4PAF9xB5I-khepWgiqpxAB7sab8OQwnSLXt9P1V58Q7s8chHamkQBUaCJt8KtZm7oz2H41Ky7SU8oFUXarFurF2FQhPAxB5yq9CgqZKOv3MKmBr2ejnKcvGAsylXzZaaf25prakzhEU/s1600/guarder%C3%ADa+orense+5.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjM4PAF9xB5I-khepWgiqpxAB7sab8OQwnSLXt9P1V58Q7s8chHamkQBUaCJt8KtZm7oz2H41Ky7SU8oFUXarFurF2FQhPAxB5yq9CgqZKOv3MKmBr2ejnKcvGAsylXzZaaf25prakzhEU/s1600/guarder%C3%ADa+orense+5.jpg" height="400" width="320" /></a></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">Se eligen los acabados en tonos verdes, color asociado con el relax, pero
también con el parque en que nos encontramos. El arbolado seleccionado colabora
con esta sensación. Un ejemplar por patio, esbeltos todos ellos, asomando sus
copas por encima de la cubierta. La sensación, a tres metros de altura, se
asemeja a la que describíamos al inicio de la memoria, de juego entre los
árboles. De hoja caduca, para reflejar el paso de las estaciones. La posición
de alguno de ellos colabora también en la reducción del soleamiento directo. Se
completa con otras especies la teórica parcela, sin solución de continuidad con
el resto del parque. <o:p></o:p></span></div>
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<span style="font-family: Arial, sans-serif;"><span style="color: #741b47;">The finishes are chosen in green color, which is
associated with relaxation, but also with the park which we are in. The
selected trees collaborates with this feeling. One per yard, slender, poking
out their tops above the deck. The feeling at ten-feet high, resembles that
described at the beginning of memory, playing among the trees. Deciduous, to
reflect the changing seasons. The position of some of them also contributes to
the reduction of direct sunlight. The parcel is completed with other species,
unbroken with the rest of the park.</span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEig9tUBQDXvH6t14DqwbI_er6fy4a1u6mq5AjqjkzkE73GcvKOiIKVdhZLMvdQJ_0c9y_NEy4N1cSiXDd9A-FUP0td-Mv0ndBE8Xt615ojOQ8WAFM_XQXNNDuUVN2sEo_tswJ2A-JSKErM/s1600/guarderia+orense+9.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEig9tUBQDXvH6t14DqwbI_er6fy4a1u6mq5AjqjkzkE73GcvKOiIKVdhZLMvdQJ_0c9y_NEy4N1cSiXDd9A-FUP0td-Mv0ndBE8Xt615ojOQ8WAFM_XQXNNDuUVN2sEo_tswJ2A-JSKErM/s1600/guarderia+orense+9.jpg" height="425" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhESEcl4BigC97TpIV4mEdWg8ZzGzYAm-ZKWiWVp6IRd6QfRX_8VcOwT7lraeAvADCQtvQraXczNMBgSS89JSLm5CuoGb3TAnwJgkIOPjbbLrI8O_dARLiv94Z4X_k2PExTe0ayaMcWevM/s1600/guarder%C3%ADa+orense+10.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhESEcl4BigC97TpIV4mEdWg8ZzGzYAm-ZKWiWVp6IRd6QfRX_8VcOwT7lraeAvADCQtvQraXczNMBgSS89JSLm5CuoGb3TAnwJgkIOPjbbLrI8O_dARLiv94Z4X_k2PExTe0ayaMcWevM/s1600/guarder%C3%ADa+orense+10.jpg" height="480" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYiF8kKeELcmP9TTwxbyqUWcm7uLmORw0wJJAEf_x_aOHEV2nCAln3qU1eEy3MzKxEI8T3zPKbyuhQ3LHweQJN-t0M6Z7GkI9IhqFH6PhxfH54ewNTyrtN54eYiMAXrpS97BV_8i6AMzY/s1600/4+escuela+infantil.+energ%C3%ADa.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYiF8kKeELcmP9TTwxbyqUWcm7uLmORw0wJJAEf_x_aOHEV2nCAln3qU1eEy3MzKxEI8T3zPKbyuhQ3LHweQJN-t0M6Z7GkI9IhqFH6PhxfH54ewNTyrtN54eYiMAXrpS97BV_8i6AMzY/s1600/4+escuela+infantil.+energ%C3%ADa.jpg" height="195" width="400" /></a><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">El planteamiento energético propone soluciones más relacionadas con la
tradición local que con las ayudas tecnológicas. La escuela se separa del
terreno, como los hórreos gallegos, permitiendo la circulación de aire por la
parte inferior, al tiempo que genera un espacio en sombra susceptible de
utilizarse en las épocas más calurosas. La apertura de patios interiores
favorece así mismo la ventilación de las dependencias centrales de apoyo. Al
estar la edificación separada del terreno nos podemos permitir la continuidad
del aislamiento, con la consiguiente reducción de puentes térmicos. La celosía
perimetral de madera reduce el impacto solar directo en fachada, tanto en las
partes ciegas como en el balcón orientado a sur. En este caso, así como en los
patios este y oeste, el arbolado de hoja caduca colabora en la diferente
incidencia solar en verano o invierno. Las aguas residuales se conducen a la
central de reciclaje del campus, situada a escasos veinte metros y, como no
podía ser de otra manera, en una ciudad famosa por sus aguas termales, se
utiliza la energía geotérmica para el acondicionamiento invernal. <o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTzKr_j6Eu01YzQ1HOx2Re7QbY_Pfy4FkAFuIQNVjTUjKDYnwUwOVEZ2itHPfpG80OZI7ptQvSt6HeCZrZOoIUm5D39dNtZm-o2So3WZ8fCVPnPGwvnAL8PetbSGzmn9si3MaU_D1Bb34/s1600/guarder%C3%ADa+orense+11.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTzKr_j6Eu01YzQ1HOx2Re7QbY_Pfy4FkAFuIQNVjTUjKDYnwUwOVEZ2itHPfpG80OZI7ptQvSt6HeCZrZOoIUm5D39dNtZm-o2So3WZ8fCVPnPGwvnAL8PetbSGzmn9si3MaU_D1Bb34/s1600/guarder%C3%ADa+orense+11.jpg" height="400" width="341" /></a><span style="font-family: Arial, sans-serif;"><span style="color: #741b47;">The energetic approach proposes more related solutions
with local tradition than with the technological aids. The school is separated
from the soil, as the Galician granaries, allowing the airflow through the
bottom, while a shadowed space is generated, which is susceptible of being used
in the warmer seasons. The courtyards
opening, likewise, favors ventilation of the
support central units. The separation between the building and the
terrain allow us the insulation continuity, with consequent reduction of
thermal bridges. The perimeter wooden latticework reduces the solar direct
impact on the facade, both on the blind parts and on balcony facing south. In
this case, as well as in the courtyards faced to the east and west, deciduous
trees collaborates in different solar gains in summer or winter. Wastewater is
carried to the recycling center´s campus, located just twenty meters away and,
how it could not be otherwise in a city which is famous for its thermal waters,
geothermal energy is used for conditioning in winter.</span></span><span style="font-family: Arial, sans-serif; font-size: x-small;"><o:p></o:p></span></div>
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<i><span lang="EN-GB" style="font-family: "Arial","sans-serif";"><span style="font-size: x-small;">Fuentes / Sources: <o:p></o:p></span></span></i></div>
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<i><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR;"><span style="font-size: x-small;">+ <a href="http://www.abaloalonso.es/" target="_blank">abalo alonso arquitectos</a> </span></span></i></div>
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<i><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR;"><span style="font-size: x-small;">+ Spanish
Magazine: Arquitectura Viva, 161.3/2014 Local Knowledge</span></span></i></div>
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<i><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR;"><span style="font-size: x-small;"><br /></span></span></i></div>
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<i><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR;"><span style="font-size: x-small;"><b><br /></b></span></span></i></div>
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<i><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR;"><span style="font-size: x-small;"><b>--------------------------------------------------------------------------------------------COCINÁNDOSE / COOKING</b></span></span></i></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgt-aLeMcQ0t34YQDYtpyM3C5wMtlsvPfldMtYXKKxJp20gqji00aDa7FTeppP1YF4VJ1D-B72dr82a3h_l1PQ8DK1WE5BSPuv-tM8n9JSo6nZcArFzDPi_BJh4Af-5oOSpnb8flhFPvZU/s1600/5+escuela+infantil.+detalle+constructivo.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgt-aLeMcQ0t34YQDYtpyM3C5wMtlsvPfldMtYXKKxJp20gqji00aDa7FTeppP1YF4VJ1D-B72dr82a3h_l1PQ8DK1WE5BSPuv-tM8n9JSo6nZcArFzDPi_BJh4Af-5oOSpnb8flhFPvZU/s1600/5+escuela+infantil.+detalle+constructivo.jpg" /></a><i><span style="font-family: Arial, sans-serif;"><span style="font-size: xx-small;">1 lascas de pizarra negra<o:p></o:p></span></span></i></div>
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<i><span style="font-family: Arial, sans-serif;"><span style="font-size: xx-small;">2 aislamiento rígido e 5cm<o:p></o:p></span></span></i></div>
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<i><span style="font-family: Arial, sans-serif;"><span style="font-size: xx-small;">3 doble lámina impermeabilizante con geotextil<o:p></o:p></span></span></i></div>
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<i><span style="font-family: Arial, sans-serif;"><span style="font-size: xx-small;">4 mortero de pendiente<o:p></o:p></span></span></i></div>
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<i><span style="font-family: Arial, sans-serif;"><span style="font-size: xx-small;">5 losa de hormigón armado<o:p></o:p></span></span></i></div>
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<i><span style="font-family: Arial, sans-serif;"><span style="font-size: xx-small;">6 angular de remate acero galvanizado e10mm<o:p></o:p></span></span></i></div>
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<i><span style="font-family: Arial, sans-serif;"><span style="font-size: xx-small;">7 listón de cedro 100.50 teñido lasur verde<o:p></o:p></span></span></i></div>
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<i><span style="font-family: Arial, sans-serif;"><span style="font-size: xx-small;">8 aislamiento rígido e 3cm<o:p></o:p></span></span></i></div>
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<i><span style="font-family: Arial, sans-serif;"><span style="font-size: xx-small;">9 falso techo tipo heraklith pintado<o:p></o:p></span></span></i></div>
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<i><span style="font-family: Arial, sans-serif;"><span style="font-size: xx-small;">10 doble placa de cartón yeso<o:p></o:p></span></span></i></div>
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<i><span style="font-family: Arial, sans-serif;"><span style="font-size: xx-small;">11 pavimento de caucho<o:p></o:p></span></span></i></div>
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<i><span style="font-family: Arial, sans-serif;"><span style="font-size: xx-small;">12 suelo radiante<o:p></o:p></span></span></i></div>
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<i><span style="font-family: Arial, sans-serif;"><span style="font-size: xx-small;">13 panel tipo trespa 15mm color <o:p></o:p></span></span></i></div>
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<i><span style="font-family: Arial, sans-serif;"><span style="font-size: xx-small;">14 enfoscado hidrófugo pintado 15mm<o:p></o:p></span></span></i></div>
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<i><span style="font-family: Arial, sans-serif;"><span style="font-size: xx-small;">15 termoarcilla 30x19x14cm con armaduras tipo murfor<o:p></o:p></span></span></i></div>
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<i><span style="font-family: Arial, sans-serif;"><span style="font-size: xx-small;">16 carpintería de aluminio fija-practicable<o:p></o:p></span></span></i></div>
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<i><span style="font-family: Arial, sans-serif;"><span style="font-size: xx-small;">17 barandilla stadip 10.10<o:p></o:p></span></span></i></div>
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<i><span style="color: #943634; font-family: Arial, sans-serif;"><span style="font-size: xx-small;">1 black slate slabs<o:p></o:p></span></span></i></div>
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<i><span style="color: #943634; font-family: Arial, sans-serif;"><span style="font-size: xx-small;">2 thermal insulation, t=5 cm <o:p></o:p></span></span></i></div>
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<i><span style="color: #943634; font-family: Arial, sans-serif;"><span style="font-size: xx-small;">3 double waterproof sheet and geotextil layer<o:p></o:p></span></span></i></div>
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<i><span style="color: #943634; font-family: Arial, sans-serif;"><span style="font-size: xx-small;">4 sloping mortar<o:p></o:p></span></span></i></div>
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<i><span style="color: #943634; font-family: Arial, sans-serif;"><span style="font-size: xx-small;">5 reinforced concrete slab<o:p></o:p></span></span></i></div>
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<span style="font-size: xx-small;"><i><span style="color: #943634; font-family: Arial, sans-serif;">6 capping of </span></i><i><span lang="EN-US" style="color: #943634; font-family: Arial, sans-serif;">heat-galvanized</span></i><i><span lang="EN-US" style="color: #943634; font-family: Arial, sans-serif;"> </span></i><i><span style="color: #943634; font-family: Arial, sans-serif;">L profile (t=10 mm) <o:p></o:p></span></i></span></div>
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<i><span style="color: #943634; font-family: Arial, sans-serif;"><span style="font-size: xx-small;">7 cedar timber laths 100x50 cm, dyed green lasur <o:p></o:p></span></span></i></div>
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<i><span style="color: #943634; font-family: Arial, sans-serif;"><span style="font-size: xx-small;">8 rigid thermal insulation, t=3 cm <o:p></o:p></span></span></i></div>
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<i><span style="color: #943634; font-family: Arial, sans-serif;"><span style="font-size: xx-small;">9 painted false ceiling, Heraklith type<o:p></o:p></span></span></i></div>
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<i><span style="color: #943634; font-family: Arial, sans-serif;"><span style="font-size: xx-small;">10 double plasterboard<o:p></o:p></span></span></i></div>
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<i><span style="color: #943634; font-family: Arial, sans-serif;"><span style="font-size: xx-small;">11 rubber pavement<o:p></o:p></span></span></i></div>
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<i><span style="color: #943634; font-family: Arial, sans-serif;"><span style="font-size: xx-small;">12 underfloor
heating <o:p></o:p></span></span></i></div>
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<i><span style="color: #943634; font-family: Arial, sans-serif;"><span style="font-size: xx-small;">13 coloured Trespa panel, t=15 mm <o:p></o:p></span></span></i></div>
<div class="MsoNormal">
<i><span style="color: #943634; font-family: Arial, sans-serif;"><span style="font-size: xx-small;">14 painted waterproof plaster, t=15 mm<o:p></o:p></span></span></i></div>
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<span style="font-size: xx-small;"><i><span style="color: #943634; font-family: Arial, sans-serif;">15 </span></i><i><span lang="EN-GB" style="color: #943634; font-family: Arial, sans-serif;">lightweight
clay blocks of 19 cm in thickness,</span></i><i><span style="color: #943634; font-family: Arial, sans-serif;"> 30x19x14cm, <o:p></o:p></span></i></span></div>
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<i><span style="color: #943634; font-family: Arial, sans-serif;"><span style="font-size: xx-small;"> Murfor type steel framenwork<o:p></o:p></span></span></i></div>
<div class="MsoNormal">
<i><span style="color: #943634; font-family: Arial, sans-serif;"><span style="font-size: xx-small;">16 fixed-openable aluminum carpentry <o:p></o:p></span></span></i></div>
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<i><span style="color: #943634; font-family: Arial, sans-serif;"><span style="font-size: xx-small;">17 laminated security glass railing, 10.10 mm<o:p></o:p></span></span></i></div>
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<i><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR;"><span style="font-size: x-small;"><br /></span></span></i></div>
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<i><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR;"><span style="font-size: x-small;"><br /></span></span></i></div>
Agustín Malonda Alberohttp://www.blogger.com/profile/12228836916215119090noreply@blogger.comtag:blogger.com,1999:blog-4887843827271288151.post-75618152190301566682014-11-11T09:14:00.000+01:002014-12-02T09:39:36.010+01:00HORMIGÓN TEJIDO / CENTRO DE PRODUCCIÓN Y OFICINAS EN MÚNICH (ALEMANIA) DE TILLICHARCHITEKTUR <div class="MsoNormal">
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<b style="background-color: #cccccc;"><span style="font-family: Arial, sans-serif;">t</span><span style="font-family: Arial, Helvetica, sans-serif;">illicharchitektur</span></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-family: "Times New Roman";">Kurt Tillich</span></b><b><span style="font-family: "Arial","sans-serif"; mso-bidi-font-family: "Times New Roman";"> </span></b><span lang="EN-GB" style="font-family: "Arial","sans-serif"; mso-bidi-font-family: "Times New Roman";">a</span><span lang="ES-TRAD" style="font-family: "Arial","sans-serif"; mso-ansi-language: ES-TRAD; mso-bidi-font-family: "Times New Roman";">rchitect</span><i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-family: "Times New Roman";"><o:p></o:p></span></i></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><a href="https://www.blogger.com/null" name="_GoBack"></a><span lang="EN-GB" style="font-family: "Arial","sans-serif"; mso-bidi-font-style: italic; mso-bidi-font-weight: bold;">Centro
de producción y oficinas para <i>Textilmacher
</i>en Múnich (Alemania) </span></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-family: "Times New Roman";">P</span></i><i><span lang="DE" style="font-family: "Arial","sans-serif"; mso-ansi-language: DE; mso-bidi-font-family: "Times New Roman";">roduction and Office Building "Textilmacher" in Munich (Germany)</span></i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><o:p></o:p></span></span></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Fotógrafo
/ Photograph: <a href="http://www.michael-compensis.de/" target="_blank">MIchael Compensis</a></span></span></i><br />
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<i><span lang="EN-GB" style="font-family: "Arial","sans-serif";"><span style="font-size: x-small;">(Del autor /
From the author)</span><o:p></o:p></span></i><br />
<i><span lang="EN-GB" style="font-family: "Arial","sans-serif";"><span style="font-size: x-small;"><br /></span></span></i></div>
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<span lang="EN-GB" style="font-family: "Arial","sans-serif";">Localizado
en una zona industrial al norte de Múnich, el edificio alberga espacios de
producción y de oficinas para la firma <i>Textilmacher</i>;
una empresa especializada en tejidos estampados y bordados. Su característica más
representativa la encontramos en su fachada de geometría plegada, que transforma
una sencilla malla rectangular en un animado juego de luces y sombras. La
superficie brillante/mate del hormigón pigmentado en color antracita trata de responder
al medio que lo rodea; dependiendo de la estación, la hora del día, el clima y
la incidencia de la luz, la fachada cambia continuamente de aspecto y carácter.<o:p></o:p></span></div>
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<span style="color: #741b47;"><span lang="DE" style="font-family: Arial, sans-serif;">Situated
in an industrial zone on Munich’s north side</span><span lang="EN-US" style="font-family: Arial, sans-serif;">,</span><span lang="DE" style="font-family: Arial, sans-serif;"> the building hosts production and
office spaces for the <i>Textilmacher</i>, a
company which specialises in printed fabrics and embroidery. Its iconic feature
is the geometrically folded fa</span><span lang="EN-US" style="font-family: Arial, sans-serif;">c</span><span lang="DE" style="font-family: Arial, sans-serif;">ade, which deforms the simple rectangular
cubature by an animated play of light and shadow. </span><span lang="DE" style="font-family: Arial, sans-serif;">The
matt bright surface of the anthracite pigmented concrete responds to its
environment. Depending on the season, time of day, weather</span><span lang="EN-US" style="font-family: Arial, sans-serif;">, and light incidence, the
facade continuously changes its appearance and character.</span></span></div>
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<span lang="EN-GB" style="font-family: "Arial","sans-serif";">La
modulación, la reducción en los plazos de ejecución y la economía fueron las tres
cuestiones básicas en la elección de una fachada de hormigón prefabricado con
aislamiento incorporado. Al final del proceso, se consiguió reducir los tipos
de encofrados a cuatro: dos para el lado largo y dos para el lado corto.
Diseñados mediante sistemas digitales, su construcción se llevó a cabo, en cambio,
por carpinteros especializados. Los desafíos en la producción de los paneles de
hormigón fueron: el diseño de sus juntas, conseguir unos delgados paneles sin la
aparición de fisuras y unas superficies bruñidas sin poros. Con unas dimensiones
que alcanzan los 6,6 x 3,9 m, los paneles -con la capa exterior, el
aislamiento y la de soporte- fueron construídos en taller y llevados a obra
para su montaje. Su aspecto oscuro y satinado es el resultado de la utilización
de pigmentos a base de óxidos de hierro
en la cara vista y su terminación con un tratamiento hidrófugo. El patrón del facetado
de la fachada está basado en una variación de 16 cm en la profundidad del plano,
así como en la longitud de los paneles; moviendo hacia atrás y hacia adelante
las oscuras juntas entre paneles se consigue intensificar el movimiento de la tersa
fachada.<o:p></o:p></span></div>
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<span style="color: #741b47;"><span lang="EN-US" style="font-family: Arial, sans-serif;">Modularity, a short construction period,</span><span lang="DE" style="font-family: Arial, sans-serif;"> and financial benefits led to the selection of a pre-cast concrete facade
with core insulation. All together only four different formworks were built for
all panels, two for the long side and two for the short side. Designed on the
computer, they were executed with craftsmanship. The chall</span><span lang="EN-US" style="font-family: Arial, sans-serif;">e</span><span lang="DE" style="font-family: Arial, sans-serif;">nges in producing the panels were the
seamless, sharp-edged concrete envelope and the free of pores surface. Measuring
up to 6.6 x 3.9 m, the modules, with outer shell, insulation</span><span lang="EN-US" style="font-family: Arial, sans-serif;">,</span><span lang="DE" style="font-family: Arial, sans-serif;"> and structure shell, were buil</span><span lang="EN-US" style="font-family: Arial, sans-serif;">t</span><span lang="DE" style="font-family: Arial, sans-serif;"> in the factory and deliver</span><span lang="EN-US" style="font-family: Arial, sans-serif;">e</span></span><span lang="DE" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">d one by one to the construction site. The
dark and satiny look arises from iron oxide pigments in the outer shell and a
hydrophobic treatment. The patterned surface is based on a variation of 16cm in
thickness as well as in length. By moving back and forth the dark joints
between the panels intensify the deformation. </span><span style="color: #943634;"><o:p></o:p></span></span><br />
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<span style="font-family: Arial, sans-serif;">El
proceso de montaje de los paneles fue cuidadosamente estudiado, permitiendo que
las piezas se montaran en obra como un rompecabezas. Grandes puertas en color
gris oscuro complementan el hormigón pigmentado y las ventanas, con partes fijas
y abatibles, se han dispuesto sobre unos rebajes en los paneles, con el objeto
de que sus marcos apenas sean visibles desde el exterior. Las protecciones
solares, de 5.2 x 2.1 m, están elaboradas
con un tejido sin costuras y guiadas por un sistema de cremallera; su color
oscuro permite una buena vista desde el interior, evitando la transparencia
desde el exterior.</span></div>
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<span lang="DE" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">The mounting sequences were carefully
planned, allowing the elements to be fitted one in another like a puzzle. Dark
grey doors complement the pigmented concrete, and windows with fixed glazing
and casement are slightly recessed so that their frames are barely visible from
outside. Due to the concealed post-and-rail construction and vertical joints
with step glass they appear like nothing more than a pane of glass. The
sunscreens with 5.2 x 2.1m are made with a seamless textile fabric and routed
in a zip system. The dark colour allows a good perspective from the interior
while it is non-transparent from the outside.</span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTmsCdscCOAB29XTdFD1C_DgWlk4snW5-PtAxinHvE0NIF-0LB0sWAfLtStyx-2ERJmxRvqyoJaEuX8R4IzIt2n9Ffnaya3jgi13GXCANqLXiMW9ZdIzyWkDaDreI0qAMUE5XeILuvBj8/s1600/Schnitte.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTmsCdscCOAB29XTdFD1C_DgWlk4snW5-PtAxinHvE0NIF-0LB0sWAfLtStyx-2ERJmxRvqyoJaEuX8R4IzIt2n9Ffnaya3jgi13GXCANqLXiMW9ZdIzyWkDaDreI0qAMUE5XeILuvBj8/s1600/Schnitte.jpg" height="143" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Plantas, alzados y secciones / Plants, elevations and sections</span></td></tr>
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<span lang="EN-GB" style="font-family: "Arial","sans-serif";">En
contraste con la expresiva fachada, los interiores se encaminan a dotar del
máximo espacio posible para los procesos de producción y el muestrario de los
productos de la sala de exposición. El empleo de una limitada paleta de
materiales, de alta calidad, ha sido la idea principal en el diseño de los
interiores. Suelos de hormigón pulido, carpinterías exteriores en madera de
alerce, paredes blancas y acero recubierto de blanco son los materiales
dominantes. Los espacios libres de soportes y la utilización de espacios
similares en todos los niveles, proporcionan un alto grado de flexibilidad y una
óptima adaptación a los cambios en los procesos de trabajo. La zona de
producción se localiza tanto en la planta baja como en el primer piso, mientras
que las oficinas y la sala de exposición ocupan el segundo nivel. Los almacenes
y zonas de servicio se disponen en el sótano.<o:p></o:p></span><br />
<span lang="EN-GB" style="font-family: "Arial","sans-serif";"><br /></span></div>
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<span style="color: #741b47;"><span lang="DE" style="font-family: Arial, sans-serif;">In contrast to the expressive facade, the
interior design leaves more space for the production process and the products
in the showroom. The limitation on few, but high</span><span lang="EN-US" style="font-family: Arial, sans-serif;">-</span><span lang="DE" style="font-family: Arial, sans-serif;">class materials, is the main concept in the interior. Polished concrete
flooring, window profiles in larch wood</span><span lang="EN-US" style="font-family: Arial, sans-serif;">,</span><span lang="EN-US" style="font-family: Arial, sans-serif;"> </span><span lang="DE" style="font-family: Arial, sans-serif;">white walls and white</span><span lang="EN-US" style="font-family: Arial, sans-serif;">-</span></span><span lang="DE" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">coated steel are the dominating materials. Column-free spaces and similar
floor plans in all levels provide a high grade of flexibility and a constant
adaption to changing processes in work. The production is located on the ground
and first floor, while the offices and the showroom occupy the second level.
Storage and plant rooms are found in the basement.</span></span></div>
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<span lang="EN-GB" style="font-family: "Arial","sans-serif";">Para
minimizar la <i>huella de carbono </i>tanto
como sea posible, el calor residual de las unidades de producción es reutilizado
por los intercambiadores de calor y se emplea para el calentamiento del edificio.
Por último, la cubierta vegetal y la masiva fachada de hormigón actúan, por su
inercia térmica, como reguladores de la temperatura reduciendo la necesidad de
intervenir técnicamente en su climatización.<o:p></o:p></span><br />
<br /></div>
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<span lang="DE" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">To leave as little carbon footprint as
possible, the waste heat of the production units is being reclaimed by heat
exchangers and reused in the building by the screed heating. Finally the green
roof and the voluminous concrete façade act as temperature memory reducing the
need to intervene technically.</span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<i><span lang="EN-GB" style="font-family: "Arial","sans-serif"; font-size: x-small;">Fuentes / Sources: <o:p></o:p></span></i></div>
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<i><span style="font-size: x-small;"><span lang="EN-GB" style="font-family: "Arial","sans-serif";">+ </span><span style="font-family: Arial, sans-serif;"><a href="http://www.tillicharchitektur.de/" target="_blank">tillicharchitektur </a></span></span></i><br />
<i><span lang="EN-GB" style="font-family: "Arial","sans-serif"; font-size: x-small;">+ Spanish Magazine: Arquitectura Viva,
167.10/2014</span></i></div>
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<i><span style="font-family: Arial, sans-serif; font-size: x-small;">+ Cliente / Client: <a href="http://www.textilmacher.com/" target="_blank">textilmacher</a></span></i><br />
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Agustín Malonda Alberohttp://www.blogger.com/profile/12228836916215119090noreply@blogger.comtag:blogger.com,1999:blog-4887843827271288151.post-43230613932507466192014-11-03T09:21:00.000+01:002014-11-24T13:16:42.643+01:00ESCENARIOS URBANOS / CENTRO DE ARTES ESCÉNICAS EN SÃO PAULO DE BRASIL ARQUITETURA<div class="MsoNormal">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguErHHnUZBCP13LL-xpxy0ZrI08Qrs4X6VjvNpFf3fl-WNl3ncQZ7fZylezvwevznsou4qAgHoatAGYC8jb53Ow-pIaWRA1cVURMB3bbILYPxPtV8dVZ_badK_SLsDQ5QBJR0sVVBn8HU/s1600/nelsonkon_IMG_4542_150dpi.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguErHHnUZBCP13LL-xpxy0ZrI08Qrs4X6VjvNpFf3fl-WNl3ncQZ7fZylezvwevznsou4qAgHoatAGYC8jb53Ow-pIaWRA1cVURMB3bbILYPxPtV8dVZ_badK_SLsDQ5QBJR0sVVBn8HU/s1600/nelsonkon_IMG_4542_150dpi.jpg" height="425" width="640" /></a></div>
<span style="font-family: Arial, Helvetica, sans-serif;"><b style="background-color: #cccccc;">Brasil Arquitetura</b> <o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b><span lang="EN-GB" style="font-family: "Arial","sans-serif"; mso-bidi-font-family: "Times New Roman";">Francisco
Fanucci , Marcelo Ferraz </span></b><span lang="EN-GB" style="font-family: "Arial","sans-serif"; mso-bidi-font-family: "Times New Roman";">con/
with<b> Luciana Dornellas</b>, arquitectos
/ a</span><span lang="ES-TRAD" style="font-family: "Arial","sans-serif"; mso-ansi-language: ES-TRAD; mso-bidi-font-family: "Times New Roman";">rchitects</span><i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-family: "Times New Roman";"><o:p></o:p></span></i></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><a href="https://www.blogger.com/null" name="_GoBack"></a><span lang="EN-GB" style="font-family: "Arial","sans-serif"; mso-bidi-font-style: italic; mso-bidi-font-weight: bold;">Centro
de Artes Escénicas en </span><span lang="EN-GB">São
Paulo</span><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-style: italic; mso-bidi-font-weight: bold;">, Brasil </span><i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-family: "Times New Roman";">/ </span></i></span><i><span lang="EN-GB" style="font-family: "Arial","sans-serif"; mso-bidi-font-family: "Times New Roman";"><span style="font-family: Arial, Helvetica, sans-serif;">Performing Arts Centre in <st1:verbetes w:st="on">São</st1:verbetes> Paulo, Brasil</span><o:p></o:p></span></i></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Fotógrafos / Photographs: Nelson Kon, Leonardo Finotti </span></span></i><br />
<a name='more'></a><br />
<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><o:p></o:p></span></i></div>
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<span lang="EN-GB" style="font-family: "Arial","sans-serif";"><span style="color: #666666; font-size: x-small;">“... <i>one thing is the physical place, different to the place for the<o:p></o:p></i></span></span></div>
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<i><span lang="EN-GB" style="font-family: "Arial","sans-serif";"><span style="color: #666666; font-size: x-small;">project. The
place is not a point of departure, but rather a point of<o:p></o:p></span></span></i></div>
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<i><span lang="EN-GB" style="font-family: "Arial","sans-serif";"><span style="color: #666666; font-size: x-small;">arrival.
Realising what this place is, is already doing the project.”<o:p></o:p></span></span></i></div>
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<span lang="EN-GB" style="font-family: "Arial","sans-serif";"><span style="color: #666666; font-size: x-small;">Álvaro
Siza</span><o:p></o:p></span></div>
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<i><span lang="EN-GB" style="font-family: "Arial","sans-serif";"><span style="font-size: x-small;">(De los
autores / From the authors)</span><o:p></o:p></span></i><br />
<i><span lang="EN-GB" style="font-family: "Arial","sans-serif";"><br /></span></i></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnMcpv4DuPlP7FGxcF4VkSFrDd1woxpuwvAMJAgnKY-FpBIgCDSB43iJwxRJpCd4aad3N3Q2fid72PssDjqiC0q882b8iEQVDMnyK8JpfgzRI2XIapRRPxaEu09gyKCi4vZxMvWr3wPhE/s1600/croqui_cor1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnMcpv4DuPlP7FGxcF4VkSFrDd1woxpuwvAMJAgnKY-FpBIgCDSB43iJwxRJpCd4aad3N3Q2fid72PssDjqiC0q882b8iEQVDMnyK8JpfgzRI2XIapRRPxaEu09gyKCi4vZxMvWr3wPhE/s1600/croqui_cor1.jpg" height="262" width="320" /></a></div>
<span lang="EN-GB" style="font-family: "Arial","sans-serif";">Algunos
proyectos arquitectónicos dominan los grandes espacios abiertos, en condiciones
favorables y visibles desde la distancia. Otros proyectos tienen que adaptarse
a condiciones adversas, a los espacios mínimos, a pequeñas cuñas en largas parcelas
y a los sobrantes entre las construcciones existentes, donde los parámetros
para el desarrollo proyectual vienen impuestos por estos factores. <b>Praça das Artes</b> forma parte parte de
esta última categoría. No es una decisión voluntaria u optar por uno u otro
enfoque, o tomar una u otra dirección,
que nos lleve hacia la elección
conceptual adecuada y su conclusión; es la propia naturaleza del lugar; nuestra
comprensión de ella como un espacio resultante de muchos años - o siglos - de aquellos
factores socio-políticos que han ido dando forma a la ciudad.<o:p></o:p></span><br />
<span lang="EN-GB" style="font-family: "Arial","sans-serif";"><br /></span>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbYTP3z9FdpAySJ-BKofyH9AVdwZtydiifrj__ua-Ymf59-ByuD_5Vqkn6yT5iBerOJLvPccFbIz9yt45FuvqzTA79NcS_bhvcen2-e3XUD8uqxilGe8BL-ZyeQ7f51gY4Un2Tq2etP0I/s1600/croqui_cor2.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbYTP3z9FdpAySJ-BKofyH9AVdwZtydiifrj__ua-Ymf59-ByuD_5Vqkn6yT5iBerOJLvPccFbIz9yt45FuvqzTA79NcS_bhvcen2-e3XUD8uqxilGe8BL-ZyeQ7f51gY4Un2Tq2etP0I/s1600/croqui_cor2.jpg" height="272" width="320" /></a><span lang="EN-GB" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">Some architectural projects <st1:verbetes w:st="on">are</st1:verbetes>
dominant in large open spaces, in favoured conditions and visible from a
distance. Other projects need to adapt to adverse conditions, minimal spaces, small
wedges of long plots, leftovers between existing constructions, where the
parameters for developing the project <st1:verbetes w:st="on">are</st1:verbetes>
dictated by these factors. <st1:verbetes w:st="on"><b>Praça</b></st1:verbetes><b> das <st1:verbetes w:st="on">Artes</st1:verbetes></b> is part of the latter category. It is not by
a voluntary decision or by opting for one or the other <st1:verbetes w:st="on">approach</st1:verbetes>,
by this or the other direction to be taken, that <st1:verbetes w:st="on">lead</st1:verbetes>
us to a <st2:sinonimos w:st="on">conceptual</st2:sinonimos> choice and
conclusion. It is the very nature of the place; our comprehension of it as a
space resulting from many years – or centuries – of socio-political factors that
shaped the city. </span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<span lang="EN-GB" style="font-family: "Arial","sans-serif";">Es
necesario comprender el lugar no sólo como un objeto físico, como dice <b>Siza</b>, sino como un espacio de tensión,
con conflictos de intereses, que se caracteriza por la infrautilización o
incluso el abandono; todo esto cuenta.
Si por un lado el proyecto de la <b>Plaza
de las Artes</b> tiene que dar cuenta de las exigencias de un complejo programa
con nuevas funciones, relacionadas con las artes de la música y la danza, tiene,
también, que dar respuesta de forma
clara a una situación física y espacial existente, con un vida intensa y
contando con la fuerte presencia del barrio. Por otra parte, debe crear nuevos
espacios públicos comunes que se apoyen en la geografía urbana, la historia
local y los valores contemporáneos de la vida pública. Podemos decir que, en
este caso, <i>proyectar</i> es, al mismo
tiempo, capturar e inventar un lugar, formando parte de un única estrategia.<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">To understand the place not only as a physical object, as <b>Siza</b> says, but as a space of tension,
with conflicts of interest, characterised by underuse or even abandonment; all this counts. If on the one hand the <st1:verbetes w:st="on"><b>Praça</b></st1:verbetes><b> das <st1:verbetes w:st="on">Artes</st1:verbetes></b>
project has to account for the demands of a programme of various new functions,
related to the arts of music and dance, it also has to clearly respond to an
existing physical and spatial situation with an intense life and a strongly
present neighbourhood. Moreover, it must create new public common spaces using
the urban geography, <st1:verbetes w:st="on">local</st1:verbetes> history and
contemporary values of public life. We may say that, in this case, to <st1:verbetes w:st="on">design</st1:verbetes> a project is to capture and to invent a place
at the same <st1:verbetes w:st="on">time</st1:verbetes> and in the same
strategy.</span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<b><span lang="EN-GB" style="font-family: "Arial","sans-serif";">El sitio / The place of the project<o:p></o:p></span></b></div>
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<span lang="EN-GB" style="font-family: "Arial","sans-serif";">El
lugar físico, situado en el centro de
São Paulo, se compone de una serie de parcelas que se encuentran en el centro
de una gran manzana urbana y que recaen
a tres calles. Esta situación es el resultado de los errores de un urbanismo
que ha estado siempre subordinado a la idea de la parcelación y a la lógica de
la propiedad privada. Como casi todo el centro de la ciudad, se trata de una caótica
zona, tanto desde el punto de vista de
las volumetrías construidas, como de los
principios basicos en relación a la luz solar y la ventilación natural. Una
acumulación de espacios infrautilizados o vacíos, abandonados, olvidados, a la
espera de que la ciudad, una vez más, se interese por ellos.<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">The physical place, in the centre of <st1:verbetes w:st="on">São</st1:verbetes>
Paulo, is made up of a series of plots that <st1:verbetes w:st="on">are</st1:verbetes>
connected in the middle of the urban block and have fronts to three streets.
This situation is a result of the mistakes of an urbanism that was always
subordinated to the idea of the plot, the logic of private property. As almost
the entire city centre, the area is chaotic in terms of building <st1:verbetes w:st="on">volumes</st1:verbetes> and common sense principles of sunlight and <st1:verbetes w:st="on">natural</st1:verbetes> ventilation. It is an accumulation of
underused or vacant spaces, abandoned, forgotten, awaiting to be of interest to
the city once again. </span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<span lang="EN-GB" style="font-family: "Arial","sans-serif";">La
arquitectura del antiguo Conservatorio de Música y Drama, y el Cine Cairo, evoca situaciones y recuerdos de diferentes
épocas. Al mismo tiempo, el lugar presenta una situación privilegiada desde el
punto de vista de la gente que lo rodea; es diverso, lleno de vitalidad, con una
mezcla de clases sociales, con los los conflictos y las tensiones propias de
una gran ciudad, donde la gente vive junta a la búsqueda de la tolerancia. En
breve, un lugar rico desde el punto de vista urbano.<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">The architecture of the former Dramatic and Musical Conservatory
and the Cairo <st1:verbetes w:st="on">Cinema</st1:verbetes> portray marks and
memories of different <st1:verbetes w:st="on">eras</st1:verbetes>. At the same <st1:verbetes w:st="on">time</st1:verbetes>, the place presents a privileged situation in
view of its surrounding humanity, being full of diversity, vitality, a mixture
of <st1:verbetes w:st="on">social</st1:verbetes> <st1:verbetes w:st="on">classes</st1:verbetes>,
conflicts and tensions typical of a large city, <st1:verbetes w:st="on">living</st1:verbetes>
together and the search for tolerance. Shortly, it is a place rich in urbanity.</span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<b><span lang="EN-GB" style="font-family: "Arial","sans-serif";">El programa / The programme</span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhf940ZKq636C8cfUiJQJA2Lp5dbZQoHAsbC_TB2IfeO7rDhNF_n38DYiF1MFUmKJLpirE5MukQJxAoZzMJIMoPPn5Ixrjr_fOC4XJQyUeRcOPJQ6waK0PKh5GAlL9sUUBJO13GrHi75TE/s1600/PA_DIAGRAM_USE_REFERENCE+LEGEND.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhf940ZKq636C8cfUiJQJA2Lp5dbZQoHAsbC_TB2IfeO7rDhNF_n38DYiF1MFUmKJLpirE5MukQJxAoZzMJIMoPPn5Ixrjr_fOC4XJQyUeRcOPJQ6waK0PKh5GAlL9sUUBJO13GrHi75TE/s1600/PA_DIAGRAM_USE_REFERENCE+LEGEND.jpg" height="400" width="393" /></a><span lang="EN-GB" style="font-family: "Arial","sans-serif";">El
proyecto cuenta con un programa rico y complejo, relacionado con las
actividades musicales y la danza, además de distintos usos públicos que cosen
todo el complejo. El módulo correspondiente a las compañías de las Artes Escénicas
acoge a distintos grupos profesionales como son: la Orquesta Sinfónica
Municipal, la Orquesta Experimental de Repertorio, el Coro Lírico, el Coro de
São Paulo, el Ballet de la Ciudad y String Quartet. Este bloque recae a la calle
Formosa (Anhangabaú) e incorpora la fachada del antiguo Cine Cairo.<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">The project has a rich and complex programme with a focus on musical
and dance activities, besides public uses of coexistence, which permeate the
entire complex. </span></span><span lang="EN-GB" style="color: #741b47; font-family: Arial, sans-serif;">The module of the Resident Performing Arts companies houses the Professional
bodies: the </span><span lang="EN-US" style="color: #741b47; font-family: Arial, sans-serif;">Municipal Symphonic Orchestra, the
Experimental Repertory Orchestra, the Lyrical Choir, the <st1:verbetes w:st="on">São</st1:verbetes>
Paulo Choir, the City Ballet Company and the Municipal String Quartet. The
module <st1:verbetes w:st="on">faces</st1:verbetes> <st1:verbetes w:st="on">rua</st1:verbetes>
<st1:verbetes w:st="on">Formosa</st1:verbetes> (Anhangabaú) and incorporates
the façade of the former Cairo <st1:verbetes w:st="on">Cinema</st1:verbetes>.</span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-US;"><span style="font-family: Arial, Helvetica, sans-serif;">Otra parte del programa son las escuelas, los
distintos espacios docentes y los espacios públicos comunes: la Escuela
Municipal de Música, la Escuela de Danza, un restaurante y un espacio común. Éstos
ocupan los volúmenes que se levantan en la Avenida São João y la calle
Conselheiro Crispiniano. El nivel de la calle por debajo de los primas se
presenta prácticamente diáfano. Los quioscos a lo largo del borde de la plaza,
las cabinas de prensa, las cafeterías, los bares de tapas y una biblioteca, son
la continuación de los usos que encontramos a lo largo de la calle, impregnado
de vida urbana el interior del nuevo complejo arquitectónico</span>.<o:p></o:p></span></div>
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<span style="color: #741b47;"><span lang="EN-US" style="font-family: Arial, sans-serif;">The module of the Schools and public
uses accommodates educational and common spaces – the Municipal Music School, the
Municipal Dance School, a restaurant and common space.</span><span lang="EN-US" style="font-family: Arial, sans-serif;"> </span></span><span lang="EN-GB" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">The module
occupies volumes that lift up from the ground on avenida São João and rua
Conselheiro Crispiniano. The street level underneath the building volumes is
practically unobstructed. The kiosks along the edge of the plaza, newspaper
booths, cafés, snack bars, a library – are a continuation of the existing uses
along the street, bringing the urban life to the interior of the new
architectural complex.</span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyv76HX3iKv2WfV6ePuUcA43ux74YDk_xDFN9R1RtbvAdCqQQ5p-DSgj0X0wMVIK5ppn1k9wHZnFuNLIbeULKmykaRax3dVBEI7uf3c-rGuPqXRW97vzTITIf5CHzsc3i7HVQNr1aaDcI/s1600/leonardofinotti_11008PR121208_032D_150dpi.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyv76HX3iKv2WfV6ePuUcA43ux74YDk_xDFN9R1RtbvAdCqQQ5p-DSgj0X0wMVIK5ppn1k9wHZnFuNLIbeULKmykaRax3dVBEI7uf3c-rGuPqXRW97vzTITIf5CHzsc3i7HVQNr1aaDcI/s1600/leonardofinotti_11008PR121208_032D_150dpi.jpg" height="266" width="400" /></a><span lang="EN-GB" style="font-family: "Arial","sans-serif";">Un
gran aparcamiento público ocupa las plantas bajo rasante en la Avenida São João
(el antiguo Cine Saci) y la calle Conselheiro Crispiniano. </span><br />
<span lang="EN-GB" style="font-family: "Arial","sans-serif";"><span style="color: #741b47;"><br /></span></span>
<span lang="EN-GB" style="font-family: "Arial","sans-serif";"><span style="color: #741b47;"><br /></span></span>
<span lang="EN-GB" style="font-family: "Arial","sans-serif";"><span style="color: #741b47;">The module with a large public car parking occupies the underground
floors on avenida São João (the former Saci Cinema) and rua Conselheiro
Crispiniano.</span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDcnsYdh8i272blxFbflfqPvOcrNOk1EknV6pqAb5LlE0UL8fcIjuLpoCJDemzGXIq7ZTIoU4B1hAIe3hYpiO-H9_5IYfGK_O6diCYUtUPfX_3bHO2VFJ_r7RHeO5Kiji7L-XJLMEvgLs/s1600/nelsonkon_IMG_4777_150dpi.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDcnsYdh8i272blxFbflfqPvOcrNOk1EknV6pqAb5LlE0UL8fcIjuLpoCJDemzGXIq7ZTIoU4B1hAIe3hYpiO-H9_5IYfGK_O6diCYUtUPfX_3bHO2VFJ_r7RHeO5Kiji7L-XJLMEvgLs/s1600/nelsonkon_IMG_4777_150dpi.jpg" height="266" width="400" /></a></div>
<span lang="EN-GB" style="font-family: "Arial","sans-serif";">El
programa correspondiente al Conservatorio incluye la restauración y adaptación
del antiguo Conservatorio de Música y Drama, además de una nueva torre en la
parcela vecina, frente a la avenida de São João. En la planta baja elevada del
edificio histórico se localiza un espacio para exposiciones y eventos. La sala
de conciertos, en el primer piso, ha sido cuidadosamente restaurada para
organizar espectáculos musicales. La nueva torre, junto al Conservatorio,
alberga las colecciones de arte y los archivos históricos. La parte que amplia
el edificio histórico acoge los sistemas de circulaciones verticales, las
oficinas administrativas y los servicios de construcción.<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">The module of the Conservatory includes the restoration and
adaptation of the former Dramatic and Musical Conservatory and a new tower on
the plot next to it, facing avenida São João. On the raised ground floor of the
historic building there is a space for exhibitions and events. The concert hall
on the first floor was carefully restored to once again stage musical shows.
The new tower next to the Conservatory houses the arts collections and historic
archives of all the bodies of the project. The addition to the historic
building houses the vertical circulation system, administrative offices and
building services.</span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPtaNdEBibPgyFgq6dxLXU0WxNVBWU1ODXwt93ItHza01dvafrRRHAbfl54M0ZQD4TrC5XPtxggw-aPl6VtwRUnc_C-u4a9uT8BFUpI1fcjUvi3Gt5gPelBPwo96a3jlbyBPw1NculXaA/s1600/nelsonkon_4990_150dpi.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPtaNdEBibPgyFgq6dxLXU0WxNVBWU1ODXwt93ItHza01dvafrRRHAbfl54M0ZQD4TrC5XPtxggw-aPl6VtwRUnc_C-u4a9uT8BFUpI1fcjUvi3Gt5gPelBPwo96a3jlbyBPw1NculXaA/s1600/nelsonkon_4990_150dpi.jpg" height="379" width="640" /></a></div>
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<b><span lang="EN-GB" style="font-family: "Arial","sans-serif";">El proyecto / The Project</span></b><span lang="EN-GB" style="font-family: "Arial","sans-serif";"><o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDZfTm6uYWCABHQnPOt8s2FNNH2kyiv-c30dmOtmTd2R2koqYj7gtlpQLZw-Mttg2C_fE3_074JNbWpImegJgl-3OX31hmNZxE68PmRs69jZ_LcrNUFi8ypjiQvWchbWGSrj8KbkDi3Ic/s1600/nelsonkon_4949_57_150dpi.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDZfTm6uYWCABHQnPOt8s2FNNH2kyiv-c30dmOtmTd2R2koqYj7gtlpQLZw-Mttg2C_fE3_074JNbWpImegJgl-3OX31hmNZxE68PmRs69jZ_LcrNUFi8ypjiQvWchbWGSrj8KbkDi3Ic/s1600/nelsonkon_4949_57_150dpi.jpg" height="266" width="400" /></a></div>
<span lang="EN-GB" style="font-family: "Arial","sans-serif";">Desde
los estudio preliminares del lugar, el antiguo Conservatorio, una vez restaurado
y transformado en sala de conciertos y espacio expositivo, se convirtió en el motivo
central del proyecto. Los nuevos edificios se organizan en los bordes de la parcela
y, en gran medida, liberados del suelo. De este modo, fue posible crear
espacios abiertos y amplias zonas de circulación, dando como resultado la gran plaza que da nombre al
proyecto. Este espacio pavimentado es accesible desde la calle Conselheiro
Crispiniano, la avenida de São João y, en la siguiente fase de la construcción,
también lo será desde la rua Formosa (Anhangabaú), a través de un tramo de
escaleras que conectarán los diferentes niveles de las calles.<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">Since the initial site study, the former Conservatory, restored
and converted into a concert hall and an exhibition space, represented the
anchor for the project. The new buildings are mainly positioned along the boundaries
of the site and, to a large degree, lifted off the ground. Thus, it was
possible to create open spaces and generous circulation areas, resulting in the
plaza which gives the project its name. This paved plaza can be accessed from
rua Conselheiro Crispiniano, avenida São João and, in the next construction
phase, also from rua Formosa (Anhangabaú) via a flight of stairs which connect
the different levels of the streets.</span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYlcVIdJCNECI1bBkaY-IrDnFb1GYsP3wYzEo38wi3Qe3GvS6C9KriGcmAhhXyivp4pU8oCSudcvz0HdmkCj6rO_-xfysYe8ACFUqhmt7CQG7l08jEQZgfsEp21R6xjUBXqFY4mdQ45Sg/s1600/nelsonkon_5969_150dpi.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYlcVIdJCNECI1bBkaY-IrDnFb1GYsP3wYzEo38wi3Qe3GvS6C9KriGcmAhhXyivp4pU8oCSudcvz0HdmkCj6rO_-xfysYe8ACFUqhmt7CQG7l08jEQZgfsEp21R6xjUBXqFY4mdQ45Sg/s1600/nelsonkon_5969_150dpi.jpg" height="400" width="290" /></a></div>
<span lang="EN-GB" style="font-family: "Arial","sans-serif";">Los
nuevos prismas se expanden desde el centro en busca de los bordes, hacia las
tres calles adyacentes. Una serie de edificios interconectados de hormigón
visto, pigmentados en color ocre, albergan los distintos programas, y su
principal misión es la de establecer un nuevo diálogo con el vecindario y con
las restantes construcciones que se incorporarán al proyecto: el antiguo
Conservatorio, y la fachada y el hall del antiguo Cine Cairo.<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">The new volumes reach from the centre outwards towards the three
adjacent streets. A series of interconnected buildings in exposed concrete,
with ochre pigments, accommodate the various functions and is the main element
establishing a new dialogue with the neighbourhood and with the remaining
constructions that will be incorporated into the project, the former
Conservatory and the façade and foyer of the former Cairo Cinema.</span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQSUBt-Vj46EPGxnr92qXsC_NktRgxZdDwAeecmOWmpRtsUlQAJxYnR5BHStkwm-ciivF06Tp3g1bcEJ4y1AUfiuSsKrzh1B5Bg4X_4XpIQohwI-naGGsYwyMVG3rsVveIcjP4nZK0NhQ/s1600/nelsonkon_4832_150dpi.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQSUBt-Vj46EPGxnr92qXsC_NktRgxZdDwAeecmOWmpRtsUlQAJxYnR5BHStkwm-ciivF06Tp3g1bcEJ4y1AUfiuSsKrzh1B5Bg4X_4XpIQohwI-naGGsYwyMVG3rsVveIcjP4nZK0NhQ/s1600/nelsonkon_4832_150dpi.jpg" height="243" width="400" /></a></div>
<span style="font-family: Arial, sans-serif;">Estos
edificios históricos son, a la vez, registros físicos y símbolos; aquello que queda de la ciudad de finales del
siglo XIX y principios del XX. Completamente restaurado y adaptado a los nuevos
usos sus nobles muros revivirán. El histórico edificio de la Avenida São João arrancó
como espacio comercial para una exposición de pianos en 1986, ampliándose,
luego, para convertirse en hotel, y, transformándose, más tarde, en Conservatorio
, incluso antes de la creación del Teatro Municipal.</span></div>
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<span lang="EN-GB" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">These historic buildings are physical and symbolic records,
remains of the city of the end of the 19<sup>th</sup> and the beginning of the
20<sup>th</sup> century. Restored in all aspects and converted for new uses, they
will sustain a life to be invented. The historic building on Avenida São João
came into being as a commercial exhibition space for pianos in 1986, then
gained an extension to become a hotel and shortly after was transformed into a
musical conservatory, even before the creation of the Municipal Theatre.</span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcKtxckC8gQNgychlHnKuhjweJqWmUVrFZpqI6bS5B3-rVFn18_18H5ECbVtDmNK1pep444DtqLAv5Cnh988j0S3DXRqb5QtupFFlVUz6otTClcq6vWcaJunc5JFXdZ9iDD7bLKTlpW28/s1600/nelsonkon_4821_150dpi.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcKtxckC8gQNgychlHnKuhjweJqWmUVrFZpqI6bS5B3-rVFn18_18H5ECbVtDmNK1pep444DtqLAv5Cnh988j0S3DXRqb5QtupFFlVUz6otTClcq6vWcaJunc5JFXdZ9iDD7bLKTlpW28/s1600/nelsonkon_4821_150dpi.jpg" height="266" width="400" /></a></div>
<span lang="EN-GB" style="font-family: "Arial","sans-serif";">Una
nueva pieza se añade al Conservatorio, funcionando como charnela para todos los
departamentos y zonas del complejo. Todas las oficinas administrativas, las circulaciones
verticales (escaleras y ascensores), los accesos y vestíbulos, los aseos, los
vestuarios, así como los servicios internos se concentran en este edificio que
es el único que presenta pigmentos rojos. Hacia la plaza, una escultórica escalera
triangular, construida en hormigón y cristal, permite un acceso directo entre
el nivel de la plaza y el primer piso donde se localiza la sala de conciertos.<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">A new addition to the Conservatory was built, which works as a
pivot point for all departments and sectors within the complex. All administrative
offices, vertical circulation (stairs and lifts), entrance and distribution
halls, toilets, changing rooms, and shafts for building services are
concentrated in this building, which is the only one coloured with red
pigments. Towards the plaza, a sculptural triangular staircase built in
concrete and glass allows for a direct access between the level of the plaza
and the first floor, where the concert hall is located.</span><span style="color: #943634;"><o:p></o:p></span></span><br />
<span lang="EN-GB" style="font-family: Arial, sans-serif;"><span style="color: #741b47;"><br /></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPv3De53sCrxvnJxv3rBcH30PuMx48H7gMu3TD7c8s08LX2dVtLhbMNPwXYtHIPZiANMA6LQpyECe02fFqXR76pK26Oh7v-NU9WxpuUwXccIT3Kwl6GvZsuTCjWf0NGqFSgMEdW3TQy3k/s1600/nelsonkon_4932_150dpi.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPv3De53sCrxvnJxv3rBcH30PuMx48H7gMu3TD7c8s08LX2dVtLhbMNPwXYtHIPZiANMA6LQpyECe02fFqXR76pK26Oh7v-NU9WxpuUwXccIT3Kwl6GvZsuTCjWf0NGqFSgMEdW3TQy3k/s1600/nelsonkon_4932_150dpi.jpg" height="266" width="400" /></a><span lang="EN-GB" style="font-family: "Arial","sans-serif";"> </span><span style="font-family: Arial, sans-serif;">Además
del hormigón pigmentado, las ventanas representan una parte importante del
proyecto. En las estancias con requerimientos acústicos especiales, las
ventanas son fijas y cuentan con vidrio de 16 mm; en otros espacios se utilizan
ventanas entoldadas. Con el fin de satisfacer los altos requerimientos frente a
la propagación de ruido y vibraciones, se utilizaron los detalles específicos,
tales como losas flotantes, paredes y techos acústicos hechos de paneles de
yeso y lana de roca. Las zonas de oficinas administrativas en la ampliación del
Conservatorio están equipadas con suelo elevado, lo que permite que las instalaciones eléctricas y de comunicación
pueden adaptarse libremente, permitiendo una mayor flexibilidad en la distribución
de los espacios de trabajo.</span></div>
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<span lang="EN-GB" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">Besides the coloured concrete, the windows represent an important
part of project.. In the rooms with special acoustic requirements, the windows
are fixed and attached to the building from the outside with 16mm-thick glass;
in other spaces awning windows are used. In order to satisfy the high
requirements in preventing the propagation of noise and vibrations, specific
details were used, such as floating slabs, acoustic walls and ceilings made of
gypsum panels and rock wool. The administrative office areas of the extension
to the Conservatory are equipped with a raised floor, which means that
electrical, logistical, and communication installations can be adapted freely
for allowing a greater flexibility in the arrangements of the work spaces.</span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2XdR2fD0XrO9Qftc5QYhDWeb0GhdBR6Lp1l9T7bDIK-JbYsaF9VGrfpX_RU_nhLmxuieu7AHWj1esienFq1JqYthaKcVQbdQx-cr6tJWY-KjuPueHXlSbPnmlWj-gnM5XnUFwPFhsEiw/s1600/nelsonkon_pra+%C2%BAa_das_artes_058_150dpi.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2XdR2fD0XrO9Qftc5QYhDWeb0GhdBR6Lp1l9T7bDIK-JbYsaF9VGrfpX_RU_nhLmxuieu7AHWj1esienFq1JqYthaKcVQbdQx-cr6tJWY-KjuPueHXlSbPnmlWj-gnM5XnUFwPFhsEiw/s1600/nelsonkon_pra+%C2%BAa_das_artes_058_150dpi.jpg" height="268" width="400" /></a></div>
<span lang="EN-GB" style="font-family: "Arial","sans-serif";">Fue
posible alcanzar grandes luces sin pilares intermedios mediante el uso de un
sistema de muros, garantizando así una completa flexibilidad de los espacios
internos y externos, y espacios exteriores sin obstáculos al nivel de la plaza.<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: Arial, sans-serif;"><span style="color: #741b47;">It was possible to achieve large spans without intermediate
columns by using shear walls, thus guaranteeing complete flexibility of the
internal spaces and unobstructed external spaces on the plaza level.</span><span style="color: #943634; font-size: x-small;"><o:p></o:p></span></span></div>
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<i><span lang="EN-GB" style="font-family: "Arial","sans-serif";"><span style="font-size: x-small;">+ <a href="http://en.brasilarquitetura.com/" target="_blank">brasil arquitetura </a></span></span></i></div>
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<i><span lang="EN-GB" style="font-family: "Arial","sans-serif";"><span style="font-size: x-small;">+ Spanish Magazine: Arquitectura Viva,
167.10/2014</span><o:p></o:p></span></i></div>
Agustín Malonda Alberohttp://www.blogger.com/profile/12228836916215119090noreply@blogger.comtag:blogger.com,1999:blog-4887843827271288151.post-67200074229180047832014-10-20T13:17:00.000+02:002014-11-03T09:21:54.809+01:00CONSTRUCTING SITUATIONS / 156 VIVIENDAS DE ALQUILER EN PARLA, MADRID, DE RUEDA PIZARRO ARQUITECTOS<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
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<span style="font-family: Arial, Helvetica, sans-serif;"><b style="background-color: #cccccc;">RUEDA PIZARRO arquitectos</b> <o:p></o:p></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><b><span lang="ES-TRAD">María José Pizarro Juanas y Óscar
Rueda Jiménez</span></b><span lang="ES-TRAD">,<b> </b>arquitectos </span><i><o:p></o:p></i></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><a href="https://www.blogger.com/null" name="_GoBack"></a><span lang="ES-TRAD">156 viviendas de alquiler
en Parla, </span>Madrid, 2007 <i>/ 156 Transitory
Dwellings in Parla, Madrid (Spain), 2007 </i><o:p></o:p></span></div>
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<i><span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: x-small;">Fotografía: Miguel de Guzmán</span></span></i><br />
<a name='more'></a><i><span style="font-family: Arial, Helvetica, sans-serif;"><o:p></o:p></span></i></div>
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<i><span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: x-small;">(De los autores
/ From the authors)</span><o:p></o:p></span></span></i></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">A mediados de 2005 el Ayuntamiento de Parla, en
Madrid, con la colaboración de la Oficina de Concursos del COAM, convocó un
concurso novedoso en su planteamiento: 826 viviendas distribuidas en 6 parcelas
de equipamiento público. Viviendas en alquiler para jóvenes, optimizando en 35
m2 útiles su superficie para dar cabida al mayor número de viviendas en el
suelo disponible. Además, y como novedad, se adjudicó el derecho de superficie
a empresas privadas que costearon el concurso, la construcción y la explotación
de los alquileres, reduciendo la aportación del ayuntamiento a la gestión del
suelo público y la elección de adjudicatarios. Tres años más tarde, a pesar de
otras ayudas que nunca llegaron por inoperancia en la gestión, las viviendas se
han ocupado. Nuestra propuesta fue una de las seis ganadoras y teníamos que
incluir exactamente 156 viviendas, que eran las que nos correspondían en el
Plan.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXU7ZOmYmO_qHODOfN-U7ZMa6D45rueX5pQFgOrLZtvTeSAA9ZTn6Bu159BFtYRp4aQFD_YIhamDALCRRTuQ304_3xRpjBD0VPsbe9QldoPQbU7-_sCHk6LYXZckoHpnIbufj2G-cjJ_4/s1600/Parla+site+plan+1_1000.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXU7ZOmYmO_qHODOfN-U7ZMa6D45rueX5pQFgOrLZtvTeSAA9ZTn6Bu159BFtYRp4aQFD_YIhamDALCRRTuQ304_3xRpjBD0VPsbe9QldoPQbU7-_sCHk6LYXZckoHpnIbufj2G-cjJ_4/s1600/Parla+site+plan+1_1000.jpg" height="282" width="400" /></a></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: #741b47;">In the middle of
2005 the City Council of Parla, in Madrid, with the collaboration of the OCAM,
summons a new contest in its exposition: 826 housing were distributed in 6
parcels of public equipment. They are houses in rent for young people,
optimizing in 35 m<sup>2</sup> equipment its surface to give capacity to the
greatest number of houses in the ground available. There is also a new thing:
they adjudge the right of surface to private companies that pay for the aid,
the construction and the operation of the rents, reducing the contribution of
the city council to the management of the public ground and election of
awardees. Three years later, in front of other aids never made by unworkability
in the management, the housings have dealt. Our project was one of the six
winners and we had to include exactly 156 housing, that were those that
corresponded to us in the Plan.</span><span style="color: #943634;"><o:p></o:p></span></span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span lang="EN-GB">En el concurso, y ya desde el propio lema “<b>CONSTRUIR
SITUACIONES</b>”, partíamos de los postulados situacionistas de los años 50. En sus
textos nos enseñaron a entender la ciudad desde la experiencia individual.
Quedaban atrás planteamientos exclusivamente funcionalistas; interesaban
aspectos que fuesen más allá de parámetros dimensionales, jerarquías viarias,
lleno-vacío y que atendiesen a parámetros topológicos, relacionales,
fenomenológicos. El espacio de la ciudad adquiere sentido con el uso que sus
habitantes hacen de él, de la multiplicidad de relaciones que en él se puedan
dar, experimentar la ciudad como un territorio donde “construir situaciones”.
Por este motivo, nos gustaría entender nuestra propuesta de viviendas para
jóvenes como una reapropiación lúdica del espacio urbano. El propio plano de
situación, recuerdo de los mapas psicogeográficos, muestra el emplazamiento como
parte de la red de espacios públicos del municipio. </span><span lang="EN-US"><o:p></o:p></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCFxf1HA4NLwwYWUQlyULbotMwcmiRd_nXCEhsrY_IaHEmGi_sXncEX39AbjwOfs29AMIIvvA-04TGCqBTA9bs9w_0E9EY7d7jH4n5gNYhXft_U3YFJhZOGiXqgYEqCn7ggWZ6tnyPVJk/s1600/0803+ro+pmj+viviendas+010+oscar.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCFxf1HA4NLwwYWUQlyULbotMwcmiRd_nXCEhsrY_IaHEmGi_sXncEX39AbjwOfs29AMIIvvA-04TGCqBTA9bs9w_0E9EY7d7jH4n5gNYhXft_U3YFJhZOGiXqgYEqCn7ggWZ6tnyPVJk/s1600/0803+ro+pmj+viviendas+010+oscar.jpg" height="400" width="266" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: #741b47;"><span lang="EN-US">In the aid,
already from the own motto “<b>CONSTRUCTING SITUATIONS</b>”, we left from the</span><span lang="EN-GB"> situacionistas</span></span><span lang="EN-US"><span style="color: #741b47;"> postulates of
years 50. In its texts they taught to understand the city to us from the
individual experience. They were left expositions back exclusively
functionalist; they interested aspects that were beyond dimensional parameters,
road hierarchies, full-emptiness and that took care of dimensional parameters,
you will relate, phenomenological. The space of the city acquires sense with
the use that their inhabitants do of it, of the multiplicity of relations that
in the city can be given: to experience the city like a territory where “to
construct situations”. This way, we would like to understand our proposal of
houses for young people like a playful reapropiation of the urban space. The
own plane of situation, memory of the psicogeografic maps, shows to the
location like part of the network of spaces public of the municipality.</span><span style="color: #943634;"><o:p></o:p></span></span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Planteamos liberar el plano del suelo al máximo con
una nueva topografía que alberga los equipamientos, para crear un campo de
actividades lúdicas que pueden variar en función del sujeto y del entorno. Las
viviendas se organizan en cuatro torres, densas y compactas, dispuestas sobre
una gran alfombra verde con equipamientos. Un espacio central en cada torre,
iluminado y ventilado cenitalmente, permite establecer relaciones entre los
usuarios en sentido vertical y horizontal, y garantiza la ventilación cruzada
en todas las viviendas. Un núcleo vertical de comunicaciones da servicio a
cinco viviendas de un dormitorio, y otra de dos, en cada planta. Interiormente,
todo el espacio se abre a unos vacíos adicionales exteriores (no incluídos en
los 35 m</span><sup style="font-family: Arial, Helvetica, sans-serif;">2</sup><span style="font-family: Arial, Helvetica, sans-serif;"> exigidos en el programa), que introducen luz, ventilación
y energía a las viviendas y que funcionan, a su vez, como espacio para
multifuncionales. Frente al programa estándar: Salón-Dormitorio-Cocina,
planteamos un espacio configurable, sin programa específico, que permitiéra un
uso polivalente. La únicas partes invariantes son los cuartos húmedos, sobre
los que pivotan salones y dormitorios, introduciendo cierta aleatoriedad en la
composición de la fachada. Un cerramiento de lamas de aluminio anodizado de 18
cm. de anchura envuelve la fachada, vistiendo la edificación y logrando una
imagen contemporánea en el marco de un limitado presupuesto que no superó los
700 euros por metro cuadrado sobre rasante. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: #741b47;"><span lang="EN-GB">We propose that the ground is freed to the maximum, creating a
field of leisure activities that vary with the subject and the environment. The
houses are grouped in four towers, very dense and compact, floating on a great
equipped green carpet. </span><span lang="EN-US">In each
one, the houses are organized around a central, illuminated and ventilated
space, that allows to establish relations between the users in vertical and
horizontal sense, and guarantees the ventilation crossed in all the houses. A
vertical nucleus of communications serves five houses as a dormitory, and one
of two, by plant. In its interior, all the space is opened to an extra outer
emptiness (not including in the 35 m<sup>2</sup> that it requests the
program), that introduces light, ventilation and energy to the house and are
simultaneously a multipurpose space.</span><span lang="EN-GB"> Faced with the standard program: Bedroom-Hall Kitchen, we
propose a configurable space, without program, multipurpose in its use</span></span><span lang="EN-US"><span style="color: #741b47;">. The only piece fixes are the fog rooms, on
which halls and dormitories pivot, introducing certain randomness in the
composition of the facade. A closing of slats of hard anodizing aluminum of 18
cm. width, surrounds the facade, dressing the construction, and obtaining a
contemporary image in the frame of a limited budget that did not surpass the
700 euros square meter above ground level.</span><span style="color: #943634; font-size: x-small;"><o:p></o:p></span></span></span></div>
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<i><span lang="CA"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Fuentes / Sources:<o:p></o:p></span></span></i></div>
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<i><span lang="CA"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">+ <a href="http://www.ruedapizarro.es/" target="_blank">RUEDAPIZARROarquitectos</a><o:p></o:p></span></span></i></div>
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<i><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Publicaciones y Premios
/ Publications and Awards:</span></i></div>
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<i><span lang="ES-TRAD"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">+2G 2010. Pág. 110-115.ISSN 978-84-252-2343-3<o:p></o:p></span></span></i></div>
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<i><span lang="ES-TRAD"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">+Casabella 2009, nº 774. Pág 28-33. ISSN: 978-88-04-58864-1<o:p></o:p></span></span></i></div>
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<i><span lang="ES-TRAD"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">+A&V 2008, nº 129-130. Pág. 218-221.ISSN:0213-487x<o:p></o:p></span></span></i></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><i>+</i><i><span lang="ES-TRAD">1<sup>er</sup>
premio. Concurso de ideas para residencia transitoria en Parla, Madrid / First
Prize. Ideas Contest for Temporary Residence in Parla, Madrid<o:p></o:p></span></i></span></div>
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<i><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">----------------------------------------------------------<b>COCINÁNDOSE /
COOKING</b></span><span style="font-family: Arial, sans-serif; font-size: 12pt;"><o:p></o:p></span></i></div>
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Agustín Malonda Alberohttp://www.blogger.com/profile/12228836916215119090noreply@blogger.comtag:blogger.com,1999:blog-4887843827271288151.post-72191281110806213502014-10-08T11:45:00.000+02:002014-10-20T13:18:09.343+02:00SOCIETY BUILDINGS / ESCUELA DE PRIMARIA EN CHIARANO (ITALIA) DE C+S ARCHITECTS<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFp7Fv8Ps14PLm6Y25eh-inEK3ZEo2HmJiOSa1wTp8ARh4J84c3ikfb-BzppsClX-2ZOqX9cckZH4YffVY7b2W4KdInvlnfAsi050gK21RcuGYyd9txt5YMaOsg32KsKXY2cE5nhmerhc/s1600/21_View+of+the+entrance+elevation.+Photo+by+Alessandra+Bello.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFp7Fv8Ps14PLm6Y25eh-inEK3ZEo2HmJiOSa1wTp8ARh4J84c3ikfb-BzppsClX-2ZOqX9cckZH4YffVY7b2W4KdInvlnfAsi050gK21RcuGYyd9txt5YMaOsg32KsKXY2cE5nhmerhc/s1600/21_View+of+the+entrance+elevation.+Photo+by+Alessandra+Bello.jpg" height="425" width="640" /></a></div>
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<b><span lang="EN-US" style="background-color: #cccccc; font-family: Arial, sans-serif;">C+S Architects </span></b><span lang="EN-US" style="font-family: Arial, sans-serif;"><o:p></o:p></span></div>
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<b><span style="font-family: "Helvetica","sans-serif"; mso-ansi-language: ES; mso-bidi-font-family: Mangal;">Carlo Cappai</span></b><span style="font-family: "Helvetica","sans-serif"; mso-ansi-language: ES; mso-bidi-font-family: Mangal;">, <b>Maria Alessandra Segantini</b>,</span><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"> arquitectos / <i>architects</i></span></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;">Colegio de
Primaria en Chiarano (Italia) / <i>Chiarano Primary School (Italy)<span style="font-size: x-small;"><o:p></o:p></span></i></span></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;"><span style="font-size: x-small;">Fotógrafo / Photograph: Alessandra Bello</span></span></i><br />
<a name='more'></a><i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;"><span style="font-size: x-small;"><o:p></o:p></span></span></i></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAsY7kckgGa6UIBAEaSYJ5qSwza5dKu0ui0ND7p97TY_yiDsrg_3r_dpwkirWvREfmOGlIrVhM0imBLxRwtmAU-lKf9lMTX8hP8wPpcDSJmS-WzOv-sR6ipG2fb4_sYx_A_G3u8NsiwK4/s1600/02_The+north+facade.+Photo+by+Alessandra+Bello.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><br /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAsY7kckgGa6UIBAEaSYJ5qSwza5dKu0ui0ND7p97TY_yiDsrg_3r_dpwkirWvREfmOGlIrVhM0imBLxRwtmAU-lKf9lMTX8hP8wPpcDSJmS-WzOv-sR6ipG2fb4_sYx_A_G3u8NsiwK4/s1600/02_The+north+facade.+Photo+by+Alessandra+Bello.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAsY7kckgGa6UIBAEaSYJ5qSwza5dKu0ui0ND7p97TY_yiDsrg_3r_dpwkirWvREfmOGlIrVhM0imBLxRwtmAU-lKf9lMTX8hP8wPpcDSJmS-WzOv-sR6ipG2fb4_sYx_A_G3u8NsiwK4/s1600/02_The+north+facade.+Photo+by+Alessandra+Bello.jpg" height="425" width="640" /></a></div>
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<span style="font-size: x-small;"><i><span lang="EN-US" style="font-weight: normal;"><span style="color: #999999; font-family: Arial, Helvetica, sans-serif;">(</span></span></i><span lang="EN-US" style="font-weight: normal;"><span style="color: #999999; font-family: Arial, Helvetica, sans-serif;">De los
autores / </span><i><span style="color: #999999; font-family: Arial, Helvetica, sans-serif;">From the authors)</span><o:p></o:p></i></span></span></h1>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDjc6IG5tN4XFCsm2wzj-6vRC2Vuh2FPEuyE5a9zFRfei6doC-ax01SQDoQcxnNylOVoj81-YKLAuC20bG9oBJ1dIyc0Mo_u_rYO4Tcg0e7Gt4ndLJ7jsG-n_Su5GBV4DwNtXp2dW0X28/s1600/C+S-CPS-D11.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDjc6IG5tN4XFCsm2wzj-6vRC2Vuh2FPEuyE5a9zFRfei6doC-ax01SQDoQcxnNylOVoj81-YKLAuC20bG9oBJ1dIyc0Mo_u_rYO4Tcg0e7Gt4ndLJ7jsG-n_Su5GBV4DwNtXp2dW0X28/s1600/C+S-CPS-D11.jpg" height="137" width="400" /></a></div>
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<span lang="EN-US" style="font-family: Arial, sans-serif;">Se</span><span lang="ES-TRAD" style="font-family: Arial, sans-serif;">
podría</span><span style="font-family: Arial, sans-serif;"> argumentar</span><span lang="ES-TRAD" style="font-family: Arial, sans-serif;"> que las</span><span lang="ES-TRAD" style="font-family: Arial, sans-serif;"> </span><span lang="EN-US" style="font-family: Arial, sans-serif;">escuelas
suelen considerarse, a menudo, como edificios funcionales formados por módulos
espaciales repetitivos, conservadores y directamente relacionados con su
función, en comparación con otras tipologías edificatorias más glamuorosas y
atractivas que llenan las revistas de arquitectura. Diseñar una escuela supone,
por lo general, enfrentarse a requisitos muy restrictivos, con un presupuesto
limitado, un programa funcional específico y una población ruidosa que trata de
modificar y convertir los espacios en un verdadero desastre.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #632423; font-family: "Arial","sans-serif";">It can be argued that schools are usually considered mainly as
functional buildings made up of repetitive spatial modules, functional and
conservative, to the more glamorous and attractive building typologies, which
fill the magazines of architecture. To design a school is usually to cope with
very restrictive requirements, a constrained budget, a specific functional
brief and a noisy population always trying to transform and put the space into
a real mess. <o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBdDeefKex4vO5PSS7Ml9kON9HGbQ9pButstlXgcOB-iiVPOLoaEvZVLFHIaqqrYfZaIoWLT9UK6i59BowEfTa2ik4IGbQOmmanIcM-I_YoKLCcyozmcJ5W-hesNJYR_71gKenI5NHYsc/s1600/C+S-CPS-D10.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBdDeefKex4vO5PSS7Ml9kON9HGbQ9pButstlXgcOB-iiVPOLoaEvZVLFHIaqqrYfZaIoWLT9UK6i59BowEfTa2ik4IGbQOmmanIcM-I_YoKLCcyozmcJ5W-hesNJYR_71gKenI5NHYsc/s1600/C+S-CPS-D10.jpg" height="266" width="400" /></a><span lang="EN-US" style="font-family: "Arial","sans-serif";">Poner
en cuestión los actuales enfoques en los diseños, que siguen respondiendo,
principalmente, a soluciones técnicas convencionales en un contexto de crisis, reinventar
los espacios públicos, y entre ellos los edificios escolares, puede convertirse,
en cambio, en una gran oportunidad para los horizontes innovadores dentro de la
disciplina del diseño.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #632423; font-family: "Arial","sans-serif";">Questioning the design approaches, which continue to respond
mainly through conventional technical solutions at the present crises, the
re-invention of public spaces, and among them of school buildings, can be seen,
instead, as a great opportunity for innovative horizons within the design
disciplines. <o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Como
arquitectos y docentes, reconocemos el papel político que juegan en el ámbito
urbano estos pequeños espacios públicos; lugares donde el diseño no esté
dirigido a producir objetos sin ninguna relación con su contexto, aislados, tal
como ha venido ocurriendo, hasta el momento, con las <i>catedrales del consumismo</i> (los centros comerciales) o las <i>catedrales de la cultura</i> (museos), que, a pesar de su carácter privado,
son considerados como los nuevos espacios públicos de la sociedad.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #632423; font-family: "Arial","sans-serif";">As architects and scholars, we recognize a political role in the
urban realm for these small public spaces,
where design is not aimed to produce objects standing independently,
such as it happened with the cathedrals
of consumerism (the shopping malls) or the cathedrals of culture (museums)
which, despite their most private ownership, are considered the new public
arenas of the society.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3rvdINmy9b2Ttqy8zdiIwSoP6bKhZI9MxNNImvkjxfrkY2SuUofZWclz_Ez4mbrW06Hl6tVovOUJNnCrbzpL9fNKcS6UDFYj04NgFDM4e-6FwXB-b_CnUVp5pHmCRdjTCrcMN8zAcvC0/s1600/05_The+school+entrance.+Photo+by+Alessandra+Bello.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3rvdINmy9b2Ttqy8zdiIwSoP6bKhZI9MxNNImvkjxfrkY2SuUofZWclz_Ez4mbrW06Hl6tVovOUJNnCrbzpL9fNKcS6UDFYj04NgFDM4e-6FwXB-b_CnUVp5pHmCRdjTCrcMN8zAcvC0/s1600/05_The+school+entrance.+Photo+by+Alessandra+Bello.jpg" height="425" width="640" /></a></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Un
enfoque innovador de los edificios escolares, y su papel en el ámbito urbano y
de la comunidad, puede conducirnos hacia diferentes formas de imaginar el
presente y ser el punto de partida para un futuro mejor. En este sentido, los
edificios escolares se pueden considerarse
como “grandes mediums politicos” por diferentes razones:<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #632423; font-family: "Arial","sans-serif";">An innovative reconsideration of school buildings and their role
within the urban realm and the community, can provoke different ways of
inventing the present and of planting seed for a better future. In this view,
school buildings can be considered “great political mediums”:<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-GB;">1 Estos pequeños edificios pueden
convertirse en hitos de color entre la gris mancha urbana, siendo capaz de
reinventarse como nuevos nodos cívicos en la líquida modernidad de las redes en
las que vivimos.<o:p></o:p></span></div>
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<!--[if !supportLists]--><span lang="EN-GB" style="color: #632423; font-family: "Arial","sans-serif"; mso-ansi-language: EN-GB; mso-fareast-font-family: Arial;">1<span style="font-family: 'Times New Roman';"> </span></span><!--[endif]--><span lang="EN-US" style="color: #632423; font-family: "Arial","sans-serif";">These small buildings can be turned into punctual colored events
in the grey urban sprawl, </span><span lang="EN-GB" style="color: #632423; font-family: "Arial","sans-serif"; mso-ansi-language: EN-GB;">able to be reinvented as new civic nodes
in the liquid modernity of nets we live in. <o:p></o:p></span></div>
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<span lang="EN-GB" style="color: #632423; font-family: "Helvetica","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: Mangal;">2 </span><span lang="EN-GB" style="font-family: "Helvetica","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: Mangal;">Con carácter general, el uso al que se destina
el edificio conlleva un cierto desconocimiento sobre las posibilidades que los centros
escolares pueden generar por si mismos, muy alejados de enfoques simplemente
funcionales. Los edificios escolares son, de hecho, los lugares en los que las
experiencias multi-étnicas y multi-culturales fluyen, de manera natural, a través de los
niños. Es por ello que nos hemos puesto en marcha para mejorar los “espacios
públicos” con el fin de abrirlos a toda la comunidad, una vez terminado el
horario escolar. Los definimos como "edificios sociales que construyen la
sociedad”'.<span style="color: #632423;"><o:p></o:p></span></span></div>
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<span lang="EN-GB" style="color: #632423; font-family: "Helvetica","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: Mangal;">2 In
the common understanding, the compulsory use of the building originates a
misunderstanding about the possibilities which could be generated inside school
buildings, in defence of a merely functional approach. School buildings are in
fact the places where a multi-ethnic and multi-cultural experience happens
naturally through the children. This is why we have started to enhance the more
‘public spaces’ in order to open them up to the whole community after the
school hours. We define them as ‘society buildings which build society’.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #632423; font-family: "Arial","sans-serif";">3 </span><span style="font-family: Arial, sans-serif; text-indent: -1cm;">La falta de recursos generada por la crisis económica, obliga
a la búsqueda de diferentes formas de utilización de los recursos locales
(humanos y económicos), que se pueden convertir en nuevas formas de
experimentación de estos edificios cuando lo construido puede ser utilizado por
la comunidad más allá de las horas de clase .</span></div>
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<!--[if !supportLists]--><span lang="EN-GB" style="color: #632423; font-family: "Arial","sans-serif"; mso-ansi-language: EN-GB; mso-fareast-font-family: Arial;">3<span style="font-family: 'Times New Roman';"> </span></span><!--[endif]--><span lang="EN-GB" style="color: #632423; font-family: "Arial","sans-serif"; mso-ansi-language: EN-GB;">The lack of resources generated by the
economic crises, is pushing for the search of different ways of using the local
resources (human and economical) which can convert into new forms of
experimentation for these buildings when built and used by the community beyond
the school hours. <o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-GB;">4 Hoy en día, los programas de diseño de
los edificios escolares son, casi siempre, muy específicos, como respuesta a distintas
regulaciones. Ninguna investigación parece estar teniendo lugar en un gran
número de ejemplos construidos. Esto no fue siempre así en el pasado. En las primeras décadas del siglo XX, tanto en
Europa como en los Estados Unidos, los edificios escolares supieron responder a
las exigencias del momento, proporcionado unos espacios mejores y más
saludables para los niños, basándose en
el principio de igualdad entre las personas, y convirtiéndose en una expresión de los ideales democráticos,
al tiempo que mejoraban los niveles de vida de los usuarios. Tanto los
arquitectos europeos como los americanos de esa época, exploraron vías en las
que se podían combinar las preocupaciones por la salud y la seguridad, con las
nuevas técnicas pedagógicas centradas en el niño dentro de los espacios de los
edificios escolares. Sus soluciones funcionales rigurosas, junto con la
atención y la sensibilidad a la escala del niño, además de su experimentación con
nuevos materiales, fueron, en muchos edificios escolares de la época,
importantes vehículos de la expresión de la cultura y la sociedad del momento.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjU7apAQSZH659nlU6WMjMfpDcEuC6CqHOR9aFB6T5L64A_tOpGUNPO_TFp5nCCqkZBNe3bSbBSx1wm39PA9sgp_uRi09eb7H_aSe7Xbtzu6jPhD2Ezp6tck0rtY2zqunsztY9d1qATnmg/s1600/22_Detail+of+the+facade.+Photo+by+Alessandra+Bello.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjU7apAQSZH659nlU6WMjMfpDcEuC6CqHOR9aFB6T5L64A_tOpGUNPO_TFp5nCCqkZBNe3bSbBSx1wm39PA9sgp_uRi09eb7H_aSe7Xbtzu6jPhD2Ezp6tck0rtY2zqunsztY9d1qATnmg/s1600/22_Detail+of+the+facade.+Photo+by+Alessandra+Bello.jpg" height="213" width="320" /></a></div>
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<!--[if !supportLists]--><span lang="EN-US" style="color: #632423; font-family: "Helvetica","sans-serif"; mso-fareast-font-family: Helvetica;">4<span style="font-family: 'Times New Roman';"> </span></span><!--[endif]--><span lang="EN-GB" style="color: #632423; font-family: "Helvetica","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: Mangal;">Today the design programs for
school buildings are always very specific and following the codes. No research
seems to be taking place in a great number of built examples. This was not
always the case in the past. </span><span lang="EN-US" style="color: #632423; font-family: "Helvetica","sans-serif"; mso-bidi-font-family: Mangal;">In the early 20<sup>th</sup>
century, both in Europe and in the United States, school buildings, changing
under the demands and advocacy for better and healthier spaces for children and
based on the principle of equality among individuals, became an expression of
these democratic ideals while improving the standard condition of living. Both
European and American architects of that period explored ways in which they
could combine concerns for health and security together with new child-centered
pedagogical techniques into the space of school buildings. Their rigorous
functional solutions, together with the attention and sensitivity to the
child’s scale and the experimentation of new materials resulted in many school
buildings serving as very important vehicles of cultural expression of the
culture and society.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvLk56VEL2VkxVN_IfjXEHNQL1kls5-lk34KvQlBVrkDccgUHmTGEq0Z1vo13VWJe4p4PAzHoYCvvHKYMvwT-vzj7tJ_xuQBmZgJ6WBGRw66nohFgjv8y1pp25vJKJAJjKB5-_QERLpwI/s1600/C+S-CPS-D03.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvLk56VEL2VkxVN_IfjXEHNQL1kls5-lk34KvQlBVrkDccgUHmTGEq0Z1vo13VWJe4p4PAzHoYCvvHKYMvwT-vzj7tJ_xuQBmZgJ6WBGRw66nohFgjv8y1pp25vJKJAJjKB5-_QERLpwI/s1600/C+S-CPS-D03.jpg" height="600" width="640" /></a></div>
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<span lang="EN-US" style="font-family: "Helvetica","sans-serif"; mso-bidi-font-family: Mangal;">5 En la actualidad nos
enfrentamos a problemas ecológicos y económicos. Los edificios escolares
necesitan convertirse en los nuevos manifiestos para educar a las nuevas
generaciones en la idea de un futuro más sostenible y económicamente más justo.<o:p></o:p></span></div>
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<!--[if !supportLists]--><span lang="EN-US" style="color: #632423; font-family: "Helvetica","sans-serif"; mso-fareast-font-family: Helvetica;">5<span style="font-family: 'Times New Roman';">
</span></span><!--[endif]--><span lang="EN-US" style="color: #632423; font-family: "Helvetica","sans-serif"; mso-bidi-font-family: Mangal;">We are today facing an ecologic
problem together with an economic one. School buildings needs to become the new
manifestos to educate new generations in a more sustainable and economically
fair perspective. <o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Helvetica","sans-serif"; mso-bidi-font-family: Mangal;">La Escuela Primaria de Chiarano se divide en dos
secciones y consta de 10 aulas para 250 alumnos. El edificio es poroso; permitiendo
que el territorio y la luz fluyan dentro de los espacios. Una fachada
acristalada, recayente al lado sur-oeste, se abre hacia las vistas sobre la
campiña circundante. Las paredes que separan las aulas de los pasillos se
presentan opacas sólo en sus primeros 120 cm de altura, quedando completamente
acristaladas en las zonas superiores. Esta condición aumenta las relaciones
visuales entre el exterior y los espacios interiores.<o:p></o:p></span></div>
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<span lang="IT" style="color: #632423; font-family: "Helvetica","sans-serif"; mso-ansi-language: IT; mso-bidi-font-family: Mangal;">Chiarano
Primary School is divided into two sections, hosting 10 classrooms for 250
students. The building is porous. It allows the territory and the light to flow
inside the spaces. A glazed facade, facing the South-West side, opens the view
on the sorrounding countryside. The walls which separate the classrooms from
the corridors are opaque only for the first 120cm and glazed on the upper
parts. This condition enhances the intervisibility from the outside space and
among the inner spaces.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGzhnQSoruqAbOXC_bhlEEb1Iarr_rL3dwbWhtUjPDo9-_9tb2TVg7KkN8GU1jE1AEjQPUkaMy8d7c2pZgCqbPqI7g-TFcFUbWUP_pR0GjO8zsd7cTvOu0o8zJMsBI0gDH6molNMX9nvI/s1600/09_The+main+square+at+the+entrance.+Photo+by+Alessandra+Bello.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGzhnQSoruqAbOXC_bhlEEb1Iarr_rL3dwbWhtUjPDo9-_9tb2TVg7KkN8GU1jE1AEjQPUkaMy8d7c2pZgCqbPqI7g-TFcFUbWUP_pR0GjO8zsd7cTvOu0o8zJMsBI0gDH6molNMX9nvI/s1600/09_The+main+square+at+the+entrance.+Photo+by+Alessandra+Bello.jpg" height="266" width="400" /></a></div>
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<span lang="IT" style="font-family: "Helvetica","sans-serif"; mso-ansi-language: IT; mso-bidi-font-family: Mangal;">El diseño de la escuela se ha
llevado a cabo sin los clásicos pasillos desde donde se accede a las aulas,
sino que las entradas se producen directamente desde el hall del acceso
principal en la planta baja, y a través de un balcón suspendido en la planta superior.
Esta solución maximiza la visibilidad entre los espacios.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #632423; font-family: "Helvetica","sans-serif"; mso-bidi-font-family: Mangal;">No corridors are used for the school
layout as all the classrooms’ access happens on the main entrance hall on the
ground level and thanks to a suspended balcony on the first floor. This
solution maximizes the visibility among the spaces.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoANGm-T2LJGQBuNlBADmfJC_w6p7vGnkeKBZg3h1QldK8eX1dNJeVMfczn9-Rgj91T4O9CDyB1L3iYinTrdI8Z5bK-de1TLx08MTiM8EB_B5kEm3fA4pLECyL95Dbw-xdgy78KUXNYJo/s1600/06_The+inside+square.+Photo+by+Alessandra+Bello.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoANGm-T2LJGQBuNlBADmfJC_w6p7vGnkeKBZg3h1QldK8eX1dNJeVMfczn9-Rgj91T4O9CDyB1L3iYinTrdI8Z5bK-de1TLx08MTiM8EB_B5kEm3fA4pLECyL95Dbw-xdgy78KUXNYJo/s1600/06_The+inside+square.+Photo+by+Alessandra+Bello.jpg" height="267" width="400" /></a></div>
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<span lang="EN-US" style="font-family: "Helvetica","sans-serif"; mso-bidi-font-family: Mangal;">La fluidez espacial se potencia con las conexiones
visuales existentes entre los diferentes niveles, gracias al espacio a doble
altura con el que se ha diseñado la entrada principal y, también, mediante una
“linterna de luz” acristalada situada sobre la biblioteca, que proporcionan una
singularidad espacial a la entrada de la escuela. La linterna suspendida
alberga un “jardín botánico” para los experimentos al aire libre de los
escolares.<o:p></o:p></span></div>
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<span lang="IT" style="color: #632423; font-family: Helvetica, sans-serif;">The
intervisibility is also emphasized by the visual connections between the
different levels, thanks to the double hight designed for the main entrance and
to the design of a glazed ‘lantern of light’ that is suspended over the
library, which gives character to the school entrance hall. The suspended
lantern houses a ‘botanic garden’ for outdoor experimentations.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQHmxcEY8doJlK8vsyw0CmECoPgn3wzqoqYxZBmid2VGzaigMyz2F_BCSfJuvd0a6ULDMYrTcUJWE4lf1UWBKsnzhdhDKfISEtGOu5PRcBtjnuFbvzCAP400RZrSwEuBzCQOsKlHGsYSI/s1600/11_The+suspended+botanic+garden+from+the+balcony.+Photo+by+Alessandra+Bello.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQHmxcEY8doJlK8vsyw0CmECoPgn3wzqoqYxZBmid2VGzaigMyz2F_BCSfJuvd0a6ULDMYrTcUJWE4lf1UWBKsnzhdhDKfISEtGOu5PRcBtjnuFbvzCAP400RZrSwEuBzCQOsKlHGsYSI/s1600/11_The+suspended+botanic+garden+from+the+balcony.+Photo+by+Alessandra+Bello.jpg" height="425" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEics6hm2F0Ewr5dH26ZDO5uouKD7-YCyfPtDp2futvKy8k8xJWGDlVX2g6lrpe_fNM1tanDlRuBo1C0tS68541P4WkSLs0YEXNpLRkCrQgSUaiPsY1JU-QBwySivOcht6OXCkPKqZCwGyg/s1600/12_The+suspended+wood-made+balcony.+Photo+by+Alesandra+Bello.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEics6hm2F0Ewr5dH26ZDO5uouKD7-YCyfPtDp2futvKy8k8xJWGDlVX2g6lrpe_fNM1tanDlRuBo1C0tS68541P4WkSLs0YEXNpLRkCrQgSUaiPsY1JU-QBwySivOcht6OXCkPKqZCwGyg/s1600/12_The+suspended+wood-made+balcony.+Photo+by+Alesandra+Bello.jpg" height="266" width="400" /></a></div>
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<span lang="IT" style="font-family: Helvetica, sans-serif;">La biblioteca es
el corazón del proyecto, y ha sido pensada a modo de un nuevo nodo urbano para
la comunidad, ya que permanece abierta después de las horas escolares.<o:p></o:p></span></div>
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<span lang="IT" style="color: #632423; font-family: Helvetica, sans-serif;">The
library is the core of the project, and it has been thought as a new urban node
for the community, since it is kept open after the school hours.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxCoJp7LmF1KCGSz6ufzPrzxwFVfcA97I7pTAVl7fmfreHf_7sP9pUGHWkeJxDMkno2q0zFrTvPDTbFzZrY2PIITQrUMAMWXGXoVyt7BioP0naaQWfVBJH2Y1UbRbJgUTfVwbC-vo2e00/s1600/03The+theatre+scenography.+%C3%82%C2%A9+C+S+architects.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxCoJp7LmF1KCGSz6ufzPrzxwFVfcA97I7pTAVl7fmfreHf_7sP9pUGHWkeJxDMkno2q0zFrTvPDTbFzZrY2PIITQrUMAMWXGXoVyt7BioP0naaQWfVBJH2Y1UbRbJgUTfVwbC-vo2e00/s1600/03The+theatre+scenography.+%C3%82%C2%A9+C+S+architects.jpg" height="288" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXmIy3fmtgEUWOkdC_vJ5-P4XaSqpEW2VYLAqM3wcVDeZMsi8Q4YR_Dtr3Gwa_ysc9kCtTM3Q31YfzyUPQsx3E2WA1lDF6BIn4ijFsQLTyVAu24Sal2NoaI9BCFVeswU-X7GuSyBn-kS0/s1600/19_The+theatre+play.+%C3%82%C2%A9+C+S+architects.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXmIy3fmtgEUWOkdC_vJ5-P4XaSqpEW2VYLAqM3wcVDeZMsi8Q4YR_Dtr3Gwa_ysc9kCtTM3Q31YfzyUPQsx3E2WA1lDF6BIn4ijFsQLTyVAu24Sal2NoaI9BCFVeswU-X7GuSyBn-kS0/s1600/19_The+theatre+play.+%C3%82%C2%A9+C+S+architects.jpg" height="300" width="400" /></a></div>
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<span lang="IT" style="color: windowtext; font-family: Helvetica, sans-serif;">La
comunidad ha participado en el proyecto de la escuela mediante el montaje de
una obra de teatro específica, en la que los arquitectos, trabajando con los
niños de las escuelas primarias de Chiarano, junto con un profesor de teatro y
un músico, interactuaron para dar forma al diseño y la construcción de la
futura escuela. Este proyecto teatral no tenía una misión didáctica, sino que
se ideó para introducir la construcción de la nueva escuela en la comunidad, compartiendo
una emocionante y agradable experiencia.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLVBjr0Y-tbbu2dzArDQVrDAfqnUicioznlymCYUOWvhaOeRUhrp3np1-DoSEubEbvRyXWI28okLv6UNI0yuJpAchwIQvCo4ie61vEJ7vGqWsde-dP2qNg6j60IxxAo2Nge25EekK1kzE/s1600/C+S-CPS-28(B).jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLVBjr0Y-tbbu2dzArDQVrDAfqnUicioznlymCYUOWvhaOeRUhrp3np1-DoSEubEbvRyXWI28okLv6UNI0yuJpAchwIQvCo4ie61vEJ7vGqWsde-dP2qNg6j60IxxAo2Nge25EekK1kzE/s1600/C+S-CPS-28(B).jpg" height="640" width="425" /></a></div>
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<span lang="IT" style="color: #632423; font-family: Helvetica, sans-serif;">The
community has been involved in the project with a special theatre play, in
which architects, working with the children of Chiarano’s primary schools, a
drama teacher and a musician interacted together to shape the design and the
construction of the future school. No didactic purpouse was that assigned to
the theatre project, but the idea of introducing the new construction to the
community through a strong shared and enjoyable experience.<span style="font-size: x-small;"><o:p></o:p></span></span></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><span style="font-size: x-small;">Fuentes /
Sources:<o:p></o:p></span></span></i></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif";"><span style="font-size: x-small;">+ <a href="http://web.cipiuesse.it/" target="_blank">C+S Architects</a><o:p></o:p></span></span></i></div>
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<i><span lang="IT" style="font-family: Helvetica, sans-serif; line-height: 120%;"><span style="font-size: x-small;">+ </span><span style="font-size: xx-small;">Ganador de un Concurso Internacional / Winner of International
Competition</span><span style="font-size: x-small;"><o:p></o:p></span></span></i></div>
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<i><span lang="IT" style="font-family: Helvetica, sans-serif; line-height: 120%;"><span style="font-size: xx-small;"><br /></span></span></i></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;"><span style="font-size: x-small;">-------------------------------------------------------------------COCINÁNDOSE
/ COOKING</span></span></i></div>
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Agustín Malonda Alberohttp://www.blogger.com/profile/12228836916215119090noreply@blogger.comtag:blogger.com,1999:blog-4887843827271288151.post-42066760201165221742014-10-01T09:21:00.003+02:002014-10-08T11:49:32.004+02:00ATMÓSFERAS / CASA T&G DE NICOLÁS CAMPODONICO EN ROSARIO (ARGENTINA)<div class="separator" style="clear: both; text-align: center;">
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<b><span style="background-color: #cccccc; font-family: Arial, sans-serif;">Nicolás Campodonico arquitecto </span></b><span style="font-family: Arial, sans-serif;"><o:p></o:p></span></div>
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<span style="font-size: x-small;"><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;">Arquitectos
colaboradores <i>/ Collaborator Architects: </i></span><span style="background: white; color: #222222; font-family: "Arial","sans-serif"; mso-ansi-language: ES;">Martín Lavayen, Tomás Balparda, Pablo Taberna, Ma. Virginia
Theilig, Soledad Cugno</span></span><i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;"><o:p></o:p></span></i></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;">Casa
T&G en Rosario (Argentina), 2012-14 <i>/ T&G House in Rosario (Argentina),
2012-14<o:p></o:p></i></span></div>
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<span style="font-size: x-small;"><i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;">Fotógrafos /Photographs: </span></i><i><span lang="ES-AR" style="font-family: "Arial","sans-serif"; mso-ansi-language: ES-AR; mso-bidi-font-weight: bold;">Martín Lavayen / Nicolás Campodonico</span></i></span><br />
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<span style="font-size: x-small;"><i style="font-family: Arial, Helvetica, sans-serif;"><span lang="EN-US" style="font-weight: normal;">(</span></i><span lang="EN-US" style="font-family: Arial, Helvetica, sans-serif; font-weight: normal;">De los autores / <i>From the authors)</i></span></span></h1>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">El proyecto de la casa T&G se ubica en un barrio cercano al centro de
la ciudad de Rosario, en un tejido consolidado con construcciones de una y dos
plantas de uso residencial. La construcción se levanta en un lote con frente al
norte y sobre un pequeño pasaje dentro de esta trama. <o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: Arial, sans-serif;"><span style="color: #4c1130;">The House T&G project is located in a close neighborhood to
the center of the city of Rosario, in a consolidated weave with constructions
of one and two storey of residential use. The building stands on a plot looking
out on the north and on a small passage that exists within this frame.</span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">La viga de hormigón armado que reconstruye la fachada pública retoma la altura
de la casa lindera (unos cuatro metros de altura). Desde esta estructura se
forma un colgajo que divide el ingreso peatonal del vehicular, generando para
cada uno una altura y una profundidad diferente.<o:p></o:p></span></div>
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<span style="color: #4c1130; font-family: Arial, sans-serif;">The reinforced concrete beam, that reconstructs the public façade,
retakes the height of the adjoining house (about four meters of height). Since
this structure, a flap is formed which separates the pedestrian entrance from
the vehicular one, generating, for each, a different height and depth.</span></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">Ya en el interior, la secuencia de espacios:
cubierto–abierto–cubierto–cerrado–cubierto–abierto y las distintas atmósferas
producidas por la luz y los materiales proponen una serie de recorridos. Estos
caminos, conectan la calle con la masa verde de cítricos, moreras y pastos que
crecen en el fondo del terreno y se superponen con los Plátanos más lejanos.
Una escalera lateral nos lleva a la planta alta, que cerrando el recorrido se
vuelve a vincular con la calle y el barrio a partir de vistas elevadas.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: Arial, sans-serif;"><span style="color: #4c1130;">Once inside, the sequence of spaces:
covered-opened-covered-closed-covered-opened and the different atmospheres
produced by light and materials, propose a series of itineraries. These paths
connect the street with the green mass of citrus, mulberry trees and grass growing
on the back of the plot and are overlaid with the farthest Plantains. A side
staircase leads us up to the upper floor, closing the route to relink us with
the street and the neighborhood from these elevated views.</span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">Los espacios de la casa se producen a partir de elementos de hormigón
(premoldeados e in-situ) que se apoyan en ambos muros medianeros, respetando un
orden y modulación en la planta y adquiriendo variaciones en el corte. Estas
variaciones permiten proporcionar espacios de diferentes dimensiones y producir
entradas de luz diversas para animarlos y ponerlos en tensión.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: Arial, sans-serif;"><span style="color: #4c1130;">The spaces of the house are produced from concrete elements
(precast and in-situ) that rests on party walls, respecting the order and
modulation at the plant and acquiring variations in the cut. These variations
allow to provide spaces of different dimensions and different light entries in
order to cheer them and put them in tension.</span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">El jardín del fondo del terreno, está orientado al sur con respecto a la
casa, relacionado por una profunda galería. Esta condición lumínica fue
balanceada con un ingreso de luz entre el techo de la galería y el del estar, y
por un lucernario corrido que toma luz desde el norte por encima de la planta
del dormitorio.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #632423; font-family: "Arial","sans-serif";">The back garden of the terrain is south facing with regard to
the house, connected by a deep gallery. This light condition was balanced with
a light income between the ceiling of the gallery and the living-room, and,
also, by means of a lineal skylight that takes light from the north above the
floor of the bedroom.<o:p></o:p></span></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">La casa explora diversas condiciones de atmósferas a partir de las
relaciones entre sus espacios, la luz y los exteriores.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #632423; font-family: "Arial","sans-serif";">The house explores various conditions of atmospheres from the
relationships between its spaces, the light and the exteriors.<span style="font-size: x-small;"><o:p></o:p></span></span></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><span style="font-size: x-small;">Fuentes / Sources:<o:p></o:p></span></span></i></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><span style="font-size: x-small;">+ <a href="http://www.nicolascampodonico.com.ar/" target="_blank">Nicolás Campodonico arquitecto</a><o:p></o:p></span></span></i><br />
<i><span style="font-family: Arial, sans-serif;">+ </span><span style="font-family: Arial, sans-serif; font-size: x-small;">Video</span><span style="font-family: Arial, sans-serif;">:</span><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"> </span></i><a href="http://vimeo.com/105386752" target="_blank"><i><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">http://vimeo.com/105386752</span></i></a></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><span style="font-size: x-small;">Más de Campodonico
en este blog / More about Campodonico in this blog: </span></span></i></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><span style="font-size: x-small;">+ <a href="http://arquitecturazonacero.blogspot.com.es/2013/03/mirador-de-hormigon-edificio-maipu-de.html" target="_blank">Edificio Maipúen Rosario (Argentina) / Maipú Building in Rosario (Argentina) </a></span></span></i></div>
Agustín Malonda Alberohttp://www.blogger.com/profile/12228836916215119090noreply@blogger.comtag:blogger.com,1999:blog-4887843827271288151.post-26998694497431663282014-09-22T10:42:00.000+02:002014-10-01T09:22:32.840+02:00JUEGO DE ESCALAS / ESCUELA INFANTIL PABLO NERUDA EN ALCORCÓN DE RUEDA PIZARRO ARQUITECTOS<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVlJOuH_K35P9jOfRfm3Lh0TJ_XtdfoUCpRZ0R7WxOpYiota0aZwhSEpq-7U9Q4O84BJXxHDuIFJPD8Yok4m-wsBtbxGQW-ufebQ9arGDZ7dkjE84UgfavSYQD5YnYCu4y5KUqXe3JRd4/s1600/1005+rp+guarderia+alcorcon+037.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVlJOuH_K35P9jOfRfm3Lh0TJ_XtdfoUCpRZ0R7WxOpYiota0aZwhSEpq-7U9Q4O84BJXxHDuIFJPD8Yok4m-wsBtbxGQW-ufebQ9arGDZ7dkjE84UgfavSYQD5YnYCu4y5KUqXe3JRd4/s1600/1005+rp+guarderia+alcorcon+037.jpg" height="425" width="640" /></a></div>
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<b><span style="background-color: #cccccc; font-family: Arial, sans-serif;">RUEDA PIZARRO arquitectos</span></b><span style="font-family: Arial, sans-serif;"> <o:p></o:p></span></div>
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<b><span lang="ES-TRAD" style="font-family: Arial, sans-serif;">María José Pizarro Juanas y Óscar
Rueda Jiménez , </span></b><span lang="ES-TRAD" style="font-family: Arial, sans-serif;">arquitectos <i>/
architects</i><b> <o:p></o:p></b></span></div>
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<b><span lang="ES-TRAD" style="font-family: Arial, sans-serif;">Antonio Cantero, Miguel Chillerón,
Alberto Galindo, Laura Montero y Pedro G. Merino</span></b><span style="font-family: Arial, sans-serif;">, arquitectos colaboradores / <i>collaborator architects<o:p></o:p></i></span></div>
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<a href="https://www.blogger.com/null" name="_GoBack"></a><span lang="ES-TRAD" style="font-family: "Arial","sans-serif"; mso-bidi-font-style: italic; mso-bidi-font-weight: bold;">Escuela infantil Pablo
Neruda en Alcorcón, </span><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-style: italic; mso-bidi-font-weight: bold;">Madrid,
2010 </span><i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-family: Times-Roman;">/
Pablo Neruda Nursery School in Alcorcón, Madrid (Spain), 2010 </span></i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-family: Times-Roman;"><o:p></o:p></span></div>
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<i><span style="font-family: Arial, sans-serif;"><span style="font-size: x-small;">Fotografía: <a href="http://imagensubliminal.com/" target="_blank">Miguel de Guzmán</a> </span></span></i><br />
<a name='more'></a><i><span style="font-family: Arial, sans-serif;"><o:p></o:p></span></i></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkkDcPPtSrrS3c5wQmF4YyZPFKMnh5SIR2myoCQ5LeYoRxGFb3mNGTIqw_s1ZyISizixnZ-dqdCteqcTvePx6e9NkAucPINpOGSCCjeWQn7CoOrCHrXXt_xTWY-dfAjLl-INg7jbzGZG8/s1600/1005+rp+guarderia+alcorcon+018.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkkDcPPtSrrS3c5wQmF4YyZPFKMnh5SIR2myoCQ5LeYoRxGFb3mNGTIqw_s1ZyISizixnZ-dqdCteqcTvePx6e9NkAucPINpOGSCCjeWQn7CoOrCHrXXt_xTWY-dfAjLl-INg7jbzGZG8/s1600/1005+rp+guarderia+alcorcon+018.jpg" height="276" width="640" /></a></div>
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<i><span style="font-family: Arial, sans-serif;"><span lang="EN-US"><span style="font-size: x-small;">(De los autores / From the
authors)</span><o:p></o:p></span></span></i></div>
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<span style="font-family: Arial, sans-serif;">Lewis Carroll describía con precisión en “Alicia en el
País de las maravillas” la dualidad existente entre el mundo de los adultos y
el de los niños: imaginación-realidad, juego-trabajo,
diversión-responsabilidad, etc… Una escuela de educación infantil se puede
transformar en el mundo de Alicia donde todo son sensaciones, experiencias,
color, juegos de escalas percibidos a través de los ojos de un niño; y este mundo puede convivir con el del adulto,
complementado y potenciado por la dualidad de escalas.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: Arial, sans-serif;"><span style="color: #4c1130;">Lewis Carroll
described in "Alice in Wonderland" the duality between the world of
adults and children: imagination-reality, play-work, fun-responsibility, etc
... A childhood education school can be transformed into Alice's world where
everything is feelings, experiences, color, scale games perceived through the
eyes of a child, and this world can live with the adult, complemented and
enhanced by the duality of scales.</span><span style="color: #632423;"><o:p></o:p></span></span></div>
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<span style="font-family: Arial, sans-serif;">La escuela se plantea como un juego de construcción
infantil formado por piezas claramente diferenciadas mediante colores y
materiales. El acceso se produce desde un jardín previo donde un camino
asciende suavemente hacia el interior del edificio. Al traspasar el umbral,
encontramos un espacio polivalente, diáfano, donde una serie de lucernarios de
diferentes colores acompañan a los niños hacia sus aulas. Una gran cubierta de
espesor variable cubre todas las piezas del programa y alberga las
instalaciones energéticas que el edificio necesita. La cubierta se perfora
(lucernarios), se rompe (patios), vuela (porches), se dobla (servicios)…
constituyendo un elemento pesado que parece flotar sobre piezas ligeras de
colores. <o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: Arial, sans-serif;"><span style="color: #4c1130;">The school is intended
as a children's construction set consisting of distinct parts by colors and
materials. Access is from a previous garden where a path ascends gently into
the building. As we crossed the threshold, we find a multipurpose space,
diaphanous, where a series of different colored skylights accompany children to
their classrooms. A great cover of variable thickness covers all spaces of the
program and hosts the facilities that the building energy needs. The cover is
perforated (skylights), is broken (patios), is cantilevered (porches), is
doubled (services) ... constituting a heavy element that seems to float on
light colored pieces.</span></span><span lang="EN-US" style="font-family: Arial, sans-serif;"><o:p></o:p></span></div>
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<span style="font-family: Arial, sans-serif;">La disposición interior atiende a las diferentes
orientaciones y circulaciones. Las aulas se ubican al sureste para aprovechar
el mayor soleamiento en invierno, protegidas por árboles de hoja caduca y
porches profundos en verano. Este espacio exterior cubierto está asociado a las
aulas, como una extensión para juegos, y se percibe desde el interior a través
de perforaciones realizadas a la escala del niño, permitiendo una percepción
adecuada a su mundo. Las dependencias docentes y servicios se sitúan al norte,
con circulaciones y accesos independientes desde el exterior. Estas dos partes
del programa se relacionan mediante el vestíbulo principal, que puede funcionar
independientemente o anexo a las aulas, creando un gran espacio de reunión
cubierto para eventos infantiles.</span></div>
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<span lang="EN-US" style="font-family: Arial, sans-serif;"><span style="color: #4c1130;">The interior layout
serves to the different orientations and circulations. The classrooms are
located to the southeast to take advantage of increased sun exposure in winter,
protected by deciduous trees and deep cantilever in the summer. This space is
associated with outdoor covered classrooms as an extension for games, and
collecting from the inside through holes made at the scale of the child,
allowing a proper understanding of their world. Teachers and service units are
located to the north, with independent access from the outside. These two parts
of the program are related through the main lobby, which can operate
independently or attached to the classroom, creating a large covered meeting
space for children's events.</span><span style="color: #632423;"><o:p></o:p></span></span></div>
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<i><span lang="CA" style="font-family: Arial, sans-serif;"><span style="font-size: x-small;">Fuentes / Sources:</span></span></i></div>
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<i><span lang="CA" style="font-family: Arial, sans-serif;"><span style="font-size: x-small;">+ <a href="http://www.ruedapizarro.es/" target="_blank">RUEDAPIZARROarquitectos</a><o:p></o:p></span></span></i></div>
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<i><span style="font-family: Arial, sans-serif;"><span style="font-size: x-small;">Publicaciones y Premios
/ Publications and Awards:<o:p></o:p></span></span></i></div>
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<span style="font-size: x-small;"><i><span lang="ES-TRAD" style="font-family: Arial, sans-serif;">+ A&V España 2011, N: 147-148. </span></i><i><span lang="EN-US" style="font-family: Arial, sans-serif;">Pág:186-191.
ISSN: 0213-487x<o:p></o:p></span></i></span></div>
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<i><span lang="EN-US" style="font-family: Arial, sans-serif;"><span style="font-size: x-small;">+ Eden for Boys &
Girls. Designerbooks. China, 2012. Pág: 146-153. <o:p></o:p></span></span></i></div>
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<i><span lang="EN-US" style="font-family: Arial, sans-serif;"><span style="font-size: x-small;"> ISBN 978-988-16075-1-5<o:p></o:p></span></span></i></div>
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<span style="font-size: x-small;"><i><span lang="EN-US" style="font-family: Arial, sans-serif;">+ Kindergarten Architecture
II.Hi-Designer.Dalian University of Technology. </span></i><i><span lang="ES-TRAD" style="font-family: Arial, sans-serif;">China, 2013.</span></i></span></div>
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<span style="font-size: x-small;"><i><span lang="ES-TRAD" style="font-family: Arial, sans-serif;"> Pág:112-123. ISBN 978-7-5611-7774-7 </span></i></span></div>
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<i><span lang="ES-TRAD" style="font-family: Arial, sans-serif;"><span style="font-size: x-small;">+ </span></span></i><i><span style="font-family: Arial, sans-serif;"><span style="font-size: x-small;">Premio COAM 2011 en la categoría de Obra Construida / COAM 2011 Award for
Built Work</span></span></i></div>
Agustín Malonda Alberohttp://www.blogger.com/profile/12228836916215119090noreply@blogger.comtag:blogger.com,1999:blog-4887843827271288151.post-27963244726456765662014-09-16T10:08:00.000+02:002014-09-22T10:57:31.792+02:00DIVERTIMENTO / CANCHA DE FOOTCHEBALL EN NANTES DE LA AGENCIA GUINÉE*POTIN<div class="MsoNormal" style="page-break-after: avoid;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihd2SdZM2reberSwd4FObNK9unWZE6JixghYhHMb8MsGhEchPDgIjBImfFvM3yN_o2NBDLcRaicMJq8CNslnhCrJa_4X1syvLaP9rGqDC7oFcnvNDPv1oVifr5UVuzN9dnNzG-Eh-drH8/s1600/_ArgyrogloM5973_1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihd2SdZM2reberSwd4FObNK9unWZE6JixghYhHMb8MsGhEchPDgIjBImfFvM3yN_o2NBDLcRaicMJq8CNslnhCrJa_4X1syvLaP9rGqDC7oFcnvNDPv1oVifr5UVuzN9dnNzG-Eh-drH8/s1600/_ArgyrogloM5973_1.jpg" height="425" width="640" /></a></div>
<b><span lang="EN-US" style="background-color: #cccccc; font-family: Arial, sans-serif;">Agence Guinée*Potin Architects </span></b><span lang="EN-US" style="font-family: Arial, sans-serif;"><o:p></o:p></span></div>
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<b><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-font-kerning: 0pt;">Anne-Flore Guinée</span></b><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-font-kerning: 0pt;"> y <b>Hervé
Potin</b>, arquitectos </span><span lang="EN-US" style="font-family: "Arial","sans-serif";"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;">Construcción
de una cancha de <i>Footcheball</i> en
Nantes, Francia, 2014 <i>/ Construction of a “Footcheball”
field in Nantes, France, 2014<o:p></o:p></i></span></div>
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<span style="font-size: x-small;"><i><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;">Fotógrafo /Photograph: </span></i><i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;"><a href="http://www.martin-argyroglo.com/" target="_blank">Martin Argyroglo</a></span></i></span><br />
<a name='more'></a><i><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;"><o:p></o:p></span></i><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMaLl_htVPPPoZSh_X6mYDwPkGkUzPeCaQ06VBfZOtA8SGpk-RobBMvPmK0yQhdvo224eVTjLkh5mxzRGhlcyi7__i2z_5nQgkMkeDXQn9ZVgSJnfJMIsqNgMHxOr9j2HyrQUY6Cn9R4U/s1600/_ArgyrogloM5894.jpg" imageanchor="1" style="clear: left; display: inline !important; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMaLl_htVPPPoZSh_X6mYDwPkGkUzPeCaQ06VBfZOtA8SGpk-RobBMvPmK0yQhdvo224eVTjLkh5mxzRGhlcyi7__i2z_5nQgkMkeDXQn9ZVgSJnfJMIsqNgMHxOr9j2HyrQUY6Cn9R4U/s1600/_ArgyrogloM5894.jpg" height="425" width="640" /></a></div>
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<h1 style="text-align: justify;">
<i style="font-family: Arial, Helvetica, sans-serif; font-size: medium;"><span lang="EN-US" style="font-weight: normal;">(</span></i><span lang="EN-US" style="font-family: Arial, Helvetica, sans-serif; font-size: small; font-weight: normal;">De los autores / <i>From
the authors)</i></span></h1>
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<span style="font-family: Arial, sans-serif;">El </span><i style="font-family: Arial, sans-serif;">Footcheball</i><span style="font-family: Arial, sans-serif;">
fue encargado para el evento </span><i style="font-family: Arial, sans-serif;">Voyage à
Nantes</i><span style="font-family: Arial, sans-serif;"> en su edición correspondiente al 2014, bajo el título «Playgrounds»
(sobre una idea original de </span><b style="font-family: Arial, sans-serif;">Patricia Buck</b><span style="font-family: Arial, sans-serif;"> y </span><b style="font-family: Arial, sans-serif;">Rafaël Magrou</b><span style="font-family: Arial, sans-serif;"> del 2012).
«Playgrounds» es una invitación para practicar deporte de una nueva manera y
divertirse; también es, además, una propuesta dirigida a los habitantes y
viajeros para que “vean” la ciudad de una nueva forma, como una superposición
de sorpresas y de espacios libres. Mezclando el squash, el “baby-foot”, y fútbol
sala, el </span><i style="font-family: Arial, sans-serif;">Footcheball</i><span style="font-family: Arial, sans-serif;"> es un deporte
que se practica en un espacio definido, el </span><i style="font-family: Arial, sans-serif;">Chaum-Room</i><span style="font-family: Arial, sans-serif;">.
Está abierto a todo el mundo, siempre y cuando se respete el espíritu </span><i style="font-family: Arial, sans-serif;">chport</i><span style="font-family: Arial, sans-serif;">.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6tmOhduygK_eZ5kFfuYyDTHn244J1AwTYGq7k9I-VuhgU8BI_nVfoCoeiivOLbrAdZjEhzcSrUJ7tdFXD_SbEISSov_-GOK8wmKNboyarEeYU9YkjdABvrM59XCfXSHQunkRRfGMF3Nc/s1600/GP+-+FOOTCHEBALL+-+3d+view.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6tmOhduygK_eZ5kFfuYyDTHn244J1AwTYGq7k9I-VuhgU8BI_nVfoCoeiivOLbrAdZjEhzcSrUJ7tdFXD_SbEISSov_-GOK8wmKNboyarEeYU9YkjdABvrM59XCfXSHQunkRRfGMF3Nc/s1600/GP+-+FOOTCHEBALL+-+3d+view.jpg" height="384" width="640" /></a></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;"><span style="color: #4c1130;">The <i>Footcheball </i>is commissioned
by the Voyage à Nantes for its 2014’s edition to invent «Playgrounds» (<b>Patricia
Buck</b> and <b><i>Rafaël Magrou’</i>s</b>
2012 original idea). «Playgrounds» is an invitation to play sports of a new
kind and have fun, but also a proposition to the inhabitants and travelers to
look at the city in a new way, like a superposition of surprises and free
spaces. Mixing squash, ‘baby-foot’, and indoor soccer, the <i>Footcheball </i>is
a sport to be played in a defined space, the <i>Chaum-Room</i>. It is open to
everyone, as long as the <i>chport </i>spirit is respected.</span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlWewx9Oho6iCzCUzk9Ppfb0RpBURC9vUHkrFcyRU9iVbP6wi10T-Ma3i4jMY6u3uE2eKtdGzWhBzzGEuQq26BLI1i5_6oUF8v_ob2N46426HRfuqkrNzGWKEWAxXP5y1B-a4KCCpBMB4/s1600/_ArgyrogloM6059.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlWewx9Oho6iCzCUzk9Ppfb0RpBURC9vUHkrFcyRU9iVbP6wi10T-Ma3i4jMY6u3uE2eKtdGzWhBzzGEuQq26BLI1i5_6oUF8v_ob2N46426HRfuqkrNzGWKEWAxXP5y1B-a4KCCpBMB4/s1600/_ArgyrogloM6059.jpg" height="425" width="640" /></a></div>
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<b><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">Contexto / <i>Context<o:p></o:p></i></span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJ0uPvhKVnYjxcIksc5HL9H2ru7mxWvOrhQ-9NQsGftlR0Orjsg9bR5-YA0-SRn-G6HxByjSceeXFFztj3avcIEG6mqW-6X7OEtR-qqw_Wcr2tcw4Mzed41MNuYFiVNGHJbcwdP76PcSA/s1600/GP+-+FOOTCHEBALL-+final+ground+floor+plan.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJ0uPvhKVnYjxcIksc5HL9H2ru7mxWvOrhQ-9NQsGftlR0Orjsg9bR5-YA0-SRn-G6HxByjSceeXFFztj3avcIEG6mqW-6X7OEtR-qqw_Wcr2tcw4Mzed41MNuYFiVNGHJbcwdP76PcSA/s1600/GP+-+FOOTCHEBALL-+final+ground+floor+plan.jpg" height="400" width="391" /></a><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;">El proyecto se localiza en la isla de Nantes,
cerca del Quartier de la Création, en el muelle François Mitterrand. Entre la
ciudad que surge a lo largo del muelle, el Loira y el parque natural de la Isla
Mabon, <i>el lugar</i> es el punto de
encuentro entre el espacio construido y la naturaleza. Sobre el muelle, un camino
queda dibujado mediante hormigón, césped y el pavimento; una composición
horizontal que encontraremos también en vertical, a modo de distintas capas de
suelo que, en esta parte de la isla, están marcadas por la historia de la isla,
compuestas por escombros, de arena, que acaban luego cubiertas de barro. Un largo
prado, que se extiende desde el Palacio de Justicia hasta la Escuela Superior
de Arquitectura de Nantes, aloja dos árboles. Exactamente es entre esos dos
árboles donde el <i>Footcheball</i> encuentra
su lugar, aprovechando su longitud y la hierba; un terreno perfecto para jugar.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;"><span style="color: #4c1130;">The project is located on Nantes’
Island, near the Quartier de la Création, on the François Mitterrand dockside.
Between the city that emerges along the dock, the Loire and the wild park of
the Mabon Island, <i>the site</i> is the
meeting point of built space and nature. On the dockside, the pathway is drawn
between concrete, grass and pavement ; horizontal composition that we can find
again in vertical, as the soil layers of this part of the island are marked by
the history of the island, composed of rubble, covered with sand, then covered
with mud. A long field, that stretches up from the Palais de Justice to the
Ecole Nationale Supérieure d’Architecture de Nantes, hosts two trees. Exactly
in between those two trees that the <i>Footcheball </i>is set, taking advantage
of the length and the grass, perfect ground to play on.</span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<b><u><span lang="EN-US" style="font-family: "Arial","sans-serif";">Proyecto
arquitectónico<i> / Architectural project<o:p></o:p></i></span></u></b></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;">En este entorno bipolar, la pista de <i>Footcheball</i> está llamada a convertirse
en un hito del muelle. La <i>Chaum-Room</i>,
en la que se practicará el <i>Footcheball</i>,
es una construcción que se inspira en los tradicionales graneros franceses, y
que se caracteriza por sus dos caras: una de ella cubierta con paja, la que
discurre a lo largo de la carretera del muelle François Mitterrand, frente al
parque Mabon Island, y en contacto con la especial arquitectura de la parcela
del «Habiter les Quais», de <b>Nicolas Michelin</b>; por otro lado, una cara
resuelta a base de malla metálica,
ritmada por la estructura de madera, y que se vuelca sobre el Loira a lo largo
del camino peatonal pavimentado.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #4c1130; font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;">In this « bipolar » environment, the <i>Footcheball
</i>is called to become a signal on this dockside. The <i>Chaum-Room</i>, in
which we play <i>Footcheball</i>, is kind of a classic french farmhouse, characterized
by its two faces: one covered with thatch, along the road of the François
Mitterrand dockside, facing the Mabon Island park and in touch with the
concrete architecture of the « Habiter les Quais » lot, by <b>Nicolas Michelin</b>;
on the other side, a metal meshed face, rhythmed by the wooden structure, with
a view on the Loire, along the pedestrian paved pathway. <o:p></o:p></span></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;">De este modo, el <i>Chaum-Room</i> muestra sus diferencias con el Quartier de la Création. El
lateral revestido de paja demuestra la levedad del paisaje. Éste puede leerse
como una continuidad, en vertical, del camino de césped, acentuando la
componente horizontal del lugar, y ofreciendo una textura juguetona, en
oposición tanto con el hormigón y los elementos metálicos, como con las líneas
verticales de los edificios de viviendas que lo rodean, ya sea en la isla como
en la zona del embarcadero. Esta cara ofrece la espalda al «Habiter les Quais»
e invita al visitante a pasar al otro lado.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;"><span style="color: #4c1130;">Thus the <i>Chaum-Room </i>underlines
the oppositions of the Quartier de la Création. The face covered with thatch
reveals the ligerian landscapes. This offers a vertical continuity to the
grassed pathway that stresses the horizontality of the site, and a playful
texture, in opposition with the concrete and the metal elements, and the
vertical lines of the housing buildings around, on the island as well as the
opposed dockside. This face turns the back to «Habiter les Quais», and invites
the visitor to go to the other side. </span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;">En la otra cara, la malla de frío metal se integra
en la perspectiva del paisaje urbano de la isla. Una perspectiva pautada por el
ritmo de la estructura de madera. La malla de metal ofrece, también,
transparencia: se puede ver el juego desde la vía peatonal, lo que es una
propuesta para detenerse en los bancos y disfrutar del juego; los jugadores
pueden ver el Loira, disfrutando de la luz del norte que se desparrama sobre el
campo y sentirse envueltos por los tonos cálidos de los paneles de madera que revisten
la cara interior del cerramiento.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;"><span style="color: #4c1130;">On the other face, the cold metal mesh
is extended in the perspective of the urban landscape of the island.
Perspective stressed by the rhythm of the wooden structure. The metal mesh
offers a transparency: you can see the game from the pedestrian pathway,
proposition to stop there on the banks and enjoy the game; the players can see
the Loire and enjoy the light from the North, that is spread on the field and
get the warm colors of the wooden panels that rig out the North interior
façade.</span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<b><u><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">Características técnicas<i> / Technical specifications</i></span></u></b></div>
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<b><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">Método: características medioambientes y materialidad / <i>Method: environmental approach and
materiality<o:p></o:p></i></span></b><br />
<b><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><i><br /></i></span></b></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;">El proyecto fue pensado para que tuviera la
mínima incidencia sobre <i>el</i> <i>lugar</i>. Así, éste sacó provecho de las
particulares características del lugar, poniéndolas en valor y, simplemente<i>, se dejó caer</i> sobre la parcela. De
hecho, el entramado se apoya en ligeros cimientos, mediante aparatos de apoyo metálicos
atornillados sobre el suelo, siendo toda la construcción totalmente prefabricada
en un taller. La estructura se compone de nueve pórticos a base de escuadrías
de madera, que conforman ocho vanos de madera para la fachada y otros ocho para
el techo. Estas vanos entre pórticos fueron prefabricados en taller, asegurando
de esta manera el control de los detalles, su montaje, y garantizando una
puesta en obra silenciosa.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;"><span style="color: #4c1130;">The project is imagined in a way that
it does not damage the site. Thus the project takes advantage of the characteristics
of the site and reveals them, and it is simply put down on the field. In fact,
it is set on light foundations, KRINNER metal screwed in the ground, and the
whole construction was prefabricated in a workshop. The structure is composed
of nine timber framework porticos, eight wooden chambers for the façade and
eight for the roof set in between. These chambers were prefabricated in a
workshop, ensuring this way the control of the details, of the assembly, and guaranteeing
a noiseless constructing site.</span><span style="color: #943634;"><o:p></o:p></span></span><br />
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;">La fachada sur se encuentra revestida por una
piel a base de paja de 28 cm de espesor, lo que ofrece una adecuada protección
a los jugadores contra el sol y el clima cálido. Esta pantalla solar se ve reforzada
por los árboles dispuestos cada uno en un extremo de la <i>Chaum-Room</i>. La fachada norte ofrece luz y ventilación, así como <i>vistas</i> sobre el entorno. El diseño
interior se ha pensado en continuidad con los acabados exteriores. En el lado norte
los vanos entre los pórticos de madera se muestran tal y como fueron
construidos, forrándose, únicamente, con paneles de madera. Las uniones entre los
vanos se completan con los mismos paneles para ocultar los pórticos, y se
duplican, por la parte inferior del techo, subrayando, de este modo, el ritmo marcado
por la estructura. Este empanelado de madera, veteado, proporciona al espacio
una luz cálida, al igual que la paja en el otro lado.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #4c1130; font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;">The South façade, covered with a
thickness of thatch of average 28 cm, brings a protection to the players
against the sun and hot weather. Solar mask reinforced by the trees, one at
each end of the <i>Chaum-Room</i>. The North façade offers light and
ventilation, as well as the sights. The inside layout gets the external elements.
On the North side the wooden chambers are kept the way they were built, already
covered with wooden panels. The joints between chambers are filled up with the
same wooden panels to hide the porticos, and are doubled on the underside of
the roof to stress out the rhythm given by the structure. This wooden panels,
veined, gives the space a warm light, just like the thatch does on the other
side. <o:p></o:p></span></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;">En la fachada Norte, se ha dispuesto de una base
de madera para facilitar el juego (también en las paredes laterales); la malla
de metal arranca sobre esta base y se alza hasta la cumbrera, con el objeto de proporcionar
luz natural al interior de la <i>Chaum-Room</i>.
Estas dos tipos de materiales tienen relación, también, con dos forma de jugar.
Los paneles de madera permiten que la pelota rebote rápidamente, y obliga al
jugador a acelerar su juego. En cuanto a la malla de metal, por su deformación,
introduce suavidad y hace que el juego más lento, ya que no ofrece un rebote
homogéneo de la pelota. Por lo tanto, es preciso contar con estos dos aspectos
del juego para anotar ¡<i>butches</i>!<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;"><span style="color: #4c1130;">On the North façade, a wooden base has
been built to ease out the game (it has been made also on the side walls), and
the metal mesh starts upon this base, and goes till the ridgepole to get the
light to penetrate the <i>Chaum-Room</i>. These two material faces realise also
two way of playing. The wooden panels make the ball bounce quickly, and it
allows the player to accelerate the game. As for the metal mesh, it can be
deformed, it is softer and makes the game slower, it does not offer an homogeneous
bounce. Thus you have to play with these two aspects to score <i>butches</i>!</span><span style="color: #943634;"><o:p></o:p></span></span></div>
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<b><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">Materiales / <i>Products <o:p></o:p></i></span></b></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;">• Paja para el techo de cubierta (20 m²), y
la fachada (45 m²) <o:p></o:p></span></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;">• Estructura y vanos entre pórticos de madera <o:p></o:p></span></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;">• Paneles de madera en el doblado interior <o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;">• Malla metálica 45x 45, galvanizada<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #4c1130; font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;">• Thatch for roof-covering (20 m²),
and façade-covering (45 m²) <o:p></o:p></span></div>
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<span lang="EN-US" style="color: #4c1130; font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;">• Wooden structure and wooden chambers<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #4c1130; font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;">• Wooden panels to double the interior<o:p></o:p></span></div>
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<span style="color: #4c1130; font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;">• Metal mesh 45*45, galvanized
colour</span><i><span style="color: #943634; font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><o:p></o:p></span></i></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif";"><span style="font-size: x-small;">Fuentes / Sources:<o:p></o:p></span></span></i></div>
<i><span lang="EN-US" style="font-family: "Arial","sans-serif";"><span style="font-size: x-small;">+ <a href="http://www.guineepotin.fr/" target="_blank">Agence Guinée*Potin Architects</a></span></span></i>Agustín Malonda Alberohttp://www.blogger.com/profile/12228836916215119090noreply@blogger.comtag:blogger.com,1999:blog-4887843827271288151.post-32703907242946129232014-09-04T12:16:00.000+02:002014-09-16T10:09:05.150+02:00INTERVENCIÓN URBANÍSTICA EN LA PLAZA DEL RAVAL DE ONDA (CASTELLÓN) DE CEL-RAS ARQUITECTURA <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzz4CXJU38Cker2uIt_pcAv2GZ7jb8UEjXaK3tkZwu9hPbh44P8oT26Wfuwg1NTQkeruQS8E1nPKjMzbXQZ2BQs8l784C_InK88ba5O6kllun26MiE_3qn4h0pXOW98Ti5kIKGOapS5E8/s1600/pza+raval+01.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzz4CXJU38Cker2uIt_pcAv2GZ7jb8UEjXaK3tkZwu9hPbh44P8oT26Wfuwg1NTQkeruQS8E1nPKjMzbXQZ2BQs8l784C_InK88ba5O6kllun26MiE_3qn4h0pXOW98Ti5kIKGOapS5E8/s1600/pza+raval+01.jpg" height="425" width="640" /></a></div>
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<b><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-fareast-language: ZH-CN;"><span style="background-color: #cccccc;">CEL-RAS
ARQUITECTURA</span><o:p></o:p></span></b></div>
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<b><span lang="ES-TRAD" style="font-family: "Arial","sans-serif"; mso-ansi-language: ES-TRAD; mso-fareast-language: ZH-CN;">Juan Miguel Gil </span></b><span lang="ES-TRAD" style="font-family: "Arial","sans-serif"; mso-ansi-language: ES-TRAD; mso-bidi-font-weight: bold; mso-fareast-language: ZH-CN;">(CEL-RAS
Arquitectura S.L.)<b> </b>y<b> Pasqual Herrero </b>(fabricante de Espheras <i>/ Espheras´ manufacter</i> )</span><b><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-fareast-language: ZH-CN;"><o:p></o:p></span></b></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">Urbanización de la Plaza del Raval
de Onda, Castellón, España (2012/13)</span><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-fareast-language: ZH-CN;"> / </span><i><span lang="ES-TRAD" style="font-family: "Arial","sans-serif"; mso-ansi-language: ES-TRAD; mso-fareast-language: ZH-CN;">Urbanization of Plaza del Raval de Onda,
Castellón, Spain</span></i><i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-fareast-language: ZH-CN;"> (2012/13)<o:p></o:p></span></i></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;"><span style="font-size: x-small;">Fotógrafo / Photograph: </span></span></i><i><span lang="ES-TRAD" style="font-family: "Arial","sans-serif"; mso-ansi-language: ES-TRAD; mso-bidi-font-weight: bold;"><span style="font-size: x-small;">Paula Martínez Borredá</span></span></i><br />
<a name='more'></a><i><span lang="ES-TRAD" style="font-family: "Arial","sans-serif"; mso-ansi-language: ES-TRAD; mso-bidi-font-weight: bold;"><o:p></o:p></span></i></div>
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<span style="color: #666666; font-size: x-small;"><i style="font-family: Arial, Helvetica, sans-serif;"><span lang="EN-US" style="font-weight: normal;">(</span></i><span lang="EN-US" style="font-family: Arial, Helvetica, sans-serif; font-weight: normal;">De los autores / <i>From
the authors).............................................................</i></span></span></h1>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";"> <b>Memoria de la obra o proyecto<i> / Specification of the work or project</i></b></span></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">El proyecto urbano de la Plaza del Raval de Sant Josep se encuadra dentro
de un plan de recuperación de espacios urbanos del centro histórico de Onda
(Castellón). Se trata de una actuación de micro-urbanismo que ha tratado de
reactivar social y espacialmente un área en decadencia debido fundamentalmente
al crecimiento urbano en otras áreas de la población en las últimas décadas.<o:p></o:p></span></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif";">/ The urban project of Raval de Sant
Josep is part of a recovery plan for urban spaces of the historic center of
Onda (Castellón). This is a performance of micro-urbanism that has tried to
reflate social and spatially an area in decline essentialy due to urban growth
in other areas of the population in recent decades. <o:p></o:p></span></i></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">Un <b>Raval</b> (arrabal en castellano) era originariamente una
agrupación de casas fuera de las murallas. El Raval de Sant Josep se debe a
este origen, desarrollándose a extramuros de la medina de Onda, siendo este
espacio una necrópolis musulmana entre
los siglos XI-XIII, como así lo atestiguan diferentes excavaciones
arqueológicas efectuadas. Entre los siglos XIX-XX, con la pujanza industrial de
cerámica, se desarrolló la imagen del Raval que ha llegado a nuestros días,
formando un espacio irregular y salpicado de edificios de estilo modernista,
reflejo de una incipiente burguesía industrial y terrateniente.<i><o:p></o:p></i></span></div>
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<b><i><span lang="EN-US" style="font-family: "Arial","sans-serif";">/ Raval</span></i></b><i><span lang="EN-US" style="font-family: "Arial","sans-serif";">
(in english outskirts), originally was a Group of houses outside the walls. A
Raval de Sant Josep is due to this origin, developed outside the walls of Onda,
this space being a Muslim necropolis between the XI-XIII centuries, such
testify to this various archaeological excavations carried out. Between the
XIX-XX centuries, with industrial strength ceramic, Raval image that was
developed is what we see today, forming an irregular space and dotted with
Modernist buildings, reflecting a nascent industrial bourgeoisie and landlord was
developed.<o:p></o:p></span></i></div>
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<b><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">Análisis
de problemas previos a la actuación urbanística <i>/ Problem analysis previous to action planning<o:p></o:p></i></span></b></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">Los problemas que se detectaron en la fase del concurso fueron: exceso de
tráfico rodado, desnivel de la plaza, zonificación extrema, falta de unidad,
obsolescencia de preexistencias, ausencia de verde y arbolado, abundancia de
aparcamientos, e improvisación de las instalaciones. <o:p></o:p></span></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif";">/ The problems were detected in the
phase of the competition were: excess traffic, gradient of the Squire, extreme
zoning, lack of unity, obsolescence of existing elements, absence of green and
wooded, plenty of parking, and improvisation of facilities.</span></i></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">En general, se podía resumir que existía
una falta de orden y criterio que hacía de esta plaza un lugar inhóspito
para esparcimiento y disfrute en el centro de la población, sin ninguna función
que favoreciese socialmente este espacio. Además de todo lo anterior, el concurso determinaba un condicionante
importante debiendo tener en cuenta la celebración de espectáculos taurinos de
calle conocidos como “bous al carrer” de gran tradición en el levante y otros
muchos actos de carácter polifuncional. <o:p></o:p></span></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif";">/ In general, you could summarize that
there was a lack of order and judgment that made this place an inhospitable place
for recreation and enjoyment in the center of town, with no social function
would favor this space. In addition to tell previous, the competition
determined an important determinant must consider and is a bullfighting
spectacles on the street known as "bous al carrer". Great tradition
in the East and many other acts of polyfunctional character.<o:p></o:p></span></i></div>
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<b><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">Propuesta
ganadora del concurso<i> / Proposal winner
of the tender<o:p></o:p></i></span></b></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">El proyecto, desarrollado por los estudios de arquitectura <b>CEL-RAS ARQUITECTURA S.L.</b> y el fabricante
de <b>Espheras S.L</b>., ha pretendido
mejorar la calidad urbana de la plaza mediante reorganización de la
coexistencia entre peatón y vehículos, y
dotar de flexibilidad en los nuevos usos de la plaza. El espacio urbano de la
plaza tiene una geometría irregular, por lo que no se percibía como una plaza
sino como un vacio urbano. Para contrarrestar esa irregularidad percibida se
pensó en aportar un criterio que dotase de orden y proporción. Se optó por un
diseño de líneas paralelas que tratan de controlar el espacio urbano mediante
el ritmo continuado.<o:p></o:p></span></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif";">/ The Project, developed by <b>CEL-RAS ARQUITECTURA S.L</b>. and the owner
of <b>espheras S.L.</b>, hopes to improve
the quality of urban space by reorganizing the coexistence of pedestrians and
vehicles, and provide flexibility in the new uses of the square. </span></i><i><span lang="EN-US" style="font-family: "Arial","sans-serif";">The urban space of the square has an
irregular geometry, so it was not perceived as a square but as an urban void.
To counteract this perceived irregularity is thought to provide a criterion
which would give order and proportion. We chose a design of parallel lines that
try to control urban space through continued pace.</span></i></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">Para conseguir unificar todas las fachadas se aplicó el concepto de
“plataforma única” por el que se cedió
el protagonismo a las históricas fachadas a través de un pavimento neutro de
color oscuro. El proyecto también ha tratado de poner en valor la capilla de
Sant Josep que estaba arrinconada en el extremo sur de la plaza. Con la
intervención se ha tratado de dotarla de un espacio libre en su fachada para
mostrar su presencia, ya que es de pequeñas dimensiones y casi pasa
desapercibida en la plaza.<o:p></o:p></span></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif";">/ To get all the facades unify the
concept of "single platform" for which the role of the historical
facades gave importance through a neutral dark pavement was applied.<o:p></o:p></span></i></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif";">The project has also given to value
the chapel of Sant Josep he was cornered at the south end of the square. The
intervention has been treated to give it a free space in his front to show its
presence, as it is small in size and almost unnoticed in the square.<o:p></o:p></span></i></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">Para evitar la sensación de desamparo producida por un espacio abierto tan
extenso se proyectó un elemento arquitectónicamente potente que ordenase dicho
espacio y que generase una percepción centrífuga, aportando con su escala el
equilibrio entre lo lleno y lo vacío. Además este elemento arquitectónico tiene
un recinto polivalente que ya se ha usado como biblioteca, local de juegos y
talleres, así como de escenario para diversos actos en la parte descubierta.
Como revestimiento se ha usado baldosas de cerámica de colores neutros (negro y
blanco) que le aportan neutralidad y sobriedad a esta construcción. El color
negro brillante que reviste el interior, lejos de crear un límite, refleja las
fachadas del frente creando la sensación de continuidad del contorno de la
plaza.<o:p></o:p></span></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif";">/ To avoid the feeling of helplessness
caused by extensive open space as an architecturally powerful element to order
the space and that would generate a centrifugal perception, bringing your scale
balance between fullness and emptiness is projected. In addition this
architectural element has a multi-purpose outside area that has already been
used as a library, local games and workshops, as well as the setting for
various events in the exposed portion. Has been used as a coating ceramic tile
in neutral colors (black and white) that give neutrality and simplicity of this
construction. The shiny black that covers the interior, far from creating a
limit reflects front facades creating a sense of continuity of the contour of the
square.<o:p></o:p></span></i></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">Un reto importante del proyecto era la inclusión de vegetación en la plaza
del Raval. Había que hipotecar la presencia de verde en beneficio de un espacio
polifuncional y apto para las fiestas taurinas tradicionales de “bous al
carrer”. Este hecho nos llevó a ser escuetos en la propuesta de jardinería y
arbolado trabajando a tres niveles: plantas autóctonas en jardineras, un
arbolado de talla corta, y unas palmeras de porte mayor. No satisfechos con
esto se pensó en diseñar, aunque de manera abstracta, unas alfombras de
cerámica. Estas alfombras cerámicas se diseñaron con colores pixelados que
tratan de que el inconsciente te traslade mentalmente al entorno inmediato de
los campos de cítricos y las palmeras que sirven de hitos del territorio. El
mobiliario urbano, como las jardineras y las bancadas, también han sido
diseñados completamente para conjugar con el resto de la plaza con dos
materiales básicos, acero y cerámica.<o:p></o:p></span><br />
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif";">/ A major challenge of the project was
the inclusion of vegetation in the Plaza del Raval. He had to give up the
presence of green in favor of a multi-functional space suitable for traditional
bullfighting spectacles called
"bous al carrer". This fact led us to be succinct in the proposed
landscaping and wooded working at three levels: indigenous plants in planters,
short wooded size and larger sized palm trees. Not satisfied with this thought
in design, but abstractly, a ceramic carpets. These rugs are designed with
ceramic pixelated colors that try to move you to the unconscious mind to the
immediate environment of the citrus groves and palm trees that serve as
milestones territory. Street furniture such as benches and planters, have also
been designed to combine completely with the rest of the square with two basic
materials, steel and ceramic. <span style="font-size: x-small;"><o:p></o:p></span></span></i></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif";"><span style="font-size: x-small;">Fuentes / Sources:<o:p></o:p></span></span></i></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif";"><span style="font-size: x-small;">+ <a href="http://www.cel-ras.com/" target="_blank">CEL-RAS Arquitectura sl</a><o:p></o:p></span></span></i></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif";"><span style="font-size: x-small;">Premios y Distinciones / Awards and
Distinctions:<o:p></o:p></span></span></i></div>
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<span style="font-size: xx-small;"><i><span lang="FR" style="font-family: Arial, sans-serif;">+ Plaza del Raval
de Sant Josep es un trabajo desarrollado en conjunto entre la CEL-RAS
Arquitectura SL y el fabricante de espheras y ganó el 1</span></i><i><sup><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR; mso-bidi-font-size: 12.0pt; mso-font-kerning: 12.0pt;">er</span></sup></i><i><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR; mso-bidi-font-size: 12.0pt;"> premio de la urbanización / </span></i></span><i><span style="font-family: Arial, sans-serif;"><span style="font-size: xx-small;">Plaza del Raval
de Sant Josep is a work developed together between CEL-RAS Arquitectura S.L.
and the Espheras´ manufacturer, and it won the 1st prize of urbanization.</span><span style="font-size: x-small;"><o:p></o:p></span></span></i><br />
<i><span style="font-family: Arial, sans-serif;"><span style="font-size: xx-small;"><br /></span></span></i>
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<i><span lang="FR" style="font-family: Arial, sans-serif;"><span style="font-size: x-small;">---------------------------------------------------------<b>COCINÁNDOSE
/ COOKING</b></span></span></i><br />
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Agustín Malonda Alberohttp://www.blogger.com/profile/12228836916215119090noreply@blogger.comtag:blogger.com,1999:blog-4887843827271288151.post-34409849136585579732014-08-20T18:14:00.000+02:002014-09-10T19:04:57.424+02:00INTERVENCIÓN EN UNA ESCUELA DE PRIMARIA EN VITZNAU (SUIZA) DE PHALT ARCHITEKTEN AG<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtrPPGDL3cPoHmH2fVmS61OzQHP9I05CWBp7wcnEGjGJ_6gbd9xa_P0Zc5Z3-wcmdqgFtV5zWCePG7HGhX28XGgNSYQ35j-KLNiUEFd3q7CcoN0VLDZgsBZUPkTJ8kLDpjyUn7ycZ03mg/s1600/PHALT_Vitznau_Roger_Frei_17_red.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtrPPGDL3cPoHmH2fVmS61OzQHP9I05CWBp7wcnEGjGJ_6gbd9xa_P0Zc5Z3-wcmdqgFtV5zWCePG7HGhX28XGgNSYQ35j-KLNiUEFd3q7CcoN0VLDZgsBZUPkTJ8kLDpjyUn7ycZ03mg/s1600/PHALT_Vitznau_Roger_Frei_17_red.jpg" height="480" width="640" /></a></div>
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<b><span lang="EN-GB"><span style="font-family: Arial, Helvetica, sans-serif;"><span style="background-color: #cccccc;">phalt Architekten AG</span><o:p></o:p></span></span></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b><span lang="EN-US">Cornelia
Mattiello, Frank Schneider, Mike Mattiello</span></b><b><span lang="EN-GB">, architects</span></b><b><span lang="EN-GB"><o:p></o:p></span></b></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Intervención en una Escuela
de Primaria en Vitznau, Suiza / <i>Primary School Building Intervention in Vitznau,
Switzerland <o:p></o:p></i></span></div>
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<i><span lang="EN-GB"><span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: x-small;">Fotógrafo
/ Photograph: <a href="http://www.rogerfrei.com/" target="_blank">Roger Frei</a></span></span></span></i><br />
<a name='more'></a><i><span lang="EN-GB"><span style="font-family: Arial, Helvetica, sans-serif;"><o:p></o:p></span></span></i></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrlWu9c5xzkwwAkEv-M6Iqg4bCuVbjs2N6GpzyCMUjI43A6gOc4I0Nd2g3HzjetL69l6SC3IEQW7Vm7XShLM2pO1zYVznTJPKuzQNHcMThpGefqrBJ8x1wjMv5i5_UBSE7NnZcyS3GG5g/s1600/PHALT_Vitznau_Roger_Frei_6.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrlWu9c5xzkwwAkEv-M6Iqg4bCuVbjs2N6GpzyCMUjI43A6gOc4I0Nd2g3HzjetL69l6SC3IEQW7Vm7XShLM2pO1zYVznTJPKuzQNHcMThpGefqrBJ8x1wjMv5i5_UBSE7NnZcyS3GG5g/s1600/PHALT_Vitznau_Roger_Frei_6.jpg" height="300" width="400" /></a></div>
<span style="font-family: Arial, Helvetica, sans-serif; font-weight: normal;">El
joven equipo suizo </span><span style="font-family: Arial, Helvetica, sans-serif;">phalt
Architekten</span><span style="font-family: Arial, Helvetica, sans-serif; font-weight: normal;"> se asoma a la ventana de este blog para mostrarnos una de
sus últimas realizaciones: una sutil intervención que la oficina de Zurich llevó
a cabo en una escuela existente en una pequeña población del cantón de Lucerna.
En esta intervención sobre un magnífico edificio escolar de mediados de los 60,
el trío suizo apuesta por extraer de lo existente lo esencial; en este caso, la
preciosa escalera y los amplios distribuidores sabiamente materializados por los
planos de terrazo y la omnipresente textura del hormigón visto existente.</span><br />
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<i><span lang="EN-GB"><span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-weight: normal;"><br /></span></span></span></i><i><span lang="EN-GB"><span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-weight: normal;">/ The young Swiss team </span>phalt Architekten<span style="font-weight: normal;"> looks out the window of
this blog to show us one of his latest creations: a subtle intervention Zurich
office carried out in an existing school in a small town in the canton of
Lucerne. In this intervention on a magnificent school building in the mid-60s,
the Swiss trio bid to extract the essence of what exists; in this case, the
beautiful staircase and large distributors wisely embodied by the planes of
terrazzo and the omnipresent existing concrete texture.</span></span></span></i><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiB6Z9vYxs8je7VPIiQaZ-HJOLSC_anNeiyraEqLUygXipsDm0mIb-LHK36WuhYBtGDNaaNhqYG0_-v7cW-74DRFliJQyaMBpjX21qRpDedlxV17PJeD3cF95xPcvJmeDwOnF7W4ClgVL4/s1600/PHALT_Vitznau_Roger_Frei_4.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiB6Z9vYxs8je7VPIiQaZ-HJOLSC_anNeiyraEqLUygXipsDm0mIb-LHK36WuhYBtGDNaaNhqYG0_-v7cW-74DRFliJQyaMBpjX21qRpDedlxV17PJeD3cF95xPcvJmeDwOnF7W4ClgVL4/s1600/PHALT_Vitznau_Roger_Frei_4.jpg" height="300" width="400" /></a><span style="font-family: Arial, Helvetica, sans-serif; font-weight: normal;">A
esta moderna paleta de materiales, a la que los arquitectos sacan todo el
partido en las zonas comunes, añaden, por contraste, otro sencillo abanico con
el que revisten los distintos espacios docentes: pavimentos continuos de
linóleo, paredes empaneladas con tableros y techos de virutas de madera, con
una gran presencia del color. Al exterior, y preparando al usuario para lo que
se va encontrar al interior, construyen un delicioso baldaquino realizado
completamente en hormigón visto; una zona protegida que conecta visual y
funcionalmente la plaza del pueblo con el edificio.</span><br />
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<i style="font-family: Arial, Helvetica, sans-serif;"><span lang="EN-GB">/ To this modern palette of materials, that the architects take full
advantage in public areas, they add, by contrast, another single range which
they lining the different teaching areas with: continuous linoleum flooring,
walls paneled with boards and wood shaving ceilings with a large presence of
color. Outside, and preparing the user with what they are going to find inside,
they build an amazing canopy </span></i><i style="font-family: Arial, Helvetica, sans-serif;"><span lang="EN-GB"></span></i><i style="font-family: Arial, Helvetica, sans-serif;"><span lang="EN-GB">entirely made of concrete; a protected area that connects visually and
functionally the town square with the building</span></i><span lang="EN-GB" style="font-family: Arial, Helvetica, sans-serif;">.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXim841lUrnQscZ5Hcrky2XyzosceXou62hJvpbDP0IhC4t85IWKWxTjsR055DutaoSX0ulBFA03CzzRXCKlig0hR4pDV7dtRo66nW-T2htxh03dAmvCtt1s2ZpDZF8SHNb-LawGYAWVs/s1600/PHALT_Vitznau_Roger_Frei_12_red.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXim841lUrnQscZ5Hcrky2XyzosceXou62hJvpbDP0IhC4t85IWKWxTjsR055DutaoSX0ulBFA03CzzRXCKlig0hR4pDV7dtRo66nW-T2htxh03dAmvCtt1s2ZpDZF8SHNb-LawGYAWVs/s1600/PHALT_Vitznau_Roger_Frei_12_red.jpg" height="480" width="640" /></a></div>
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<div style="text-align: justify;">
<span style="font-size: x-small;"><i style="font-family: Arial, Helvetica, sans-serif;"><span lang="EN-GB" style="font-weight: normal;">(</span></i><span lang="EN-GB" style="font-family: Arial, Helvetica, sans-serif; font-weight: normal;">De los
autores / <i>From the authors)………………………………………………..</i></span></span></div>
<div style="text-align: justify;">
<span lang="EN-GB" style="font-family: Arial, Helvetica, sans-serif; font-weight: normal;"><i><br /></i></span><span style="font-weight: normal;"><span style="font-family: Arial, Helvetica, sans-serif;">El edificio de la escuela
junto con la plaza del pueblo, fueron construidos en 1967 por el dúo de
arquitectos </span><span style="font-family: Arial, Helvetica, sans-serif;">Ammann-Stebler</span><span style="font-family: Arial, Helvetica, sans-serif;"> y se localizan en el centro de Vitznau.
Debido a los cambios en el sistema escolar, y después de un largo período sin intervenciones,
el antiguo edificio escolar fue reestructurado y ampliamente renovado. El concepto
de rehabilitación se centra en el carácter y en el impacto visual del hormigón
visto del edificio existente. Estas calidades se potenciarán mediante la
demolición de algunas partes del edificio y se complementarán, de manera
natural, con nuevas intervenciones.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwX3gQRtddZKcSRapO_BvGZqsQ7rhOi50eD4zI3dHsbJSnFJLyzfc1W882RuHlYVkNQTUpIhtqJsL0fNNfH-R5BH6mr6eyLYZEgIm13DoDF3N5KrvRu7HeYEoCTe0pHK4GVgWve4F_EPA/s1600/Elev+Secc.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwX3gQRtddZKcSRapO_BvGZqsQ7rhOi50eD4zI3dHsbJSnFJLyzfc1W882RuHlYVkNQTUpIhtqJsL0fNNfH-R5BH6mr6eyLYZEgIm13DoDF3N5KrvRu7HeYEoCTe0pHK4GVgWve4F_EPA/s1600/Elev+Secc.jpg" height="163" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAy9LlJX1P4dJWMtVUl-cKClcKJcHpcZopkzNoe2gIOqbWUGzGPN3-QKuuuWcJZEY-WL2P3gBQeqnA_Ar3X0YYrobES-1vPUxfDTmEkdGXajFMFfTbocNMPVNnrtLeGnu9GGWxlR08EMc/s1600/compo+plans.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAy9LlJX1P4dJWMtVUl-cKClcKJcHpcZopkzNoe2gIOqbWUGzGPN3-QKuuuWcJZEY-WL2P3gBQeqnA_Ar3X0YYrobES-1vPUxfDTmEkdGXajFMFfTbocNMPVNnrtLeGnu9GGWxlR08EMc/s1600/compo+plans.jpg" height="160" width="640" /></a></div>
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<i><span style="font-family: Arial, Helvetica, sans-serif;">/ </span></i><i><span lang="EN-GB"><span style="font-family: Arial, Helvetica, sans-serif;">The
school building with the village square, constructed in 1967 by the architect
duo <b>Ammann-Stebler</b>, is located in the centre of Vitznau. Due to changes in the
school system and following a long period with no restoration work, the school
building was re-structured and extensively renovated. The refurbishment concept
sustains the character and visual impact of the exposed concrete building.
Existing qualities will be consolidated by demolishing some parts of the
building and they will quite naturally be supplemented by new interventions.</span></span></i></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">El interior del edificio ha
sido remodelado y se han reordenado los diferentes usos con los que cuenta el
edificio: las áreas de la escuela primaria, la guardería, el cuerpo de
bomberos, las distintas asociaciones y las zonas de uso público, se han
organizado de tal manera que sean capaces de funcionar de manera óptima. Las intervenciones
puntuales en la zona de acceso han supuesto una mayor claridad a lo que antes
era una entrada ciertamente confusa. Un nuevo y amplio porche ejecutado en
hormigón visto, marca la entrada principal proponiendo un área protegida que
permite una amplia gama de usos. La suave rampa protegida por el porche permite
que la plaza del pueblo fluya a través del hall de entrada y la planta baja de
la escuela. Un amplio espacio servidor, presidido por una amplia escalera, ata los
diferentes niveles, y con la ayuda de una paleta de materiales, en los que
predominan los tonos en blanco y negro, este espacio, la escalera y los amplios
corredores, crean, sutilmente, una armoniosa escultura espacial.<i><o:p></o:p></i></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRYBCHKXbp2TYJriPGT8Y3mlTif1rwOzSp-rdZK_bnF-GVUyDwT_R0W0BG0eUL_DZdQSHvIxqBS5ypOiH-e-EHOl6NFzy7H8XCMa3YpMJEsT7jpYfrFzsNMrEuvmOxvClK2YQkCmRcu8Q/s1600/PHALT_Vitznau_Roger_Frei_8.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRYBCHKXbp2TYJriPGT8Y3mlTif1rwOzSp-rdZK_bnF-GVUyDwT_R0W0BG0eUL_DZdQSHvIxqBS5ypOiH-e-EHOl6NFzy7H8XCMa3YpMJEsT7jpYfrFzsNMrEuvmOxvClK2YQkCmRcu8Q/s1600/PHALT_Vitznau_Roger_Frei_8.jpg" height="480" width="640" /></a></div>
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<i><span style="font-family: Arial, Helvetica, sans-serif;">/ </span></i><i style="font-family: Arial, Helvetica, sans-serif;">The
building interior has been restructured and the different users disentangled:
primary school, kindergarten, fi</i><i style="font-family: Arial, Helvetica, sans-serif;"><span lang="EN-GB">re brigade, association and public areas have been organised in such a
way that they are able to run optimally. Selective interventions in the
entrance area give more clarity to what was previously an unsatisfactory entry
set-up. A new, large exposed concrete porch marks the main entrance, creating a
protected area for a diverse range of utilizations. The lowering of the
entrance hall level means that the village square is able to flow seamlessly
into the foyer at grou<a href="https://www.blogger.com/null" name="_GoBack"></a>nd level. The multi-storey access
zone links the different levels and by means of a clear choice of materials in
monochrome colours, this space will be subtly orchestrated to create a
harmonious spatial sculpture.</span></i></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">La intervención propone un
contraste entre los materiales (existentes y nuevos), que se hace más visible
en los colores utilizados para las zonas docentes y multifuncionales, que están
dominados por planos de fuertes colores que se abren a la zona de acceso. La
imagen exterior se ve reforzada por el contraste entre la textura del hormigón que
forma los macizos antepechos y las oscuras franjas de las ventanas corridas; el
nuevo diseño de las zonas exteriores de la escuela, junto con lo anterior, convierten
al edificio remodelado en el epicentro de la vida de la pequeña población.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5OH5R1qJmiGqwlG-zGXgR653ZsXcS7vRaoAtUQjn9-v-8a8dIBLIChaATmo8HBB4hnCSFgGiKGHgt7rjfKku9LEZmr4pZAOVICA5YeiorQ9kEwnVSQICw29hXqdPECMVXnG5BdC5KFvE/s1600/PHALT_Vitznau_Roger_Frei_1.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5OH5R1qJmiGqwlG-zGXgR653ZsXcS7vRaoAtUQjn9-v-8a8dIBLIChaATmo8HBB4hnCSFgGiKGHgt7rjfKku9LEZmr4pZAOVICA5YeiorQ9kEwnVSQICw29hXqdPECMVXnG5BdC5KFvE/s1600/PHALT_Vitznau_Roger_Frei_1.jpg" height="300" width="400" /></a></div>
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forms a contrast to the materials and the colour accentuation used for the
teaching and multi-functional rooms, which are dominated by areas with strong
colours that emanate into the zone of access. The outside appearance is
enhanced by the contrast between light concrete parapets and dark strips of
window and the new design of the outside area does justice to its importance as
the epicentre of village life. <span style="font-size: x-small;"><o:p></o:p></span></span></span></i></div>
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<i><span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Fuentes / Sources:</span></span></i></div>
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<i><span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">+ <a href="http://www.phalt.ch/en" target="_blank">phalt architekten ag</a></span></span></i></div>
Agustín Malonda Alberohttp://www.blogger.com/profile/12228836916215119090noreply@blogger.comtag:blogger.com,1999:blog-4887843827271288151.post-44269744046658571612014-08-07T09:25:00.002+02:002014-08-07T09:25:48.185+02:00GRACIAS Y FELIZ VERANO / THANKS AND HAPPY SUMMER<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfDSK9Tm1kziPmZSx5BKZIUO1TlmaLqzOCYt1fw0juFtCA2BjYO6sO5MQOnMMAl9V_8E7nA4tbs2-wIv2QAiVmwJ70fWpd6F4Ftv-4DxLYRFJgADXA26RMTq7XY8_aloZRLNIDBcsix7s/s1600/100000+AZ.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfDSK9Tm1kziPmZSx5BKZIUO1TlmaLqzOCYt1fw0juFtCA2BjYO6sO5MQOnMMAl9V_8E7nA4tbs2-wIv2QAiVmwJ70fWpd6F4Ftv-4DxLYRFJgADXA26RMTq7XY8_aloZRLNIDBcsix7s/s1600/100000+AZ.jpg" height="393" width="640" /></a></div>
<br />Agustín Malonda Alberohttp://www.blogger.com/profile/12228836916215119090noreply@blogger.comtag:blogger.com,1999:blog-4887843827271288151.post-50978916822841836892014-07-21T17:42:00.000+02:002014-08-20T18:54:25.977+02:00ESPACIOS SINCOPADOS / MUSEO DE ARTE CONTEMPORÁNEO EN ALICANTE DE SANCHO-MADRIDEJOS ARCHITECTURE OFFICE<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLze4VOVAlJUZxwpxwI-JhdW_yiXwbrR8ZlLpDXkaqClAqYzrcoqIh3irSHBclBIPiJvaS2AZiXnsACsbgmYQlkqF9uO43cF_5bRqABDnhDJ57iYtTOHrP-G1qR2qJ-DtOBLCP_woysx4/s1600/14_MACA_SCULPTURES+ROOM+%255BJUAN+CARLOS+SANCHO+%25C2%25A9%255D.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLze4VOVAlJUZxwpxwI-JhdW_yiXwbrR8ZlLpDXkaqClAqYzrcoqIh3irSHBclBIPiJvaS2AZiXnsACsbgmYQlkqF9uO43cF_5bRqABDnhDJ57iYtTOHrP-G1qR2qJ-DtOBLCP_woysx4/s1600/14_MACA_SCULPTURES+ROOM+%255BJUAN+CARLOS+SANCHO+%25C2%25A9%255D.jpg" height="315" width="640" /></a></div>
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<b><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-fareast-language: ZH-CN;"><span style="background-color: #cccccc;">SANCHO-MADRIDEJOS ARCHITECTURE
OFFICE</span><o:p></o:p></span></b></div>
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<b><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-fareast-language: ZH-CN;">J.C.
Sancho Osinaga y Sol Madridejos, arquitectos</span></b><b><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-fareast-language: ZH-CN;"><o:p></o:p></span></b></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">Museo de Arte Contemporáneo de
Alicante MACA (2001/10)</span><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-fareast-language: ZH-CN;"> / <i>Modern Art Museum of Alicante, Spain (2001/10)<o:p></o:p></i></span></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;"><span style="font-size: x-small;">Fotografías: J.C. Sancho y
Javier Aísa</span></span></i><br />
<a name='more'></a><i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;"><o:p></o:p></span></i></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;"><span style="font-size: x-small;"><br /></span></span></i></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirAAeMJDoOLcp2TXkSSoY_0NjDkW53Zi3WeYAqXFUKM6VrIyIr8-d4b8GPcFJN-m42i04fNJoIcBX7oFdCNl_4Qv406AaOakcLFgq8HijShlMECAroPf_mMnB8h78TLZPm-ZaK6I92s1k/s1600/03_MACA_AERIAL+VIEW+%255BJAVIER+A%25C3%258DSA+%25C2%25A9%255D.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirAAeMJDoOLcp2TXkSSoY_0NjDkW53Zi3WeYAqXFUKM6VrIyIr8-d4b8GPcFJN-m42i04fNJoIcBX7oFdCNl_4Qv406AaOakcLFgq8HijShlMECAroPf_mMnB8h78TLZPm-ZaK6I92s1k/s1600/03_MACA_AERIAL+VIEW+%255BJAVIER+A%25C3%258DSA+%25C2%25A9%255D.jpg" height="400" width="640" /></a></div>
<h1 style="text-align: justify;">
<i style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: small;"><span style="font-weight: normal;">(</span></i><span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: x-small; font-weight: normal;">De los autores / <i>From the authors)………………………………………………..</i></span></h1>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"> </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUKb9s_VqMP2_bT1VwyYnj5EmGB2aPbXa_xiq1SlQy5uiKZI10KHDklMNcpPeHyL6bOl2NzCvgXqRXEjW7fN9l2E5eI2C66gqyx1VjmTuwDnfQ10V_xmpHNUnRlVxu2EUOhRUuWZNkLyo/s1600/05_MACA_TONO.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUKb9s_VqMP2_bT1VwyYnj5EmGB2aPbXa_xiq1SlQy5uiKZI10KHDklMNcpPeHyL6bOl2NzCvgXqRXEjW7fN9l2E5eI2C66gqyx1VjmTuwDnfQ10V_xmpHNUnRlVxu2EUOhRUuWZNkLyo/s1600/05_MACA_TONO.jpg" height="400" width="258" /></a></div>
<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">El
proyecto construido para el Museo de Arte Contemporáneo en Alicante surge de
dos puntos singulares y propios que ya desde el inicio plantean un campo de
trabajo muy definido:<o:p></o:p></span><br />
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<!--[if !supportLists]--><span style="font-family: Symbol;">·<span style="font-family: 'Times New Roman';"> </span></span><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">Por un lado, se trata de un edificio para una colección
de arte de los años 50-70 -ya establecida y delimitada-, como es la colección
que el artista español <b>Eduardo Sempere</b>
dona a <st1:personname productid="la ciudad. La" w:st="on">la ciudad. La</st1:personname>
colección se compone de obras de artistas contemporáneos: Calder, Vasarely, Chillida,
<st1:personname productid="Julio Gonz£lez" w:st="on">Julio González</st1:personname>
además del propio Sempere.<o:p></o:p></span></div>
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<!--[if !supportLists]--><span style="font-family: Symbol;">·<span style="font-family: 'Times New Roman';"> </span></span><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">Por otro lado, la situación en el centro histórico de
Alicante, con sus parámetros de desnivel (<st1:metricconverter productid="10 m" w:st="on">10 m</st1:metricconverter>), lenguaje, contexto u orientación, aporta
una atmósfera singular, con la presencia del Castillo en lo alto, el horizonte
marino, o la proximidad de la pequeña plaza y la Iglesia de Santa María.<o:p></o:p></span></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"> </span></i><i><span lang="EN-US" style="font-family: "Arial","sans-serif";">/ This project emerges from
two individual, singular points which propose a very well defined field of work
from the outset:<o:p></o:p></span></i></div>
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<!--[if !supportLists]--><span lang="EN-US" style="font-family: Symbol;">·<span style="font-family: 'Times New Roman';"> </span></span><i><span lang="EN-US" style="font-family: "Arial","sans-serif";">On the one hand, this is a
building for a previously established art collection from the 1950s-1970s,
including the collection donated to the city by Spanish artist <b>Eduardo Sempere</b>. This collection
consists of works by modern artists: Calder, Vasarely, Chillida, Julio González
and Sempere himself. <o:p></o:p></span></i></div>
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<!--[if !supportLists]--><span lang="EN-US" style="font-family: Symbol;">·<span style="font-family: 'Times New Roman';"> </span></span><i><span lang="EN-US" style="font-family: "Arial","sans-serif";">On the other hand, the
location I the historic centre of Alicante, its slope parameters (10m), its
language, its context and its orientation, all produce a unique atmosphere in
the shadow of the Castle, the sea horizon and the proximity of the little Santa
María Square and Church. <o:p></o:p></span></i></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">Estos dos puntos –la relación con un mundo de referencias plásticas y
perceptivas y la relación con el contexto del Centro Histórico de Alicante–
sugieren ya una forma de entender y de desarrollar el proyecto en su solución
tanto programática como espacial o perceptiva. El edificio contempla por una
parte, la Rehabilitación del Palacio de La Asegurada, edificio del siglo XVII
que funcionaba anteriormente como pequeño museo y, por otra, la Ampliación del
mismo a través de un nuevo edificio que completa la totalidad de la manzana. <o:p></o:p></span></div>
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<i><span style="font-family: "Arial","sans-serif";"> <span lang="EN-US">/ These two starting points -
the relationship with a realm of artistic and perceptive references, and the
relationship with the context of Alicante's historic centre - suggest a way of
understanding and developing the project in its programmatic, spatial and
perceptive solution. The building includes on the one hand, the rehabilitation
of the La Asegurada´s Palace, seventeenth-century building that worked
previously as a small museum and, second, the enlargement thereof by a new
building which completes the whole block.<o:p></o:p></span></span></i></div>
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El uso de la piedra, con un lenguaje muy murario, entra en relación con el
lenguaje conventual de la Iglesia y el casco histórico de la ciudad, además de
integrar, dentro de un volumen único, el antiguo edificio del “Museo de la
Asegurada” de Alicante, que se rehabilita y se incluye albergando los espacios
anexos al uso expositivo.</div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"> </span><span style="font-family: Arial, sans-serif;"> </span><span lang="EN-US" style="font-family: Arial, sans-serif;">/ <i>The
use of the stone, with its closely wall- related language, connects with the
convent language of the adjacent church and the city's old quarter, while at
the same time integrating Alicante's old "Asegurada Museum" building
into a single volume, renovating and including the annexed spaces into the
exhibition areas.</i></span></div>
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<span style="font-family: Arial, sans-serif;">El volumen pétreo –que absorbe el desnivel perimetral– se remata con una
pieza vítrea volumétricamente muy definida, pero rota en su percepción por una
doble piel transparente que rompe el volumen con juegos y reflejos perceptivos
de “moiré”, a través de un lenguaje que se retoma del arte cinético de los años
50-60.</span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";"> / <i>The
stone volume, which absorbs the perimeter slope, is completed with a
volumetrically defined vitreous piece, broken perceptively by a double
transparent skin that cracks the volume with moiré reflections and games in a language
that revives the 1950's and 60's kinetic art.<o:p></o:p></i></span></div>
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<span style="font-family: Arial, sans-serif;">El volumen vítreo</span><b style="font-family: Arial, sans-serif;"> </b><span style="font-family: Arial, sans-serif;">está compuesto
por una doble piel exterior, que se utiliza tanto como revestimiento opaco como
para introducir luz tamizada al interior, de manera que el mismo detalle da
continuidad tipológica y constructiva a la pieza de coronación del proyecto,
desde muros a lucernarios. En las zonas
donde se horada el muro de hormigón para permitir el paso de la luz al interior
del Museo, esta piel de vidrio adquiere un papel todavía más importante, ya que
además concentra el papel de control solar y control lumínico tan importantes
en un proyecto de museo.</span></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif";"> / The vitreous volume consists of a double
outer skin, which is used both as opaque coating to introduce soft light
inside, so that the same detail gives typological and constructive continuity
to the piece of crowning the project, from walls to skylights. In the zones
where the concrete wall is pierced to allow the passage of light into the
museum, the glass skin takes on a more important role because it also focuses
on the role of solar control and light control so important in a project
museum.<o:p></o:p></span></i></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">El espacio interior expositivo queda delimitado por la luz diáfana y
continua de Norte, que valora tres situaciones espaciales-expositivas:<o:p></o:p></span></div>
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<!--[if !supportLists]--><span style="font-family: Symbol;">·<span style="font-family: 'Times New Roman';"> </span></span><!--[endif]--><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">Un primer nivel horizontal en continuidad con un ritmo de
compresiones y dilataciones verticales.<o:p></o:p></span></div>
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<!--[if !supportLists]--><span style="font-family: Symbol;">·<span style="font-family: 'Times New Roman';"> </span></span><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">Un segundo nivel de salas transversales que se relacionan
con las dilataciones verticales.<o:p></o:p></span></div>
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<!--[if !supportLists]--><span style="font-family: Symbol;">·<span style="font-family: 'Times New Roman';"> </span></span><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">Finalmente la planta superior con un espacio horizontal
al que se contraponen espacios sincopados verticales y horizontales. Esta sala
cose los tres patios –negro, blanco y dorado– con tres situaciones perceptivas
en relación a los juegos ópticos que aportaron los artistas cinéticos de los
años 60, llevados al espacio exterior con sus cambios de escalas y referencias
al lugar.<o:p></o:p></span></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif";"> / The interior exhibition space is bounded by
continuous, diaphanous northern light, value-adding to three spatial
/exhibition situations: <o:p></o:p></span></i></div>
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<!--[if !supportLists]--><span lang="EN-US" style="font-family: Symbol;">·<span style="font-family: 'Times New Roman';"> </span></span><i><span lang="EN-US" style="font-family: "Arial","sans-serif";">The first horizontal level,
in continuity with a rhythm of vertical compressions and dilations<o:p></o:p></span></i></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif";"> </span></i><span lang="EN-US" style="font-family: Symbol; text-indent: -1cm;">·<span style="font-family: 'Times New Roman';"> </span></span><i style="text-indent: -1cm;"><span lang="EN-US" style="font-family: "Arial","sans-serif";">The second level with its
transversal rooms, which relate to the vertical dilations</span></i></div>
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<!--[if !supportLists]--><span lang="EN-US" style="font-family: Symbol;">·<span style="font-family: 'Times New Roman';"> </span></span><i><span lang="EN-US" style="font-family: Arial, sans-serif;">Finally the top floor with
its horizontal space, juxtaposed with syncopated vertical and horizontal
spaces. This room stitches together the three courtyards - black, white and
gold - with three perceptive situations related to the optical illusions used
by the 1960's kinetic artists brought here into the outdoor space with changes
of scale and references to the place.<span style="font-size: x-small;"><o:p></o:p></span></span></i></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif";"><span style="font-size: x-small;">Fuentes / Sources:<o:p></o:p></span></span></i></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif";"><span style="font-size: x-small;">+ <a href="http://www.sancho-madridejos.com/" target="_blank">S-M.A.O. SANCHO-MADRIDEJOS ARCHITECTURE OFFICE</a><o:p></o:p></span></span></i></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif";"><span style="font-size: xx-small;">Premios y Distinciones / Awards and
Distinctions:<o:p></o:p></span></span></i></div>
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<span style="font-size: xx-small;"><i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">+ PRIMER PREMIO
en Concurso de Ideas. </span></i><i><span lang="EN-US" style="font-family: "Arial","sans-serif";">ALICANTE 2.001</span></i></span></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif";"><span style="font-size: xx-small;"> / FIRST
PRIZE in Ideas Competition. ALICANTE
2.001<o:p></o:p></span></span></i></div>
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<span style="font-size: xx-small;"><i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">+ NOMINADO para
el PREMIO MIES VAN DER ROHE. </span></i><i><span lang="EN-US" style="font-family: "Arial","sans-serif";">BARCELONA, 2.011 </span></i></span></div>
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<span style="font-size: xx-small;"><i><span lang="EN-US" style="font-family: "Arial","sans-serif";">/
NOMINATED FOR THE MIES VAN DER ROHE
AWARD. </span></i><i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">BARCELONA, 2.011<o:p></o:p></span></i></span></div>
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<span style="font-size: xx-small;"><i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">+ MEDALLA AL MÉRITO
EN LAS BELLAS ARTES 2011 por la Real Academia de las Bellas Artes San Carlos. </span></i><i><span lang="EN-US" style="font-family: "Arial","sans-serif";">VALENCIA,
2012 / MEDAL OF MERIT IN FINE ARTS 2011 by the Royal Academy of Fine Arts San
Carlos. </span></i><i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">VALENCIA, 2012<o:p></o:p></span></i></span></div>
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<span style="font-size: xx-small;"><i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-size: 12.0pt;">+ </span></i><i><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR; mso-bidi-font-size: 12.0pt;">PREMIO «PALMARES
ARCHITECTURE ALUMINIUM 2013». MADRID, 2013 </span></i><i><span lang="FR" style="font-family: Arial, sans-serif;">/ AWARD «PALMARES ARCHITECTURE
ALUMINIUM 2013». MADRID, 2013</span></i></span></div>
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<i><span lang="FR" style="font-family: "Arial","sans-serif"; mso-ansi-language: FR; mso-bidi-font-size: 12.0pt;"><span style="font-size: x-small;"><b>-----------------------------------------------------------------COCINÁNDOSE
/ COOKING</b></span></span></i></div>
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Agustín Malonda Alberohttp://www.blogger.com/profile/12228836916215119090noreply@blogger.comtag:blogger.com,1999:blog-4887843827271288151.post-8633257723540250582014-07-13T18:08:00.001+02:002014-07-22T17:18:26.031+02:00LA OTRA VIDA DE LOS LADRILLOS / ESCUELA DE LADRILLOS RECICLADOS EN CHINA DE JOHN LIN, ARQUITECTO, Y RUF<div class="MsoNormal" style="page-break-after: avoid;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgddsfbYDDIptBh2XjYjAs0D8xhwhVLTi89cuJVl0a8ZVENCqEkvMTt3L4w4z3z8t1REdjZwq9QFe6kQ0unEX-m34pQDISIBdkW9b6mlJRuj6Q6MidWHsFB_z0surY4zObrPaj97E_Ch0M/s1600/TJ13_coloured+columns.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgddsfbYDDIptBh2XjYjAs0D8xhwhVLTi89cuJVl0a8ZVENCqEkvMTt3L4w4z3z8t1REdjZwq9QFe6kQ0unEX-m34pQDISIBdkW9b6mlJRuj6Q6MidWHsFB_z0surY4zObrPaj97E_Ch0M/s1600/TJ13_coloured+columns.JPG" height="425" width="640" /></a><b><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;"><span style="background-color: #cccccc;">John Lin, architect</span><o:p></o:p></span></b></div>
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<b><span lang="EN-US" style="color: #0d0d0d; font-family: "Arial","sans-serif";">Rural Urban Framework
(RUF)</span></b><b><span lang="EN-US" style="color: #0d0d0d; font-family: "Arial","sans-serif"; mso-fareast-language: ZH-CN;"> <o:p></o:p></span></b></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-fareast-language: ZH-CN;">Escuela
de ladrillos reciclados en Tongjiang, Jianxi (China) / <i>Tongjiang Recycled Brick School, Jianxi (Chine)<o:p></o:p></i></span></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-bidi-font-weight: bold;"><span style="font-size: x-small;">Fotografías: <span style="color: #0d0d0d;">Rural Urban Framework (RUF)</span></span></span></i><br />
<a name='more'></a><b><span style="color: #0d0d0d; font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-fareast-language: ZH-CN;"> <o:p></o:p></span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikyoe77NhrYQ3lrP44tEiuTNUfEa_Zqcraq2TeCLxi9OZCBu2V4kZwc1qmKFK6FYdFHxe-LGUXG77NIbKb1Twrfhi9Ky1Fdzx5ld2q0gNrctlWqYZd4OjAGtNLF6t1WDAA68JA4v3TCA4/s1600/TJ_11.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikyoe77NhrYQ3lrP44tEiuTNUfEa_Zqcraq2TeCLxi9OZCBu2V4kZwc1qmKFK6FYdFHxe-LGUXG77NIbKb1Twrfhi9Ky1Fdzx5ld2q0gNrctlWqYZd4OjAGtNLF6t1WDAA68JA4v3TCA4/s1600/TJ_11.JPG" height="425" width="640" /></a></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif";">(De los autores / From the authors).....................................................<o:p></o:p></span></i></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9er45f8Kjemv_rfwLRjqNFai326LDVNTcav1SXQSHPGfCS5PbEYbpANrQXsT8lTgwLsgTJHBpwnK7Pz-KGsY2-hlGrKqW9HaDZ4vDOwDI38d-kh7jmsRdU5wtjc3Wskl3oxmuQM-ggmo/s1600/07+external+wall+render.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9er45f8Kjemv_rfwLRjqNFai326LDVNTcav1SXQSHPGfCS5PbEYbpANrQXsT8lTgwLsgTJHBpwnK7Pz-KGsY2-hlGrKqW9HaDZ4vDOwDI38d-kh7jmsRdU5wtjc3Wskl3oxmuQM-ggmo/s1600/07+external+wall+render.jpg" height="300" width="400" /></a><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">Al igual que otras muchas áreas de China, la población de Tongjiang, en la
provincia de Jianxi, experimenta un creciente proceso de urbanización. Aquí, la
presencia de edificaciones que muestran diversos estados de finalización en us
obras, son un reflejo del flujo y reflujo de los recursos que llega a la
población procedentes de aquellos que trabajan en las zonas industrializadas.
Dentro de este contexto de recursos limitados, la Escuela de Primaria Tongjiang
arranca de un proyecto para ampliar una escuela existente. <o:p></o:p></span></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif";">/ Like many other areas of China, Tongjiang village in Jianxi Province, is
undergoing the urbanization process. Here, buildings of various states of
completion reflect the ebb and flow of incoming funds. Within this context of limited resources, the
Tongjiang Primary School is a project to expand upon an existing school.</span></i><span lang="EN-US" style="font-family: "Arial","sans-serif";"><o:p></o:p></span></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">El gobierno chino se encuentra, actualmente, en el proceso de modernización
de las pequeñas escuelas existentes de primaria en las zonas más remotas,
transformándolas en centros más grandes que acojan tanto a los niveles de
primaria como de secundaria. Algunas actuaciones disponen de dormitorios para
alojar a los niños que viven más lejos. El objeto de esta estrategia es
garantizar un mejor mantenimiento y facilitar el proceso de urbanización. En el
caso de la presente escuela, el edificio escolar existente debía demolerse para
dar paso a un nuevo centro con un programa ampliado.<o:p></o:p></span></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;"> / The Chinese Government is currently in the
process of consolidating small primary schools in remote areas into larger
schools with primary and secondary school children. Additional dorms are
provided for children who live farther away. This is a strategy to ensure ease
of maintenance and helps to facilitate the urbanization process. As in the case
for this school, an existing school building will be torn down to make way for
a new one with an expanded program.<o:p></o:p></span></i></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">Como alternativa a la clara tendencia a demoler en las zonas rurales, este
proyecto propone una estrategia basada en el reciclaje de los materiales de los
edificios existentes para ser utilizados en la nueva edificación. Tras la
demolición del viejo inmueble, sugerimos reutilizar los escombros para ser
usados en la formación de la cubierta verde, y como aislamiento térmico de la
misma. El faldón de la cubierta inclinada “a un agua” se encuentra, en su parte
más baja, con un cerramiento que, en distintas zonas, se abre al exterior a
través de las perforaciones en su patrón de ladrillo. <o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOrxjzueaX3xEIoqZpSniulWrt9Sg81mNXHktyFIuqucmOQhNOMmI-kfAaDk2ybCnN1vbEfWCsmNljvV8tUsXFv82oNww6ZrDMzc0uTgAdkP8MqzvWZ6P5RI4PJTnYrMbhHznA4fjzLzQ/s1600/TJ_09.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOrxjzueaX3xEIoqZpSniulWrt9Sg81mNXHktyFIuqucmOQhNOMmI-kfAaDk2ybCnN1vbEfWCsmNljvV8tUsXFv82oNww6ZrDMzc0uTgAdkP8MqzvWZ6P5RI4PJTnYrMbhHznA4fjzLzQ/s1600/TJ_09.jpg" height="213" width="320" /></a></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif";">/ Responding to the prevalence of demolition in rural areas, this project
proposes a strategy for recycling old buildings into a new primary school.
Following the demolition of the old establishment, we suggested reusing the
rubble as a growing medium and insulation on the green roof.</span></i><i><span lang="EN-AU" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-AU;"> This roof steps down to join a wall that gradually become
more open through perforations in its brick patterning.</span></i><span lang="EN-US" style="font-family: "Arial","sans-serif";"><o:p></o:p></span></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">Para la construcción de este muro se utilizaron los tradicionales ladrillos
"verdes" recogidos en las demoliciones de los viejos edificios en
esta histórica región. Por otra lado, la fachada interior presenta una suerte
de celosía a base de pilastras verticales de ladrillo de diferentes anchos: las
columnas verticales evitan el deslumbramiento solar, y amplias secciones en
forma de C alojan las estanterías de las aulas. El resultado obtenido muestra
una composición visualmente dinámica.<o:p></o:p></span></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;">/ Traditional
“green” bricks collected from demolition sites of old houses in this historic
region were intended to be used as part of this wall. The interior façade
contains brick fins of varying sizes:</span></i><i><span lang="EN-AU" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-AU;"> thin strips prevent solar glare and wider C-sections contain
bookshelves within the classrooms. Resulting is a visually dynamic composition</span></i><i><span lang="EN-US" style="font-family: "Arial","sans-serif";"><o:p></o:p></span></i></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjokx7AkmDVa7ixVdol52AvTIoN_GsnuLzVUrrRYq4tF1ywwWuhmJyeUIVBRODj-DangZyc9M_nRPlMe4N7J_gi8C50r8Sztm8OP1t-qVyzPviX5DbKllkSdDQ2y1bhbTmOjotd-kAE6MY/s1600/TJ14_interior+corridor.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjokx7AkmDVa7ixVdol52AvTIoN_GsnuLzVUrrRYq4tF1ywwWuhmJyeUIVBRODj-DangZyc9M_nRPlMe4N7J_gi8C50r8Sztm8OP1t-qVyzPviX5DbKllkSdDQ2y1bhbTmOjotd-kAE6MY/s1600/TJ14_interior+corridor.JPG" height="400" width="266" /></a></div>
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<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">Este proyecto demuestra una manera para reciclar los viejos materiales, que
pueden ser usados en un nuevo prototipo para un edificio escolar sostenible.
Responde a las fuerzas específicas de transformación dentro de su contexto,
pero, también, apuesta por una manera de entender la arquitectura cuyo carácter
no es, esencialmente, nostálgico o vernáculo.<o:p></o:p></span></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;">/ The project
demonstrates a way to recycle old material into a new prototype for a
sustainable school building. </span></i><i><span lang="EN-GB" style="font-family: Arial, sans-serif;">It
responds to the specific forces of transformation within its context yet also
stakes a claim to an architecture that is not overly nostalgic or vernacular in
nature.</span></i><i style="font-size: small;"><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;"><o:p></o:p></span></i></div>
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<i><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;"><span style="font-size: x-small;">Fuentes /
Sources:<o:p></o:p></span></span></i></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif";"><span style="font-size: x-small;">+ <a href="http://www.rufwork.org/" target="_blank">Rural Urban Framework (RUF) </a><o:p></o:p></span></span></i></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-weight: bold;"><span style="font-size: xx-small;">Rural Urban
Framework is a not-for-profit design agency based at the Faculty of
Architecture, The University of Hong Kong</span><span style="font-size: x-small;">.<o:p></o:p></span></span></i></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif";"><span style="font-size: x-small;"><b>-----------------------------------------------COCINÁNDOSE
/ COOKING</b></span><o:p></o:p></span></i></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjM2Q29jWoc3D9hU5N-GFOJj_avJ4ANriBFRhfyTFR0MwU5OCUJA7z2gyJSNBZPhWDN8UQZHVdbBBhVkf5tGzHTmrtc7cyGn_XFhCv3ZgWSUr-w5SCFd_U3C5y-hdgzfl8sia7RaCnwRoE/s1600/07+screen+wall.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjM2Q29jWoc3D9hU5N-GFOJj_avJ4ANriBFRhfyTFR0MwU5OCUJA7z2gyJSNBZPhWDN8UQZHVdbBBhVkf5tGzHTmrtc7cyGn_XFhCv3ZgWSUr-w5SCFd_U3C5y-hdgzfl8sia7RaCnwRoE/s1600/07+screen+wall.jpg" height="451" width="640" /></a></div>
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Agustín Malonda Alberohttp://www.blogger.com/profile/12228836916215119090noreply@blogger.comtag:blogger.com,1999:blog-4887843827271288151.post-70417037057924386352014-07-09T12:13:00.000+02:002014-07-21T17:42:37.468+02:00CAIXAFORUM EN ZARAGOZA DEL ESTUDIO CARME PINÓS<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4xUP4kR3A8IKODFxJdEr7y6FbPC8mSITRjJtrwQdoXwMZ-lrCTv8z-H0vhPtEMBJ-ZD_92G-3DraaBrfDc4NgjrFVeHblAPE2xrnOAbAxFetKlYfYL6vcJ2DsEc9DhE_0Ykmzv5wxy6M/s1600/FotografoRicardoSantonja_CaixaForumZaragoza_05_IMG_2532_CFZ0007.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4xUP4kR3A8IKODFxJdEr7y6FbPC8mSITRjJtrwQdoXwMZ-lrCTv8z-H0vhPtEMBJ-ZD_92G-3DraaBrfDc4NgjrFVeHblAPE2xrnOAbAxFetKlYfYL6vcJ2DsEc9DhE_0Ykmzv5wxy6M/s1600/FotografoRicardoSantonja_CaixaForumZaragoza_05_IMG_2532_CFZ0007.jpg" height="433" width="640" /></a></div>
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<b><span style="font-family: Arial, sans-serif;"><span style="background-color: #cccccc;">Estudio Carme Pinós </span><o:p></o:p></span></b></div>
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<b><span style="font-family: Arial, sans-serif;">Carme Pinós Desplat, arquitecta</span></b><span style="font-family: Arial, sans-serif;"> <o:p></o:p></span></div>
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<a href="https://www.blogger.com/null" name="_GoBack"></a><span lang="ES-TRAD" style="font-family: "Arial","sans-serif"; mso-fareast-font-family: Calibri;">Samuel Arriola</span><span lang="ES-TRAD" style="font-family: "Arial","sans-serif";">,
</span><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-fareast-font-family: Calibri;">Elsa Martí</span><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">, </span><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-fareast-font-family: Calibri;">Alberto Feijoo</span><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">, </span><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-fareast-font-family: Calibri;">Teresa Lluna</span><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">, </span><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-fareast-font-family: Calibri;">Daniel Cano</span><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">, Arquitectos
Colaboradores / <i>Collaborator Architects</i>
</span><span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES; mso-fareast-font-family: Calibri;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-US; mso-bidi-font-style: italic; mso-bidi-font-weight: bold;">Edificio CaixaForum en Zaragoza
/ </span><i><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-US;">CaixaForum Building in Zaragoza (Spain)</span></i></div>
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<i><span style="font-family: Arial, sans-serif;"><span style="font-size: x-small;">Fotografía:<a href="http://www.imasdmasart.com/" target="_blank"> Ricardo Santonja</a> y <a href="http://www.cpinos.com/" target="_blank">Estudio Carme Pinós</a></span></span></i><br />
<a name='more'></a><i><span style="font-family: Arial, sans-serif;"><span style="font-size: x-small;"><a href="http://www.cpinos.com/" target="_blank"> </a></span><o:p></o:p></span></i></div>
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<i><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgp6zPrLB_RGJul_wmwLWMaiuDW_tBjbmb1nv32w4uN_arILFpL4A42n-rONexAmxbhw45eKg7BFxfcRxGlz4F_eHJAh7wQuoUx-eWIObMOsf_v1FvlJcaSP5MDsehK58qZWOf8f9KkGRU/s1600/FotografoRicardoSantonja_CaixaForumZaragoza_23_IMG_3083_CFZ0026.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgp6zPrLB_RGJul_wmwLWMaiuDW_tBjbmb1nv32w4uN_arILFpL4A42n-rONexAmxbhw45eKg7BFxfcRxGlz4F_eHJAh7wQuoUx-eWIObMOsf_v1FvlJcaSP5MDsehK58qZWOf8f9KkGRU/s1600/FotografoRicardoSantonja_CaixaForumZaragoza_23_IMG_3083_CFZ0026.jpg" height="425" width="640" /></a></i></div>
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<i><span lang="EN-US" style="font-family: Arial, sans-serif;">(Del autor
/ From the author)<o:p></o:p></span></i></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF2Y-BiZ-kww6-bud6XYtUFwWuTqsmomKmkDWaYlJBusC3i_R5U6B6bxnpnCSvci8PN_LoOgZMQRJ_QDzSuvnBUYJrkPDNlmHn7ViOQVemPWLt_RmEejIlNe4ysxdWMfBzek26Jdl_KLg/s1600/EstudioCarmePinos_CaixaForumZaragoza_01_53cfz.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF2Y-BiZ-kww6-bud6XYtUFwWuTqsmomKmkDWaYlJBusC3i_R5U6B6bxnpnCSvci8PN_LoOgZMQRJ_QDzSuvnBUYJrkPDNlmHn7ViOQVemPWLt_RmEejIlNe4ysxdWMfBzek26Jdl_KLg/s1600/EstudioCarmePinos_CaixaForumZaragoza_01_53cfz.JPG" height="235" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHBErCGqZCnglPPURP-w53IsGM1eg90THiQhSfi-hzp8QxauyS5VegRF1WemrOqX38NJf7MlibgI3ZBpPnuVPNvP4fTNtLTXaPUMb23rD6fhDpV0LhESkL2oVzXbdv5iFZm2J5SW-oXHQ/s1600/0_EMPLAZAMIENTO.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHBErCGqZCnglPPURP-w53IsGM1eg90THiQhSfi-hzp8QxauyS5VegRF1WemrOqX38NJf7MlibgI3ZBpPnuVPNvP4fTNtLTXaPUMb23rD6fhDpV0LhESkL2oVzXbdv5iFZm2J5SW-oXHQ/s1600/0_EMPLAZAMIENTO.jpg" height="226" width="320" /></a></div>
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<span style="font-family: Arial, sans-serif;">Empezamos el proyecto planteándonos dos retos:<o:p></o:p></span></div>
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<span style="font-family: Arial, sans-serif;">Primero: un edificio capaz de hacer ciudad, ya sea desde
su singularidad como desde los espacios públicos que genere. Segundo: un
edificio que al recorrerlo conecte con perspectivas lejanas pero, que al mismo
tiempo, proporcione introspección en las
salas de exposiciones.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrYg3qK4VZEvVx_pdXG-etWcogD458UuXRXxokYVwtQAzrqArHo8zeoEUbVxytNc09D5Jgf-W4MYPfIGF9SaalVixwwtAaAINFYIwX4KQI9_CsoMlsbyqXHAy1gYF3WenjzNjzqwAnms4/s1600/1.1_SITUACI%25C3%2593N.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrYg3qK4VZEvVx_pdXG-etWcogD458UuXRXxokYVwtQAzrqArHo8zeoEUbVxytNc09D5Jgf-W4MYPfIGF9SaalVixwwtAaAINFYIwX4KQI9_CsoMlsbyqXHAy1gYF3WenjzNjzqwAnms4/s1600/1.1_SITUACI%25C3%2593N.jpg" height="226" width="320" /></a></div>
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<i><span lang="EN-US" style="font-family: Arial, sans-serif;">We started the
project by posing two challenges:<o:p></o:p></span></i></div>
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<i><span lang="EN-US" style="font-family: Arial, sans-serif;">First, a building
capable of making town, either from its uniqueness as from public spaces that
generates. Second, a building, that when we traverse it, it connects us with
distant prospects but at the same time, it provides us a introspection into the
exhibition halls.<o:p></o:p></span></i></div>
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<span style="font-family: Arial, sans-serif;">Es decir, un edificio que haga ciudad y que al habitarlo
nos sintamos parte de ella.<o:p></o:p></span></div>
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<i><span lang="EN-US" style="font-family: Arial, sans-serif;">That is, a building
that "makes city" and in which we feel part of it when it is inhabit.<o:p></o:p></span></i></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOuOuruS5TqMTEyBemLONcamdrgCupKy9nUPRvtqpXj4gpyPdXeNnxo53gh-guV9TuT9Vuj6TpE5yp9lC7RonQkrnUL-YGsqg-LKX9uPEcWXNzGYv134j0lUIzZ3jjti13pnunDJO8U2g/s1600/EstudioCarmePinos_CaixaForumZaragoza_03_79cfz.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOuOuruS5TqMTEyBemLONcamdrgCupKy9nUPRvtqpXj4gpyPdXeNnxo53gh-guV9TuT9Vuj6TpE5yp9lC7RonQkrnUL-YGsqg-LKX9uPEcWXNzGYv134j0lUIzZ3jjti13pnunDJO8U2g/s1600/EstudioCarmePinos_CaixaForumZaragoza_03_79cfz.JPG" height="425" width="640" /></a></div>
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<span style="font-family: Arial, sans-serif;">Resolvemos estos dos planteamientos elevando las salas para liberar con ello la
planta baja y situar en ésta las partes
más abiertas y transparentes; el lobby y la tienda. Nuestra intención es
generar espacio público, hacer que el parque llegue a la ciudad, pasando por
debajo del edificio, espacio que por la noche quedará iluminado con dibujos que
se consiguen perforando la chapa, que además esconde la estructura que soporta
las salas elevadas.<o:p></o:p></span></div>
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<i><span lang="EN-US" style="font-family: Arial, sans-serif;">We solve these two
approaches by raising the rooms, releasing thereby the groundfloor and putting
in it in the most open and transparent parts; the lobby and the shop. Our
intention is to generate public space, making the park comes to town, passing
under the building, space that will be illuminated at night with drawings that
are achieved by piercing the sheet metal, which also hides the structure that supports
the high rooms.<o:p></o:p></span></i></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5kyamgWTiW4MWhnnekPaZJ_3DCXYnGtVgHm_ylwytVZLZxjWnSzr19HZE_TY_Xt6w10Qzo1TK-mTHNeNIzcTklIrNIxV0HG24_c0u-0xi986NmK8DN22OtstXPP0ZEDsTY_wuo9zmrnc/s1600/EstudioCarmePinos_CaixaForumZaragoza_CAIXAFORUM_5.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5kyamgWTiW4MWhnnekPaZJ_3DCXYnGtVgHm_ylwytVZLZxjWnSzr19HZE_TY_Xt6w10Qzo1TK-mTHNeNIzcTklIrNIxV0HG24_c0u-0xi986NmK8DN22OtstXPP0ZEDsTY_wuo9zmrnc/s1600/EstudioCarmePinos_CaixaForumZaragoza_CAIXAFORUM_5.jpg" height="345" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHCZSVp2NHrw0oSuUTu2y675At-pfGBtPWu9042TtkGzt4xu1wY4pxiEfsuhOJqa_5ho_FkZ5W94k0QEZh9vTs9cI-ySpIgPxzPJYl1bZqgvv8AKS6EfSGtzpnjPenUIbYFUEotylVLDQ/s1600/EstudioCarmePinos_CaixaForumZaragoza_04_61cfz.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHCZSVp2NHrw0oSuUTu2y675At-pfGBtPWu9042TtkGzt4xu1wY4pxiEfsuhOJqa_5ho_FkZ5W94k0QEZh9vTs9cI-ySpIgPxzPJYl1bZqgvv8AKS6EfSGtzpnjPenUIbYFUEotylVLDQ/s1600/EstudioCarmePinos_CaixaForumZaragoza_04_61cfz.JPG" height="400" width="266" /></a><span style="font-family: Arial, sans-serif;">Bajo la sala elevada y semienterrado, situamos un jardín
para dar evacuación al auditorio, pudiéndose entender también como ante sala y
zona de catering al aire libre. Así el auditorio, situado en el subsuelo y
accesible desde el lobby, se puede considerar semienterrado y conectado
directamente a la ciudad gracias a este jardín.</span></div>
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<i><span lang="EN-US" style="font-family: Arial, sans-serif;">Under the high and
partially buried room, we put a garden for audience´s evacuation, it also being
possible to understand as a entrance hall and outdoor catering. In this way,
the auditorium, located in the basement and accessible from the lobby, can be
considered half buried and connected directly to the city thanks to this
garden.</span></i></div>
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<span style="font-family: Arial, sans-serif;">Las dos salas suspendidas se enfrentan a niveles
diferentes, para que al salir de una veas la ciudad por debajo de la otra.
Creemos que entre una sala y otra tiene que haber zonas de relajación y
descompresión; entre una exposición y la siguiente. Por eso la conexión entre
salas se resuelve con escaleras mecánicas, recorridos que nos regalan vistas
lejanas y no como lo es a través de ascensores que te descontextualizan y
no</span><span style="font-family: Arial, sans-serif;"> </span><span style="font-family: Arial, sans-serif;">ofrecen el estado de descompresión
antes mencionado.</span></div>
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<i><span lang="EN-US" style="font-family: Arial, sans-serif;">The two hanging rooms
are facing different levels, in order you can see the city below the other when
you leave. We believe that between one room and another, it must have
relaxation and decompression areas; between an exposure and the next. So, the
connection between rooms is solved with escalators, that give us distant views
and not as it is through elevators which decontextualize and they do not offer
you the aforementioned decompression state.<o:p></o:p></span></i></div>
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<span style="font-family: Arial, sans-serif;">En lo más alto del edificio y con vistas a la ciudad se
sitúan la cafetería y el restaurante. En cambio, en el lado contrario y, debido a la diferencia de niveles entre las
salas, se genera una terraza bar que, en
continuidad con el restaurante interior, permite fantásticas vistas hacia el
meandro de Ranillas y la Expo Zaragoza.<o:p></o:p></span></div>
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<i><span lang="EN-US" style="font-family: Arial, sans-serif;">At the top of the
building and overlooking the city, the cafe and restaurant are situated.
However, on the opposite side and, because of the level difference between
rooms, a terrace bar, in continuity with the restaurant interior is generated,
which allows fantastic views of Ranillas rivergate and Expo Zaragoza.<o:p></o:p></span></i></div>
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<span style="font-family: Arial, sans-serif;">Nuestro proyecto gracias a una estructura singular y
factible aparece como un elemento escultórico en medio del parque. Queremos que
nuestro edificio sea símbolo del progreso de la técnica y de la generosidad de
la cultura, que sea el reflejo sólo de lo mejor que tiene nuestra época.</span></div>
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<i><span lang="EN-US" style="font-family: Arial, sans-serif;">Our project thanks to
a unique and feasible structure appears as a sculpture in the middle of the
park. We want that our building be a symbol of progress in the art and culture
of generosity, which is a reflection just of the best thing about our time.<span style="font-size: x-small;"><o:p></o:p></span></span></i></div>
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<i><span lang="CA" style="font-family: Arial, sans-serif;"><span style="font-size: x-small;">Fuentes: </span></span></i></div>
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<i><span lang="CA" style="font-family: Arial, sans-serif;"><span style="font-size: x-small;">+ <a href="http://www.cpinos.com/" target="_blank">Estudio CarmePinós </a></span><span style="font-size: small;"><o:p></o:p></span></span></i></div>
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<i><span lang="CA" style="font-family: Arial, sans-serif;"><span style="font-size: x-small;">+ <a href="http://www.imasdmasart.com/" target="_blank">Ricardo Santonja</a>, arquitecto y fotógrafo</span></span></i><br />
<i><span lang="CA" style="font-family: Arial, sans-serif;"><span style="font-size: x-small;"><br /></span></span></i>
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TÉCNICA / CREDIT LIST<o:p></o:p></span></span></i></div>
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<span style="color: #999999; font-family: Arial, sans-serif;"><span style="font-size: x-small;">Obra
/ Work<o:p></o:p></span></span></div>
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<b><i><span lang="ES-TRAD" style="font-family: Arial, sans-serif;"><span style="font-size: x-small;">CaixaForum Zaragoza / Zaragoza´s CaixaForum<o:p></o:p></span></span></i></b></div>
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<span style="color: #999999; font-family: Arial, sans-serif; font-size: x-small; line-height: 12pt;">Programa
/ Program</span></div>
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<b><span style="font-family: Arial, sans-serif;"><span style="font-size: x-small;">Museo, auditorio, oficinas, aulas,
restaurante-cafetería<o:p></o:p></span></span></b></div>
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<b><i><span lang="EN-US" style="font-family: Arial, sans-serif;"><span style="font-size: x-small;">Museum, auditorium, offices, classrooms,
café-restaurant<o:p></o:p></span></span></i></b></div>
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<span style="color: #999999; font-family: Arial, sans-serif; font-size: x-small; line-height: 12pt;">Situación
/ Situation</span></div>
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<b><i><span style="font-family: Arial, sans-serif;"><span style="font-size: x-small;">Av. José Anselmo Clavé, 4 50004 Zaragoza (Spain)<o:p></o:p></span></span></i></b></div>
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<span style="color: #999999; font-family: Arial, sans-serif; font-size: x-small; line-height: 12pt;">Arquitecto / Architect</span></div>
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<b><i><span style="font-family: Arial, sans-serif;"><span style="font-size: x-small;">Carme Pinós Desplat<o:p></o:p></span></span></i></b></div>
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<span style="color: #999999; font-family: Arial, sans-serif; font-size: x-small; line-height: 12pt; text-align: justify;">Arquitecto responsable del proyecto / Responsable
Project Architect</span></div>
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<b><i><span style="font-family: Arial, sans-serif;"><span style="font-size: x-small;">Samuel Arriola<o:p></o:p></span></span></i></b></div>
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<span style="color: #999999; font-family: Arial, sans-serif; font-size: x-small; line-height: 12pt;">Arquitectos
Colaboradores / Collaborator Architects</span></div>
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<b><i><span style="font-family: Arial, sans-serif;"><span style="font-size: x-small;">Elsa Martí, Alberto Feijoo, Teresa Lluna, Daniel Cano<o:p></o:p></span></span></i></b></div>
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<span style="color: #999999; font-family: Arial, sans-serif; font-size: x-small; line-height: 12pt;">Aparejador
/ Quantity Surveyor</span></div>
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<b><i><span style="font-family: Arial, sans-serif;"><span style="font-size: x-small;">Joan Mas<o:p></o:p></span></span></i></b></div>
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<span style="color: #a6a6a6; font-family: Arial, sans-serif; font-size: x-small; line-height: 12pt;">Ingeniería
de estructuras / Structure Engineering</span></div>
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<b><i><span style="font-family: Arial, sans-serif;"><span style="font-size: x-small;">Boma (Robert Brufau, Clara Bretón)<o:p></o:p></span></span></i></b></div>
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<span style="color: #a6a6a6; font-family: Arial, sans-serif; font-size: x-small; line-height: 12pt;">Ingeniería / Engineering</span></div>
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<b><i><span style="font-family: Arial, sans-serif;"><span style="font-size: x-small;">INDUS Ingeniería y Arquitectura SA<o:p></o:p></span></span></i></b></div>
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<span style="color: #999999; font-family: Arial, sans-serif; font-size: x-small; line-height: 12pt;">Propiedad</span><b style="color: #999999; font-family: Arial, sans-serif; font-size: small; line-height: 12pt;"> / </b><span style="color: #999999; font-family: Arial, sans-serif; font-size: x-small; line-height: 12pt;">Client</span></div>
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<b><i><span style="font-family: Arial, sans-serif;"><span style="font-size: x-small;">Fundación “La Caixa” </span></span></i></b><b style="font-size: small; line-height: 12pt;"><i><span style="font-family: Arial, sans-serif;"> </span></i></b></div>
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<span style="color: #999999; font-family: Arial, sans-serif;"><span style="font-size: x-small;">Fotógrafos / Photographers<o:p></o:p></span></span></div>
<div class="Prrafobsico" style="line-height: 12.0pt; tab-stops: 85.0pt;">
<span style="font-size: x-small;"><b><i><span lang="ES-TRAD" style="font-family: "Arial","sans-serif";">Ricardo Santonja (I+D+Art),
Estudio Carme Pinós</span></i></b><span lang="ES-TRAD" style="font-family: "Arial","sans-serif";"><o:p></o:p></span></span></div>
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<span style="color: #999999; font-family: Arial, sans-serif; font-size: x-small; line-height: 12pt;">Constructora / Builder</span></div>
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<b><i><span style="font-family: Arial, sans-serif;"><span style="font-size: x-small;">Dragados<o:p></o:p></span></span></i></b></div>
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<span style="color: #a6a6a6; font-family: Arial, sans-serif; font-size: x-small; line-height: 12pt;">Proyecto / project</span></div>
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<b><i><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-US;"><span style="font-size: x-small;">2008-2010<o:p></o:p></span></span></i></b></div>
<div class="Prrafobsico" style="line-height: 12.0pt; tab-stops: 85.0pt;">
<span style="color: #a6a6a6; font-family: Arial, sans-serif; font-size: x-small; line-height: 12pt;">Obra / Construction </span></div>
<div class="Prrafobsico" style="line-height: 12.0pt; tab-stops: 85.0pt;">
<b style="line-height: 12pt;"><i><span lang="ES-TRAD" style="font-family: "Arial","sans-serif";"><span style="font-size: x-small;">2011-2014</span></span></i></b></div>
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<i><span lang="CA" style="font-family: Arial, sans-serif;"><span style="font-size: x-small;"><br /></span></span></i>
<i><span lang="CA" style="font-family: Arial, sans-serif;"><span style="font-size: x-small;"><br /></span></span></i>
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<i><span lang="CA" style="font-family: Arial, sans-serif;"><span style="font-size: x-small;"><br /></span></span></i>
<i><span lang="CA" style="font-family: Arial, sans-serif;"><span style="font-size: x-small;"><br /></span></span></i></div>
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Agustín Malonda Alberohttp://www.blogger.com/profile/12228836916215119090noreply@blogger.com