/ Parallelism with the famous novel "Alice in Wonderland" by Lewis
Carroll is immediate. It transports us to a world of mixed feelings where
imagination and reality, work and play, fun and responsibility are combined. A
world of sensations, experiences, sets of scales and color are perceived by the
eyes of children, coexisting with adults, making necessary to use a dual scale adapted
to each of them. But not only the scale must be adapted, also the space
perception. Due to this reason, we consider essential thinking from inside the
building. First of all, the central space works as a public space covered where
you can access to all classrooms. It is a smooth space with items that enhance
visual and tactile perception: the circular courtyard, that introduces outside
to inside; the deep cover skylights larger than 2 meters of height that introduce a world of color; the access
to the classrooms with partitions unfolded and deep windows that work as a
individual spaces and allow to the children enter inside. These are resources
that enhance haptic space against a purely visual space.Forma parte ya del lenguaje cotidiano denominar Zona Cero a aquel espacio (físico o no) que ha sido objeto de un acontecimiento de tal magnitud que, automáticamente, pone el contador a cero en la historia particular de ese sitio (físico o no): primero para que no se olvide y, segundo, para que todo pueda ser reformulado desde ese nuevo punto de partida. El momento actual de crisis generalizada puede convertirse (si no lo ha sido ya) en la Zona Cero para la arquitectura en nuestro país: un espacio de tiempo, concreto, a partir del cual nos veremos obligados a buscar nuevos caminos. / Forms part of everyday language to call Zero Zone to that space (physical or not) that has undergone an event of such magnitude that automatically sets the counter to zero in the particular history of that site (physical or not): first so that is not forgotten and, second, so that everything can be reformulated from this new starting point. The present time of general crisis can become (if it has not already been) at Zero Zone for Architecture in our country: a space of time, concrete, from which we will be forced to seek new ways.
23/6/14
LA CUBIERTA : UN PATIO EN EL CIELO / ESCUELA INFANTIL EN LEGANÉS DE RUEDA PIZARRO ARQUITECTOS
/ Parallelism with the famous novel "Alice in Wonderland" by Lewis
Carroll is immediate. It transports us to a world of mixed feelings where
imagination and reality, work and play, fun and responsibility are combined. A
world of sensations, experiences, sets of scales and color are perceived by the
eyes of children, coexisting with adults, making necessary to use a dual scale adapted
to each of them. But not only the scale must be adapted, also the space
perception. Due to this reason, we consider essential thinking from inside the
building. First of all, the central space works as a public space covered where
you can access to all classrooms. It is a smooth space with items that enhance
visual and tactile perception: the circular courtyard, that introduces outside
to inside; the deep cover skylights larger than 2 meters of height that introduce a world of color; the access
to the classrooms with partitions unfolded and deep windows that work as a
individual spaces and allow to the children enter inside. These are resources
that enhance haptic space against a purely visual space.



























